Bibliography Newspapers and Periodicals Andhra Jyoti (Telugu ...

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K.N.T. Sastry ed Telugu Cinema, pp. 95-. 120. Hyderabad: Cinema Group. Adorno, Theodor W. 1991. The Culture Industry: Selected Essays on Mass Culture.
Bibliography

Newspapers and Periodicals

Andhra Jyoti (Telugu) Andhra Prabha (Telugu) Andhra Pradesh Times Eenadu (Telugu) Filmfare India Today (Telugu) Jyoti Chitra (Telugu) Mahila Margam (Telugu) Megastar Chrranjeevi (Telugu) Stvaranjani (Telugu) Superhit (Telugu) Tara Sitara (Telugu) The Indian Express Vartha (Telugu)

224

Articles and Books

Aditya, 1986. "Profiles of Prominent Film-Makers." K.N.T. Sastry ed Telugu Cinema, pp. 95120. Hyderabad: Cinema Group. Adorno, Theodor W. 1991. The Culture Industry: Selected Essays on Mass Culture. London: Routledge. Althusser, Louis. 1971. Lenin and Philosophy and Other Essays. New York: Monthly Review Press. Ambapudi Seetaram. a d . Aarukotla Hero Chiranjeevi (Telugu). Vijayawada Ambapudi Press. Amin, Shahid 1984. "Gandhi as Mahatma: Gorakhpur District, Eastern U.P., 1921-22." Ranajit Guha ed-Subaltern Studies III. Delhi: Oxford University Press. — and Dipesh Chakravarti eds. 19%. Subaltern Studies IX. Delhi: Oxford University Press. Andhra Pradesh Civil Lfcerties Committee. 1996. Life, Liberty and Livelihood: Civil Liberties in Andhra Pradesh Vol.L Hyderabad: APCLC. Andhra Pradesh Film Chamber of Commerce. 1981. Indian Talkie Golden Jubilee Celebration Souvenir. Hyderabad: APFCC. Ang, l e a 1985. Watching Dallas: Soap Operas and the Melodramatic Imagination. New York: Methuen. —. 1990. "The Nature of the Audience." John Downing et al. eds. Questioning the Media: A Critical Introduction, pp. 155-165. Newbury Park, London: Sage. —. 1995. Andhra Pradesh Film Diary. Hyderabad APFCC. Appadurai, Arjun 1986. Theory in Anthropology; Center and Periphery." Comparative Studies in Society and History. 28:2 (April). BalagopaL K. 1988. Probings in the Political Economy of Agrarian Classes and Conflicts. Ed G. Haragopal. Hyderabad Perspectives. —. 1991. "Post-Chunduru and Other Chundurus." Economic and Political Weekly 24:42. pp. 2399-2405. Balibar, Etinne. 1992. "Citizen Subject" Eduardo Cadava et.al eds. Who Comes After the Subject? pp. 33-57. New York Routledge.

225 Bancrjcc, Sumanta. 1980. In the Wake o/Naxalbari: A History ofNaxalite Movement in India. Calcutta: Subamarekha —. 1985. "Cannons Buried in Flowers." Ashok Mitra ed. The Truth Unites: Essays in Tribute to SamarSen. pp. 109-121. Calcutta: Subcrnarekha. Barthes, Roland. 1977. Image-Music-Text. New York Hill and Wong. Baru, Sanjay. 1990. "Market Forces." Journal of Arts and Ideas 19 (May), pp. 48-60. Baskaran, S. Theodore. 1981. The Message Bearers: The Nationalist Politics and the Entertainment Media in South India 1880-1945.Madras: Crc-A: —. 19%. The Eye of the Serpent: An Introduction to Tamil Cinema. Madras: East West Books. Bennett, Tony and Janet WoollacotL 1987. Bond and Beyond: The Political Career of a Popular Hero. New York: Methuen v / B o r d w t11, David. 1985. Narration in the Fiction Film. London: Routledgc. Breckenridge, Carol A. 1996. Consuming Modernity: Public Culture in Contemporary India. Delhi: Oxford University Press. Britton, Andrew. 1991. "Stars and Genre." Christine CHcdhill. ed. Stardom: Industry of Desire. pp. 198-206. London and New York: Routledgc Chakravarty, Sumita S. 1993. National Identity in Indian Popular Cinema, 1947-1987. Austin: University of Texas Press. Chatterjee, Partha. 1986. Nationalist Thought and the Colonial World: A Derivative Discourse? Delhi: Oxford University Press. —. 1993. The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton University Press. —. 1997. "Beyond the Nation? Or Within?" Economic and Political Weekly 32:1/2 (January), pp. 30-34. Chiranjeevi. 1994. "Autobiographical Note." Unpublished Dasgupta, Biplab 1975. The Naxalite Movement. Delhi: Allied Publishers. Dasgupta, Chidananda. 1991. The Painted Face. Delhi: Rob Books. Dhareshwar, Vivck. 1993. "Caste and the Secular Self." Journal of Arts and Ideas 25/26 (December), pp. 115-126.

226 Dhareshwar, Vivek and Tejaswini Niranjana. 1996. "Kaadalan and the Politics of Resigmfication: Fashion, Violence and the Body." Journal of Arts and Ideas. 29 (Jan.). pp. 5-26. Dhareshwar, Vivek and R. Srivatsaa 1996." Rowdy-Shcetcrs': An Essay on Subalternity and Politics." Shahid Amin and Dipesh Chakiavarty eds. Subaltern Studies IX. pp. 201-209. Delhi: Oxford University Press. Dickey, Sara. 1993a. T h e Politics of Adulation: Cinema and the Production of Politicians in South India." Journal of Asian Studies 52:2 (May), pp. 340-372. —. 1993b. Cinema and the Urban Poor in South India. Cambridge: Cambridge University Press. Doanc, Mary Ana 1990. "Remembering Women: Physical and Historical Constructions in Film Theory." E Ann Kaplan ed. Psychoanalysis and Cinema, pp. 46-63. New York and London: Routledge. —. 1991. "Misrecogmtion and Identity." Ron Burnett ed Explorations in Film Theory, pp. 1525. Bloomington: Indiana University Press. Dyer, Richard. 1979. Stars. London: British Film Institute. —. 1991. "A Star is Born and the Construction of Authenticity." Christine Gledhill ed. Stardom: Industry of Desire, pp. 132-140. New York and London: Routledge. Eley, Geoff. 1992. "Nations, Publics and Political Cultures: Placing Habermas in the Nineteenth Century." Criag Calhoun edBabermas and the Public Sphere. Cambridge MA and London: MTT Press. Ellis, John. 1982. Visible Fictions: Cinema, Television, Video. New York and London: Routledge Fazalbhoy, Y A. a d . The Indian Film: A Review. Bombay: Bombay Radio Press. Fiske, John. 1989. Reading the Popular. Boston: Unwin Foucault, Michel. 1984a. "What is an Author?" The Foucault Reader, pp. 101-120. Ed Paul Rabinow. Harmondsworth: Penguin. —. 1984b. The History of Sexuality: An Introduction. Harmondsworth Penguin Francis, C. 1992. "Land Reforms in Andhra Pradesh." Paper presented in workshop on 'Land Reforms in Andhra Pradesh' (15-17 May). Land Reforms Unit, Lai Bahadur Shastri National Academy of Administration, Mussorie. Frankel, Francine R and M S . A Rao eds. 1989. Dominance and State Power in Modern India: Decline of a Social Order. Vol. L Delhi: Oxford University Press.

227 Fraser, Nancy. 1994. "Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy." Henry A. Oiroux and Peter McLaren eds. Between Borders: Pedagogy and the Politics of Cultural Studies. London and New York: Routledge. ^Gibson, Pamela Church and Roma Gibson eds. 1993. Dirty Looks: Women, Pornography, Power. London: British Film Institute Gledhill, Christine ed 1991. Stardom: Industry of Desire. London and New York: Routledge. Gramsci, Antonio. 1971. Selections from Prison Notebooks. Ed. Quintin Hoarc and Geoffrey Nowell Smith. London: Lawrence and Wishart Habermas, Jurgea 1989. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Oxford: Polity Press. Hall, Stuart and Tony Jefferson, eds. 1976. Resistance Through Rituals: Youth Subcultures in Post-war Britain. London: Hutchinsoa In association with the Centre for Contemporary Cultural Studies, University of Birmingham Hanscn. Miriam. 1991. Babel and Babylon: Spectatorship in American Silent Film. Cambridge MA.: Harvard University Press. —. 1993. "Foreword." Oskar Negt and Alexander Huge. Public Sphere and Experience: Towards an Analysis of Bourgeois and Proletarian Public Sphere, pp. ix-xli. Minneapolis: University of Minnesota press. Hardgrave Jr., Robert L and Anthony Niedhart 197S. "Film and Political Consciousness in Tamil Nadu." Economic and Political Weekly. 10:1/2 (January), pp. 27-35. Heath, Stephen 1981. Questions of Cinema. Bloomington: Indiana University Press. Hebdigc, Dick. 1979. Subculture: The Meaning of Style. London: Methuen Hughes, Stephen P. 1996. Tre-Phalke Era in South-India: Reflections on the Formation of Film Audiences in Madras." South Indian Studies 2. (Jury-December), pp. 161-204. ttaiah, K 1996. Why 1 am Not a Hindu: A Sudra Critique of Hindutva Philosophy, Culture and Political Economy. Calcutta: Samya. Itzin, Catherine ed 1972. Pornography: Women, Violence and Civil Liberties. A Radical View. Oxford Oxford University Press. Jameson, Fredric. 1990. Signatures of the Visible. New York and London: Routledge. Jensen, Job 1992. "Fandom as Pathology: The Consequences of Characterization." Lisa A. Lewis ed Adoring Audience: Fan Culture and Popular Media, pp. 9-29. New York and London: Routledge.

228 Kannala 1996. "The Ebb and Flow of the Tide." K.N.T. Sastry. ed. Telugu Cinema, pp. 21-37. Hyderabad: Cinema Group Kaplan, E.Ann. 1990. Psychoanalysis and Cinema. New York and London: Routledgc. Kasiviswcswara Rao, K. 1994. Mighty Megastar Dynamic Hero Sachitra Jeevita Charitra. (Telugu) Rajahmundry: Sridevi Publishers. Kipnis, Laura. 1986. "Refunctioning Reconsidered: Towards a Left Popular Culture." Colin McCabe ed High Theory Low Culture: Analysing Popular Television and Film. pp. 1136. Manchester: Manchester University Press. Krishna Kuman, K. V. 1992. Manishilo Maneeshi Doctor Akkineni. Hyderabad: Man Publicatins Annette. 1988. Cinema Censorship and Sexuality, 1909-1925. New York and London: Routledgc. Kutumba Rao, Turlapati. 1981. "Swarnotsava Jyothi Velingichukunna Telugu Chalanachitra Rangam." (Telugu.) APFCC. Indian Talkie Golden Jubliee Souvenir, pp. 141-144. Hyderabad: APFCC. Laclau, Ernesto and Chantal Mouffe 1985. Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. London: Verso. Lent, John A. ed. 1990. The Asian Film Industry. London: Christopher Helm. Lewis, Lisa A. ed 1992. Adoring Audience: Fan Culture and Popular Media. New York and London: Routledge. Madhusudhana Rao, Dukkipati. 1981. "Samasyalu-Parishkaaralu." (Telugu.) APFCC. Indian Talkie Golden Jubilee Souvenir, pp. 148-151. Hyderabad APFCC. Mani, Lata. 1989. "Contentious Traditions: The Debate on Sati in Colonial India." Kumkum Sangari and Sudesh Vaid eds. Recasting Women. New Delhi: Kali for Women. Manikyala Rao, V.V. 1981. "Rashtramlo Chalanachitra Parsramabhivnidhi." (Telugu.) APFCC. Indian Talkie Golden Jubliee Souvenir, pp. 152-153. Hyderabad APFCC. Mohanty, Manoranjan. 1977. Revolutionary Violence: A Study of Moist Movement in India. Delhi: Sterling. McCabe, Colin 1986. "Defining Popular Culture." Colin McCabe ed High Theory/Low Culture: Analysing Popular Television and Film. pp. 1-10. Manchester: Manchester University Press. Metz, Christian 1982. The Imaginary Signifier: Psychoanalysis and the Cinema. Bloomington Indiana University Press.

229 Mulvcy, Laura. 1975. "Visual Pleasure and Narrative Cinema." Screen 16:3 (Autumn), pp. 6-18. —. 1990. "Afterthoughts on Visual Pleasure and Narrative Cinema' inspired by Duel in the Sun." E. Ann Kaplan ed Psychoanalysis and Cinema, pp. 24-35. New York and London Routledgc. Murali, K. 1995. "Upper Caste Violence on Dalits: Case Studies of Karamchedu and Chundur Massacres." Unpublished M Phil Dissertation, University of Hyderabad Nandakumar, R 1992. T h e Star System: A Note towards its Sociology." Deep Focus 4:2. pp.4445. Nandy, Ashis. 1995. "An Intelligent Critic's Guide to Indian Cinema." The Savage Freud and Other Essays, pp. 196-236. Delhi: Oxford University Press. Narasaiah, K. 1981. "1981: Telugu Film Parisrama." (Telugu.). APFCC. Indian Talkie Golden Jublwe Souvenir, pp. 145-147. Hyderabad: APFCC. —. 1996. "Cinema Dhoranalu—Samajampai Daani Prabhavam." (Telugu.) Visalandhra (44V> Anniversary Special Issue), pp. 81-82. Narasimha Rao, C. 1988. N.T.Rama Rao RajakeeyaMano Visleshana. (Telugu.) Vijayawada: Nani International Neale, Steve. 1980. Genre. London. British Film Institute. Negt, Oskar and Alexander Kluge 1993. Public Sphere and Experience: Towards an Analysis of Bourgeois and Proletarian Public Sphere. Minneapolis: University of Minnesota Press. Niranjana, Tejaswini, P. Sudhir and Vivek Dharcshwar eds. 1993. Interrogating Modernity: Culture and Colonialism in India. Calcutta: Seagull Books. Niranjana, Tejaswini and S.V.Srinrvas. 1996. "Managing the Crisis: Bharateeyudu and the Ambivalence of Being 'Indian'." Economic and Political Weekly. 31:48 (November), pp. 3129-3134. Niranjana, Tejaswini 19%. "Nationalism Refigured: Contemporary South Indian Cinema and the Subject of Feminism." Unpublished Paper. Omvedt, Gail. 1994. Dalits and the Democratic Revolution: Dr. Ambedkar and the Dalit Movement in Colonial India. Delhi, Thousand Oaks, London: Sage. Paidipaala 1992. Telugu Cinema Paata. (Telugu.) Madras: Sneha Prachuranalu. Pandian, MS.S. 1992. The Image Trap. MG. Ramachandran in the Film and Politics. Delhi: Newbury Park, London: Sage.

230 —. 1995a- Tamil Cultural Elites and Cinema Outline of an Argument" Paper presented at Study Week on 'Making Meaning in Indian Cinema.' (26-29 December). Indian Institute of Advanced Studies, Shimla —. 1995b. "Beyond Colonial Crumbs: Cambridge School, Identity Politics and Dravidian Movements)." Economic and Political Weekly (February 18-25). pp. 385-391. Parthasarathy, D. 1995. "Patterns of Collective Violence in a Provincial City: The Case of Vijayawada." Unpublished Ph.D. Thesis, University of Hyderabad.

Pendakur, Manjunath 1990. "India." John A. Lent ed. The Asian Film Industry, pp. 229-252. London: Christopher Helm. Prasad, M Madhava. 1994. "The State and Culture: Hindi Cinema in the Passive Revolution." Unpublished Ph.D. Thesis, University of Pittsburg. Radway, Janice. 1984. Reading the Romance: Feminism and the Representation of Women in Popular Culture. Chapel Hill: University of North Carolina Press. Raghuram, Muddali ed. 1994. Aravai Yella Telugu Cinema. (Telugu.) Hyderabad: Kirmera Publications. Rajadhyaksha, Ashish. 1986. "Neo-Traditionalism: Film as Popular Art in India." Framework 32/33. pp. 21-67. —. 1991. "The Phalke Era: Conflict of Traditional Form and Modern Technology." Tejaswini Niranjana et al eds. Interrogating Modernity, pp. 47-82. Calcutta: Seagull Books. Ashish and Paul Willemen. 1995. Encyclopaedia of Indian Cinema. Delhi: Oxford University Press. Rajadhyaksha, Ashish. "Four Looks and the Indian Cinema: A Viewer's View1—Version II" Unpublished Paper. Ramachandra Murthy, Jeedigunta. 1994. "Piabodhaka Sthaayi Nunchi Parisrama Sthaayild Yedjgina Cinema." (Telugu.) pp. 142-147. Muddali Raghuram. Aravai Yella Telugu Cinema. (Telugu.) Hyderabad: Kinnera Publications. Rami Reddy, G. 1989. "Caste, Class and Dominance in Andhra Pradesh." Francine R Frankel andM-S A- Rao, eds Dominance and State Power m Modern India. Vol.1, pp. 265-321. Delhi: Oxford University Press. Ray, Rabindra. 1988. The Naxalites and their Ideology. Delhi: Oxford University Press. Report of the Working Group on National Film Policy. 1980. New Delhi: Government of India.

231 Ryan, Mary P. 1992. "Gender and Public Access: Women's Politics in Nineteenth Century America." Criag Calhoun ed. Habermas and the Public Sphere Cambridge MA and London: MIT Press. Samata Sanghatana. 1991. "Report" Economic and Political Weekly. 26:36. pp. 2079-84. Sangari, Kumkum and Sudesh Vaid Recasting Women: Essays in Colonial History. Delhi: Kali for Women. Sastry, K.N.T. ed. 1986. Telugu Cinema. Hyderabad Cinema Group. Setter, EDen et al. eds. 1989. Remote Control: Television, Audience and Cultural Power. New York and London: Routledge. Sivathamby, Karthigesu 1981. Tamil Film as a Medium of Political Communication. Madras: New Century Book House. Smart, Carol. 1995. Law, Crime and Sexuality: Essays in Feminism. London, Thousand Oaks, Delhi: Sage. Srihari, Gudipoodi. 1986. "Film Business." K.N.T. Sastry ed Telugu Cinema, pp. 83-86. Hyderabad Cinema Group. • 1994. "TeluguTalkie Gurinchi." (Telugu.)MuddaliRaghuram Aravai Yella Telugu Cinema. (Telugu.) pp. 148-159. Hyderabad: Kinnera Publications. 1997. "Hit 1 Baatalo Chiranjeevi." (Telugu.) Eenadu, 'Eenadu Cinema' (February 5), p. 12. Srinivas, S.V. 1996. "Devotion and Defiance in Fan Activity." Journal of Arts and Ideas 29. (January), pp. 67-83. Sri Sri. 1990. Praia. (Telugu.) Hyderabad VIRASAM Prachuranulu. SubbaRao, C.V. 1995. Sananigdha Samdarbham. (Telugu.) Vijayawada Swecha Publications. Tharoor, Shashi 1991. Show Business: A Novel. Delhi: Penguin. Tharu, Susie. 1995. "Slow Pan Left: Feminism and the Problematic of 'Rights'." Jasodhara Bagchi ed Indian Women: Myth and Reality, pp. 44-57. Hyderabad: Orient Longman. — and Tejaswini Niranjana. 1996. "Problems for a Contemporary Theory of Gender." Shahid Amin and Dipesh Chakravarty eds. Subaltern Studies IX. pp. 232-260. Delhi: Oxford University Press. Vasudevan, RaviH 995 "Reflections on the Cinematic Public, 1913-1943." Paper presented at Study Week on 'Making Meaning in Indian Cinema' (26-29 October). Indian Institute of Advanced Study, Shimla.

232 —. 1996. "Bombay and its Public." Journal of Arts and Ideas. 29 (January), pp. 45-65. Vermorel, Fred and Judy VcrmoreL 1985. Startust: The Secret Fantasies of Fans. London W.H. Alien Willemen, Paul. 1994. Looks and Fictions: Essays in Cultural Studies and Film Theory. Bloomingtoa and Indianapolis: Indiana University Press. In association with British Film Institute. Williams, Raymond. 1984. Problems in Materialism and Culture. London: Verso. Willis, Paul 1990. Common Culture: Symbolic Work at Play in Everyday Cultures of the Young. Boulder and San Francisco: West View Press. Zavarzadeh, Mas'ud. 1991 . Seeing Films Politically. Albany: State University of New York Zizek, Slavoj. 1989. The Sublime Object of Ideology. London and New Yoifc Verso.