AP Literature Course Syllabus

AP Literature Course Syllabus 2012 -2013 Ms. Wilson Course Description: In this course you will hone your writing and analytic skills, in preparation for both the AP Literature and Composition exam and your future college studies. Below you will find an outline of the course units grouped by marking period. You can expect to have two outside readings and a minimum of three essays per marking period. Marking Period One – The class-wide outside reading for this marking period is Homer’s The

Odyssey. Due date for completion of reading: November 12th. This is separate from your individual outside reading project. I.

What is Literature? Recap of summer assignment, discussion of the prompt:

Books to be discussed: The Road, Extremely Loud and Incredibly Close, True

Grit, Tender at the Bone, The Devil in the White City and The Immortal Life of II.

Henrietta Lacks.

The College Essay – You will work on perfecting your college essay draft (due the first day of class). We will go over editing techniques and you will workshop essays. You will turn in the final draft for an essay grade. Due Date: September 20th.

III.

Introduction to AP Literature Introduction to Book Talk and DEJ outside reading assignment

Textbook: Literature & Composition: Reading, Writing, Thinking Chapter One: Thinking about Literature (pages 1 – 17)

In this unit we will begin to look at the following questions: 1.

What is literature?

2.

Why is literature important?

3.

What is metaphor?

4. How do authors successfully create and “inhabit” a metaphor? 5.

What makes an effective reader?

6.

How does a reader work through indirection, implication and inference?

7.

What are the differences between experience, analysis, and extension as pertaining to literature?

We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces: “Tell all the Truth but Tell it Slant” by Emily Dickinson, “The Sacred” by Stephen Dunn, “When my love swears that she is made of truth” by William Shakespeare, “Vegetarian Physics” by David Clewell, “Praise Song for the Day” by Elizabeth

Alexander, Peanuts by Charles Schultz, “The Bagel” by David Ignatow, “Shawl”

by Albert Goldbarth, “Introduction to Poetry” by Billy Collins, Superman and Me

by Sherman Alexie, “Learning to Read” by Franz Wright, “Out, Out” by Robert Frost, and “Snow” by Julia Alvarez. IV.

Close Reading

Textbook: Literature & Composition: Reading, Writing, Thinking : Chapter Two: Close Reading Analyzing Poetry and Passages of Fiction (pages 19 – 58) In this unit we will begin to look at the following questions: 1.

What is close reading?

2.

How does one engage a text?

3.

How does one effectively use first impression questions?

4. How does one recognize and evaluate the elements of style, including diction, figurative language, imagery, syntax, tone and mood? 5.

How does one recognize and evaluate the additional elements of style that pertain to poetry, including rhyme, meter, form, poetic syntax and sound?

6.

How does one differentiate between different poetic forms including Petrarchan and Shakespearean sonnets, elegies, odes, and villanelles?

7.

How does one recognize and analyze poetic techniques, such as enjambment, caesura, alliteration, assonance, consonance, and onomatopoeia?

8.

How can these elements of style be used to analyze both poetry and prose effectively?

9.

How may annotation, exploratory writing and graphic organizers be used to successfully analyze a text?

10. How does one effectively write a close analysis essay? We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces:

My Antonia by Willa Cather, “To an Athlete Dying Young” by A. E. Houseman,

“Old Mr. Marblehall” by Eudora Welty, The Great Gatsby by F. Scott Fitzgerald, “The Red Wheelbarrow” by William Carlos Williams, “Bright Star, would I were

stedfast as thou art” by John Keats, “Delight in Disorder” by Robert Herrick, “My Father’s Song” by Simon Ortiz, “Promises like Pie-Crust” by Christina

Georgina Rossetti, “Sonnet 29” by William Shakespeare, The Scarlet Letter by Nathaniel Hawthorne, “Slam, Dunk, & Hook” by Yusef Komunyakaa, “Fast

Break” by Edward Hirsch, “Traveling through the Dark” by William Stafford and “Woodchucks” by Maxine Kumin. Major Writing Assignment: You will complete the prompt on page 57 of the textbook asking you to craft a comparison and contrast essay based on the poems “Traveling through the Dark” and “Woodchucks.” Remember to use the close reading skills that have been practiced throughout this unit. Due Date: October 2, 2012

V.

Analysis

Textbook: Literature & Composition: Reading, Writing, Thinking Chapter Three: The Big Picture: Analyzing Fiction and Drama (pages 59 - 121) In this unit we will begin to look at the following questions: 1.

How does one recognize and evaluate the elements of fiction including plot, character, setting, point of view, symbol, and theme?

2.

How does one correctly apply terms relating to characters and characterization, including protagonist, antagonist, round, flat, stock, foil, indirect, and direct?

3.

How does one recognize and evaluate a text in light of the following literary terms: bildungsroman and epiphany?

4. How may historical context and the cultural environment influence both the author’s selection and the reader’s interpretation of the setting? 5.

How does one recognize and evaluate the additional elements of fiction that pertain to drama, including act &scene divisions, dialogue, monologue, soliloquies, dramatic irony, stage directions, and props (symbols)?

6.

How does one write a successful interpretive essay?

We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces: “One of These Days” by Gabriel Garcia Marquez, Pride and Prejudice by Jane Austen, Hard Times by Charles Dickens, “The Masque of the Red Death” by

Edgar Allan Poe, The Grapes of Wrath by John Steinbeck, Call it Sleep by Henry Roth, 1984 by Georg Orwell, Tess of the D”Urbervilles by Thomas Hardy, The

Beautiful Things That Heaven Bears by Dinaw Mengestu, The Adventures of Huckleberry Finn by Mark Twain, “Miss Brill” by Katherine Mansfield, “The

Lottery” by Shirley Jackson, Mrs. Dalloway by Virginia Woolf, “Seeing Eye” by

Brad Watson, A Crime in the Neighborhood by Suzanne Berne, Frankenstein by Mary Shelley, Brooklyn by Colm Toibin, “The First Day” by Edward B. Jones,

Girl by Jamaica Kincaid, Pygmalion by George Bernard Shaw, Othello by William Shakespeare, A Doll’s House by Henrik Ibsen, A Raisin in the Sun by Lorraine Hansberry, The Gin Game by D.L. Coburn, Andre’s Mother by Terrence McNally, and Trifles by Susan Glaspell.

Major Writing Assignment: You will complete one of the prompts on page 121 of the textbook asking you to craft an interpretive essay based on one of the following stories: “One of These Days” and “Seeing Eye,” “The Fist Day,”

Andre’s Mother or Trifles. Remember to use the analysis reading skills that have been practiced throughout this unit. Due Date: October 15th VI.

Book Talks and Double Entry Journals– The end of each of the first three marking periods will conclude with book talks. The book talks and DEJ’s for the fourth marking period will be due prior to the AP test. At the beginning of the year you selected four texts you would read from the outside reading list. You then selected the marking period and date when you would like to present your book talk. For the three marking periods in which you do not have a book talk you will select a work from the outside reading list and turn in a series of ten DEJ’s regarding your selection by the DEJ due date. For further details refer to the outside reading assignment you received on the first day of class.

Book Talk Dates MP 1: Block A(1) – October 29th, October 31st, November 1st, and November 2nd

Block G(7) – October 29th, October 30th, October 31st, and November 2nd. DEJ due date ALL SECTIONS: November 2nd

Marking Period Two -The class-wide outside reading for this marking period is Fences by August Wilson (page 195 – 246 in the textbook). Due date for completion of reading will be determined. This is separate from your individual outside reading project. I.

Extension

Textbook: Literature & Composition: Reading, Writing, Thinking Chapter Four: Entering the Conversation (pages 1 23– 160) In this unit we will begin to look at the following questions: 1.

How can multiple literary texts be used to support an interpretation or viewpoint?

2.

How does one successfully write an essay integrating multiple texts?

3.

How does one effectively integrate quotations to strengthen an argument?

4. When and how should an author use personal anecdotes in an essay? We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces: “The New Colossus” by Emma Lazarus, “Playground in Tenement Alley” by Lewis W. Hine, “Let America Be America Again” by Langston Hughes, “In Response to Executive Order 9066: All Americans of Japanese Descent Must Report to Relocation Centers” by Dwight Okita, “Immigrants” by Pat Mora, “Two Kinds” by Amy Tan, “ The Latin Deli” by Judith Ortiz Cofer, and “Two Ways to Belong in America” by Bharati Mukherjee. Major Assignment: You will complete a response to one of the prompts on page 160 of the textbook asking you to craft an essay in which you analyze multiple texts (or enter into a conversation) regarding the topic of America. You must use a minimum of four sources for this essay.

Due Date: November 12th II.

Roots of Ancient Drama In this unit we will begin to look at the following questions: 1.

What is a tragic hero?

2.

How does Oedipus Rex follow the tragic structure?

3.

What is the purpose of tragedy?

4. What are the common elements of a tragedy? 5.

How do the unities of action, space and time function within Oedipus?

6.

How has mythology influenced the texts of the time period and later ones?

7.

What is hamartia and how is it represented through the character of Oedipus?

8.

What is hubris?

9.

What are the characteristics of ancient drama?

10. How did Aristotle define dramatic characteristics? We will complete a series of activities regarding the topics of these questions.

You will also read full texts of the following pieces: Oedipus Rex and Antigone both by Sophocles. Major Assignments: You will have a group presentation assignment regarding the background information for the play that will include researching literary terms, philosophy, and history pertaining to ancient drama. Due date: TBD You will create a dramatic term application essay in which you identify and

analyze the dramatic techniques used in either Oedipus Rex or Antigone. Due date: TBD. III.

Elizabethan or Shakespearean Drama In this unit we will begin to look at the following questions: 1.

What are the characteristics of Elizabethan drama?

2.

Is Hamlet a tragic hero?

3.

What is Hamlet’s tragic flaw?

4. How does Shakespeare use literary devices and dramatic conventions? 5.

Are the themes universal or limited to a particular time and place?

6.

How do Shakespeare’s techniques differ from those used in ancient drama?

We will complete a series of activities regarding the topics of these questions. You will also read William Shakespeare’s Hamlet.

Major Assignments: You will keep a reading log. Due date: TBD. You will also complete an essay on a prompt; the general topic will be agreeing or disagreeing with the statement that “we are all Hamlet.” You will get a full description of this assignment closer to the due date. Due date: TBD. IV.

Book Talks and Double Entry Journals– The end of each of the first three marking periods will conclude with book talks. The book talks and DEJ’s for the

fourth marking period will be due prior to the AP test. At the beginning of the year you selected four texts you would read from the outside reading list. You then selected the marking period and date when you would like to present your book talk. For the three marking periods in which you do not have a book talk you will select a work from the outside reading list and turn in a series of ten DEJ’s regarding your selection by the DEJ due date. For further details refer to the outside reading assignment you received on the first day of class. Book Talk Dates MP 2: TBD DEJ due date ALL SECTIONS: TBD Marking Period Three - The class-wide outside reading for this marking period is The Hours

by Michael Cunningham. Due date for completion of reading will be determined. This is separate from your individual outside reading project. I.

Modern Drama In this unit we will begin to look at the following questions: 1.

What are the characteristics of modern drama?

2.

What dramatic techniques are used in modern drama?

3.

How does modern drama differ from Elizabethan and ancient drama?

4. Why might these differences have been implemented? 5.

What do the differences signify?

6.

How does the American Dream function thematically in this play?

We will complete a series of activities regarding these questions. You will also be reading Death of a Salesman by Arthur Miller.

Major Assignment: You will be applying the ideas about America and the American

Dream as represented by Miller in Death of a Salesman to one of the representations of America presented in Chapter Four of the textbook. A specific assignment will be provided closer to the due date. Due date: TBD II.

Textbook: Literature & Composition: Reading, Writing, Thinking : Chapter Five: Home and Family (pages 161- 366) In this unit we will begin to look at the following questions: 1.

What is home?

2.

How are homes and families represented in literature?

3.

How do these representations change throughout eras?

4. What do these changes signify? We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces: “The Dead” by James Joyce, “Babylon Revisited” by F. Scott Fitzgerald, “The Moths” by Helena Maria Viramontes, “Saving Sourdi” by May-Lee Chai, “On My First Son” by Ben Johnson, “Before the Birth of One of Her Children” by Anne Bradstreet, “We are Seven” by William Wordsworth, “A Prayer for My Daughter” by William Butler

Yeats, “Mother to Son” by Langston Hughes, “Those Winter Sundays” by Robert Hayden, “Daddy” by Sylvia Plath, and “The Bistro Styx” by Rita Dove. Major Assignment: You will complete a response to one of the prompts on page 365 of the textbook asking you to craft an essay in which you analyze multiple texts (or enter into a conversation) regarding the topic of home and family. You must use a minimum of four sources for this essay. Due date: TBD III.

The Modern Novel In this unit we will begin to look at the following questions: 1.

How does the author employ the technique of stream of consciousness throughout the text?

2.

How does the author's use of stream of consciousness and point of view affect the way the reader views the characters?

3.

What symbols are in the text?

4. How does the author represent characters being trapped? 5.

What are the things that are preventing the characters from being free?

6.

How does Michael Cunningham represent the characters and figures from

Mrs. Dalloway in his novel The Hours?

We will complete a series of activities regarding these questions. You will also be

reading Mrs. Dalloway by Virginia Woolf and The Hours by Michael Cunningham. Major Assignment: You will be writing a paper analyzing Michael Cunningham’s

portrayal of figures from Mrs. Dalloway in The Hours, his modern re-working of the piece. A specific assignment will be distributed closer to the due date. Due date: TBD IV.

Book Talks and Double Entry Journals– The end of each of the first three marking periods will conclude with book talks. The book talks and DEJ’s for the fourth marking period will be due prior to the AP test. At the beginning of the year you selected four texts you would read from the outside reading list. You then selected the marking period and date when you would like to present your book talk. For the three marking periods in which you do not have a book talk you will select a work from the outside reading list and turn in a series of ten DEJ’s regarding your selection by the DEJ due date. For further details refer to the outside reading assignment you received on the first day of class. Book Talk Dates MP 3: TBD DEJ due date ALL SECTIONS: TBD

Marking Period Four - The class-wide outside reading for this marking period is Daisy Miller

by Henry James (pages 1166 – 1207 of the textbook) and A Good Man is Hard to Find by Flannery O’Connor (pages 1211 – 1222 of the textbook). Due date for completion of reading will be determined. This is separate from your individual outside reading project. I.

Textbook: Literature & Composition: Reading, Writing, Thinking , Chapter Six: Identity and Culture (pages 367-572)

In this unit we will begin to look at the following questions:

1.

How does culture influence literature?

2.

How does literature influence culture?

3.

What factors contribute to creating one’s identity?

4. Does identity change and evolve or is it constant? 5.

How are culture and identity represented in literature?

We will complete a series of activities in the textbook regarding the topics of these

questions. You will also read excerpts or full texts of the following pieces: Heart of

Darkness by Joseph Conrad, “Interpreter of Maladies” by Jhumpa Lahiiri. “Young

Goodman Brown” by Nathaniel Hawthorne, “A&P” by John Updike, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, “When I consider how my light is spent” by John Milton, “The World is Too Much With Us” by William Wordsworth, “We Real Cool” by Gwendolyn Brooks, “Identity Card” by Mahmoud Darwish, “Mexicans Begin Jogging” by Gary Soto, and “The Powwow at the End of the World” by Sherman Alexie. Major Assignment: You will complete a response to one of the prompts on page 571 of the textbook asking you to craft an essay in which you analyze multiple texts (or enter into a conversation) regarding the topic of identity and culture. Requirements and topics will vary upon your selection. Due date: TBD II.

Odd and Ends This unit will provide a sampling of texts from the textbook chapters that we will be unable to cover in their entirety. In this unit we will begin to look at the following questions: 1.

How do comedic dramatic techniques differ from the tragic techniques previously studied?

2.

How are the topics of relationships and love depicted in varying ways in literature?

3.

How are the themes of conformity and rebellion depicted in varying ways in literature?

4. How are the topics of art and the artist represented in varying ways in literature? 5.

How are the themes of tradition and progress depicted in varying ways throughout literature?

6.

How are the themes of war and peace depicted in varying ways throughout literature?

We will complete a series of activities in the textbook regarding the topics of these questions. You will also read excerpts or full texts of the following pieces: The

Importance of Being Earnest by Oscar Wilde, “A Rose for Emily” by William Faulkner, “The Flea” by John Donne, “To the Virgins to Make Much of Time” by Robert

Herrick, “She Walks in Beauty” by Lord Byron, “Weighing the Dog” by Billy Collins, “The Kiss” by Gustav Klimt(visual text), “Harrison Bergeron” by Kurt Vonnegut, “Song: To the Men of England” by Percy Bysshe Shelley, “Do not go gentle into that

good night” by Dylan Thomas, “Is About” by Allen Ginsburg, “Penelope” by Carol Ann Duffy, “An Epitaph” by Matthew Prior, “The Unknown Citizen” by W.H. Auden, “The Yellow Wallpaper” by Charlotte Perkins Gilman, “Kubla Kan” by Samuel Taylor Coleridge, “The Harlem Dancer” by Claude McKay, “Everyday Use” by Alice Walker, “Mending Wall” by Robert Frost, “The Second Coming” by W.B. Yeats, “The Things They Carried” by Tim O’Brien, “The Death of the Ball Turret Gunner” by Randall Jarrell, and “The Terrorist, He Watches” by Wislawa Szymborska. Major Assignment: You will be completing the prompt on page 941 of the textbook; you will examine how Prior and Auden use elements of style to create mock elegies and epitaphs in their respective poems. Due date: TBD. III.

Book Talks and Double Entry Journals– The end of each of the first three marking periods will conclude with book talks. The book talks and DEJ’s for the fourth marking period will be due prior to the AP test. At the beginning of the year you selected four texts you would read from the outside reading list. You then selected the marking period and date when you would like to present your book talk. For the three marking periods in which you do not have a book talk you will select a work from the outside reading list and turn in a series of ten DEJ’s regarding your selection by the DEJ due date. For further details refer to the outside reading assignment you received on the first day of class. Book Talk Dates MP 4: TBD DEJ due date ALL SECTIONS: TBD

IV.

Culminating Project After the test you will spend time working in class to create a multi-perspective piece. Either using a text you are all familiar with (as Michael Cunningham did in The Hours) or creating an original work, you will tell a single story from varying viewpoints.

Further details regarding this project will be distributed closer to the due date. You will, however, have to present your project to the class using some kind of visual medium. Due date: TBD General notes on this syllabus: In addition to the units and assignments mentioned above, there will be practice tests and essay prompts given on a regular basis to hone your skills in preparation for the AP test. Class-wide outside reading projects will be assessed through various means; individual outside reading projects will be assessed through book talks and DEJ’s.