bio

SOLO & GROUP EXHIBITIONS 2013 Ritual Volcanic, solo show, OHIo, Glasgow Intreccio Mirage, solo show, 43 Inverness Street Gallery, London (pub) Aroma Venus, for FLASH 500, commissioned text, akermandaly.com C21st ART-WORKER, collaboration with Alison Jones. Lanchester Gallery Projects, Coventry Residency and offsite adboard project The Big Bamboozle, Camden Arts Centre, London BANK: The Banquet Years, Elaine MGK, Museum für Gegenwartskunst, Basel BANK: The Banquet Years, MOT International, New Bond Street, London BANK: XEROGRAPHY (group show), Firstsite, Colchester (pub) 2012 Les Biennales, group show, 187 Wilton Street, Glasgow MAYDAY; THE BOOTH – Hannah Sawtell, group event, The Clocktower, NYC THIS THIS MONSTER THIS THINGS, group show, curated by Georgio Sadotti, Focal Point Gallery, Southend-on-Sea ÉVASION, (with Alison Jones, Josephine Meckseper, Nicole Wermers, Martha Rosler, Nina Power), Lanchester Gallery Projects, Coventry (pub) BANK: S e l f - P o r t r a i t - B A N K ' s A r c h i v e s & R e l i c s - 1 9 9 1 - 2 0 0 3 , Trieze, Paris 2011 Summer picnic, I-land Bransford Bridge, Worcester (solo show+ pub+website) & three other locations – Stromboli, Supernormal Festival, Muswell Hill Saucisson Chiffonaire, 18. Milly Thompson, 26 Nicholas Matranga, 16. Eric D. Clark, Caribic Residency e.V, Lisbon 2010 Nothing is Forever, (group) South London Gallery Martha Rosler reads Vogue, (group) Grey Area, Brighton (pub) Quixotic Sausage Scenario, solo show, Caribic Residency e.V, Hamburg (+ artists commissioned edition) Peeping Tom, group show, Vegas Gallery, London BANK: So be it: interventions in printed matter. group show, Roth Gallery, NYC BANK: Rude Britannia, group show, Tate Britain, (pub) BANK: Grand National / British art, group show, Vestfossen Kunstlaboratoriums (pub) BANK: Gallery, Galerie, Galleria, group show, Norma Mangione Gallery, Turin 2009 Savoir Faire, solo show, Focal Point Gallery, Southend-on-Sea (pub) Makeshift, group show Camping Fusina, Venice Fax, (BANK), The Drawing Room, NYC The Mind of this death is unrelentingly awake, (BANK) group show, Office for Contemporary Art, Oslo. ‘The Little shop on Hoxton Street’, Limoncello, London 2008 The Apartment, Royal London House, London Late Entry, solo show, Peer, London (pub) Less is less and more is more, that's all, CAPC, Bordeaux Museum of Contemporary Art (pub) 2007 Centrefold No 6 Scrapbook, ed. Reza Aramesh Republic, L’Este London 2006 Norberg-Västmanland-Bergsladen-Sweden-Scandinavia-27 July 2006, At Lunchtime, Hollybush Gardens, Norberg, Sweden (publication) Bring the war home, (BANK) Elizabeth Dee Gallery, NYC & QED Gallery, LA Off, Outpost Gallery, Norwich 2005 Voglio soldi di pi`u solo quando c’e gente ricca intorno, solo show, Capella Angelo Mai, Rome (pub) Post no bills, White Columns, NYC Still Life, MAC, Niteroi, Rio, Brazil 20 November 2004 - 27 February (pub) Still Life, Museo de Arte de Lima, Lima, Peru 13 April - 18 June (pub) Plural, British School at Rome Gallery (pub) Gift, commissioned artwork for Happy Pappy 2005 (pub); ed. Malin Stahl 2004 Slimvolume, (Commissioned limited edition print), London; (pub) Incineration Salon, The French Manor, Pocono Mountains, Penn, USA Still Life, Museo de Arte Contemporáneo, Panama City, Panama 21 January - 2 March (pub) Still Life, Museo de Arte Moderna, Guatemala City, Guatemala 30 March - 30 April (pub) Still Life, SESI, Sao Paulo, Brazil 3 August - 7 November (pub) 2003 BANK: Simon Bedwell & Milly Thompson, Store Gallery, London FRASS, UBS Bullion Vault, Leadenhall Street, London CHOKKABLOKKA, Jeffrey Charles Gallery, London Ponce, The Ship, Cable Street, London Nihilism/Faith, H Gallery, Paul Street, London

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BANK: PROJECTS & PUBLICATIONS, SOLO & GROUP EXHIBITIONS 2002 BANK show (solo) (billboard) CAPITULATER! Project, Dublin, Ireland BANK show (solo) BANK Anthony Wilkinson Gallery, London BANK show (solo) BANK Centre for Artist Books, University of Dundee EAST WING COLLECTION No. 5, SVIIT, Burleigh House, London STILL LIFE, Museo de Belles Artes, Santiago, Chile (pub) TO WHOM IT MAY CONCERN, CCAC Wattis Institute for Contemporary Arts, San Francisco JOHN MOORES 22, Liverpool (Prizewinner) LOCATION:UK Gimpel Fils, London ART CRAZY NATION Milton Keynes Gallery IT’S ONLY WORDS mirror, London PROJECT VALIS 291 Gallery. London THE INK JETTY Neon Gallery, London POWER BALLADS Rupert Goldsworthy Gallery, New York 2001

2000

1999

1998

1997

BANK (solo), [email protected], Chapman Fine Arts, London CENTURY CITY, Tate Modern, London (pub) DUB’L-INTROODER, Transmission, Glasgow RECORD COLLECTION, VTO, London & Forde Espace d’art Contemporain, Geneva BANK, Colour monograph, Black Dog Publishing Ltd, ISBN 1 901033 42 2 (pub) PROTEST & SURVIVE, Whitechapel Gallery, London (pub) THE ARMCHAIR PROJECT, Cinch, Newburgh St, London DOT, Arthur R. Rose, London BANK (solo) PRESS RELEASE, Rupert Goldsworthy Gallery, New York, USA BANK (pub) BANK (solo) IF HOPE WAS A TIME MACHINE, Magazin 4,Bregenz, Austria (pub) BANK (solo) DEAD LIFE, Mayor Gallery, London BANK (solo) PRESS RELEASE, Gallerie Poo Poo, London BANK (pub) GET TOGETHER, Kunsthalle Wien, Austria (pub) D.I.N/d.i.n, 4X4 projectspace, Amsterdam, Netherlands LIMIT LESS, Galerie Krinziger, Vienna, Austria EAST WING COLLECTION, Courtauld Institute, London EAST, Norwich Gallery, Norwich School of Art & Design, Norwich (pub) ASYLUM, Milch, London GROUP SHOW, Rupert Goldsworthy Gallery, New York, USA BANK (group) WHITE3 BANK, Bethan Huws, Gallerie Poo Poo, London BANK (group) WHITE3 BANK, Art & Language, Gallerie Poo Poo, London BANK (group) WHITE3 BANK, Lolly Batty, Gallerie Poo Poo, London BANK (solo) CONFERENCE, Waygood Gallery, Newcastle BANK (solo) STOP SHORT-CHANGING US. POPULAR CULTURE IS FOR IDIOTS. WE BELIEVE IN ART! Gallerie Poo Poo, London BANK (group) GALLERIE WINNER Wayne Lloyd, Gallerie Poo Poo, London NEAR, Museum of Sharjah, United Arab Emirates (pub) GRAPESHOT BULLSEYE HARVEST, Attaché Gallery, London BEACH LIFE, Upper Street, London CAMOUFLAGE, 2000 Gallerie Praz-Delavallade, Paris, France EASTENDERS, Town Hall, Manchester RADAR, The Old Bakery, Dundee (pub) HOST, Tramway, Glasgow BANK (solo) SEWAGE LUST ICA, The Mall, London BANK (solo) JESUS WAS A JEW, The Works, Dircksenstr 41, 10178 Berlin Mitte, Germany BANK (group) MASK OF GOLD, Christy Astuy, BANK, David Burrows, Roddy Thomson & the Lowe Brothers, Margarita Gluzberg, Peter Seymour, Eric Wright, Gallerie Poo Poo, London BANK (group) WINKLE THE POT BELLIED PIG AND HIS WOODLAND CHUMS, BANK, Jake & Dinos Chapman, Minimal Club, John Cussans & Ranu Mukhergee, Michelle Griffiths, Russell Haswell, Gallerie Poo Poo, London & Bricks and Kicks, Vienna, Austria BANK (group) IT'S A STITCH-UP! DOG, London BANK (group) GOD, Liz Arnold, BANK, DOG, London BANK (group) DOGUMENTAL VIII!!! Terry Atkinson, BANK, Dave Beech, David Burrows, Carina Diepens, Keith Farquar, Rebecca Howard, Michael Kay, Graham Ramsay, Fergal Stapleton, John Stezaker, Milly Thompson, Rebecca Warren, Wayne Winner, DOG, London 2

1996

1995

1994

LIFE/LIVE, Musee d'Art Moderne de la Ville de Paris, France & Centro Cultural De Belem, Lisbon, Portugal (pub) SATELLITE CITY, Pubalyst Arts, Belfast CONNECTED, City Arts Centre, Sunderland THE BIG BLUE, Coins Café, London MISSION IMPOSSIBLE, Bricks & Kicks, Vienna, Austria CLASS VEGAS, The Embassy, Essex Road, London BANK (group) Viper/BANK TV, 130 artists incl. Liz Arnold, Dave Beech, David Burrows, Tracey Emin, Michael Kay, Hilary Lloyd, Matt Mitchell, Bob & Roberta Smith, Martin Vincent, Wayne Winner, DOG, London & Dukes Bar, Manchester BANK (group) FUCK OFF, BANK, Lolly Batty, Gavin Turk, Rebecca Warren, DOG, London BANK (pub) BANK (group) THE HAPPY SQUIRREL CLUB, Liz Arnold, BANK, Anke Dessin, Stephen Glynn, Roddy Thompson & Colin Lowe, Neil Miller, Matt Mitchell, Mike Nelson, Peter Newman, Stephen Nicolas/Stephen Caley, Orphan Drift, Rebecca Warren, De Fabriek, Eindhoven, Netherlands COMPARTMENTS, Copenhagen (pub) YERSELF IS STEAM, Charlotte Street, London ROADWORKS, Tottenham Court Road, London (pub) WIENER WALD, Bricks & Kicks, Vienna, Austria (pub) BANK (group) COCAINE ORGASM, Tim Allen, Liz Arnold, BANK, Lolly Batty, Dave Beech, Simon Bill, John Cussans & Ranu Mukhergee, Stephen Glynn, Gerard Hemsworth, Simon Martin/Anna Mossman, Soren Martinsen, Muntean/Rosenblum, Chris Ofili, Janette Parris, John Stezaker, Michael Stubbs, Jessicca Voorsanger, Rebecca Warren, Max Wigram, Andrew Williamson, BANKSPACE, London, BANK (pub) BANK (group) THE CHARGE OF THE LIGHT BRIGADE, BANK, Simon Bedwell, John Cussans & Colin Lane, Matthew Higgs, 0rphan.drift>, Ingrid Pollard, Bob & Roberta Smith, BANKSPACE, London, BANK (pub) BANK (group) ZOMBIE GOLF, BANK, Dave Beech, Adam Chodzko, Maria Cook, Martin Creed, Peter Doig, Matthew Higgs, Sivan Lewin, John Stezaker, BANKSPACE, London (BANK pub) MY DARLING CICCIOLINA, 114 Curtain Road, London (pub) THE ART CASINO, Barbican Art Gallery, London (pub) BANK (group) WISH YOU WERE HERE, Simon Bedwell, Sonia Boyce, David Burrows, The Cabinet Gallery, Lucy Gunning, Anne Lislegaard, Matt Mitchell, Ian Pratt, John Russell, Bob & Roberta Smith, Milly Thompson, Andrew Williamson, BANKSPACE, London BANK (BANK pub)

1993

BANK (group) NATURAL HISTORY, Simon Bedwell, David Burrows, John Russell, Milly Thompson, John Timberlake, Andrew Williamson, 2 - 6 Battlebridge Road, London

PUBLIC COLLECTIONS Tate (BANK Archive) British Council Collection (Dead Life) Printed Matter, NYC (BANK Tabloids) PUBLICATION 2000 BANK, Colour monograph, 80pp, Black Dog Publishing Ltd, ISBN 1 901033 42 2 CONFERENCES/SCREENINGS/TV/RADIO Milly Thompson/Simon Bedwell, Juliet Jordan, 2004, unscreened History of Brit Art, Vanessa Engle/BBC2, 2002 Hello Culture, Matthew Collings/Oxford Television, Channel 4, 2001 Feature on the Avant Garde, PM, BBC Radio 4, 1999 Newsnight, BBC 2, 1999 BANK, Roland Penrose Artists’ Talk, Tate Gallery, London, 1999 Nihilism, Conference ICA, The Mall, London, 1998 WHO’S AFRAID OF RED, WHITE & BLUE? Conference featuring BANK, Michael Corris, Jean Fisher, Mark Harris, Jaki Irvine, Yinka Shonibare, Gavin Turk, Mark Wallinger, Peter Wollen, chaired by Patricia Bickers, UCE, Birmingham, 1998 Best of BANK TV, Lux Cinema, Hoxton Square, London. 29 October 1998 Collective & Conscious, interview by Tim Marlow, radio 3, 1995 SELECTED BIBLIOGRAPHY Reviews JJ Charlesworth, Milly Thompson, Time Out, March 25th 2008 Laura McLean-Ferris, Milly Thompson: Late Entry, Art Review, May 2008

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Eliza Williams, Milly Thompson, Frieze, Issue 116 June - August 2008 Richard Dorment, On Seas of Unreality, Daily Telegraph, 8 May 07 Dan Fox, Poisoned Pen, Frieze, June/July 2006 Holly Walsh, Slimvolume Poster (pub) 2004, Frieze, March 2005 Sally O’Reilly, Milly Thompson & Simon Bedwell, Time Out, April 2003 Dave Beech, Lopubion:UK, Art Monthly, September 2002 Marcus Field, Lopubion UK, Independent on Sunday, 1st September 2002 Paul Tebbs, Lopubion UK, Architects Journal, 29th August 2002 Nick Hackworth, Lopubion UK, Evening Standard, 15th August 2002 Mark Wilsher, Lopubion:UK, What’s On, 14th August 2002 Eugene Tan, BANK, Contemporary, June-August 2002 Gilda Williams, BANK, Art Monthly, May 2002 Sally O’Reilly, BANK, Time Out 10-17 April 2002 Neil Mulholland, Dub’l-inTROODer, Freize, June-August 2001 Chris Turner, Century City, Freize, June-August 2001 Martin Coomer, BANK, Time Out, April 18-25 2001 Dave Beech, When was London, Untitled, Spring 2001 Elizabeth Mahoney, Dub’l-inTROODer, The Guardian, March 14 2001 Moira Jeffrey, When solo artists meet their match, The Herald, March 12 2001 Mark Currah, BANK, Time Out, May 12-19, 1999 Mark Harris, BANK at Gallerie Poo-Poo, Art in America, February 1999 Sarah Kent, Bethan Huws/BANK, Time Out, December 9-16, 1998 David Burrows, Art & Language/BANK, Art Monthly, Dec 98-Jan 1999 Matthew Collings, Dropping Acid, The Observer (Review section), 8 November 1998 Martin Herbert, Lolly Batty, Time Out, October 14-21 1998 Gilda Williams, BANK, Art Monthly, September 1998 Adrian Searle, Nice, but can you keep your trousers on next time? The Guardian G2, 4 August 1998 Sarah Kent, BANK, Time Out, April 5-12 1998 Jonathan Jones, BANK, Untitled, Summer 1998 Mark Currah, Wayne Winner, Time Out, April 22-29 1998 David Burrows, Eastenders, Art Monthly, March 1998 Jan Verwoert, Winkle the Pot-bellied Pig, Springer, October-November 1997 Martin Herbert, Mask of Gold, Time Out, October 15-22 1997 Mark Currah, Winkle, Time Out, July 2-9 1997 Dalia Manor, London: BANK /GOD, Studio Israeli Art Magazine, June 1997 Tania Guha, GOD, Time Out, April 16-23 1997 Martin Herbert, DOG-“U”-mental (XIII)!!! Time Out, January 15-22 1997 Martin Coomer, Fuck Off, Time Out, 22-29 May 1996 Tania Guha, Cocaine Orgasm, Time Out, 13-20 December 1995 Robert Garnett, The Charge of the Light Brigade, Art Monthly, November 1995 Tania Guha, BANK, Time Out, October 11-18 1995 David Barrett, Zombie Golf, Freize, September-October 1995 Mark Currah, Zombie Golf, Time Out, 14-21 June 1995 Liam Gillick, Wish You Were Here, Art Monthly, October 1994 Sarah Kent, BANK (Wish You Were Here), Time Out, 21-28 September 1994 Sarah Kent, Natural History, Time Out, 14-21 September 1993 Adrian Searle, Space International, Time Out, 30 September -7 October 1992 Sarah Kent, Chlorine, Time Out, 19-26 February 1992 Tania Guha, Flexible Response, Time Out, 20-27 May 1992 David Lillington, Collective Works, Time Out, 12-19 March 1992 Rose Jennings, BANK, Time Out, 10-17 July 1991 Articles & Features Alix Rule & David Levine, International Art English, produced by Triple Canopy, published at http://canopycanopycanopy.com/16/international_art_english, 2013 Ed Andrew Roth & Philip E Aaron, In Numbers, Serial Publications by Artists since 1955; PPP Editions, 2010 Andrew Hunt, Nang! Soup kitchens, art-world satire and the legacy of BANK, Frieze 13/01/09 Vida Social, Principe Andres en el Belles Artes, El Mercurio, 9 November 2002 Emma Dexter, Space International, 100 Reviews Backwards, Alberta Press 2002 John Roberts, Zombie Golf, 100 Reviews Backwards, Alberta Press 2002 Gilda Williams, Cocaine Orgasm, 100 Reviews Backwards, Alberta Press 2002 Carol Kino, Report From London, Art in America, October 2002 Richard Dyer, London, Contemporary, June-August 2002 Helen Sumpter, BANK, Hot Tickets, 12-18 April 2002 Robert Garnett, God is een Curator, Metropolis M, April/Mei 2002 Prunella Hayes, BANK, Art Review, April 2002 Kate Bernard, Art Crazy Nation, The Tatler, January 2002 Matthew Collings, Art Crazy Nation, C21 Publishing 2001 Alex Farquarson, [email protected], 100 Reviews (again), Alberts Press, 2001 Dave Beech, BANK Account (interview), Untitled, Summer 2001 Adrian Searle, Urban Sprawl, Guardian G2, 1 February 2001 Clare Carolyn, Un Juego Mercantil. Tres Puntos de Vista, Lapiz No. 169 – 170, February 2001 Dave Beech, Century City, Untitled, Spring 2001 Ingrid Swenson/Andrew Brighton (eds), Art For All? Peer Press, 2001 Emma Dexter, London 1990 – 2000, Century City (pub), Tate Publishing 2001 Matthew Higgs/Paul Noble (eds), Protest & Survive ((pub) poster inert), Whitechapel Art Gallery, 2000 Matthew Higgs, Ars Brevis..., British Art Show 5, (pub), Hayward Gallery Publishing 2000 Art & Language, BLAHY, everything 3.3, 2000 Matthew Collings, A Day in the Life of British Art, Observer magazine, 19 March 2000 Marion Piffer Damiani et al (eds), Get Together, (pub), Kunsthalle wien, 1999 Wolfgang Fetz (ed), Naturally Art: Kunst in der Stadt, (pub), Bregenzer Kunstverein, 1999

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Julian Stallabrass, High Art Lite, Verso, 1999 Duncan McLaren, No such thing as a free lunch, Contemporary Visual Arts, Issue 24, 1999 John Timberlake, BANK (interview), everything issue 3.1 1999 Matthew Collings, This is Modern Art, 1999 Tony Godfrey, Bethan Huws, Art Monthly, June 1999 Iwona Blaswick, Books, Art Monthly, June 1999 The Editor, Artists Laughing at Other Artists, The Guardian, 13 March 1999 Mark Hutchinson, Celebrity and Obscurity, everything issue 2.4 1999 Julie Caniglia, Group Show, Sidewalk New York, 12 March 1999 Artnotes, 0.0002 out of 10, Art Monthly, February 1999 Louisa Buck, Bye-bye to poo-poo, London Diary, Art Newspaper, 31 January 1999 Arts Diary, Raging Schnabel, The Guardian, 16 January 1999 Matthew Collings, Diary, Modern Painters, autumn 1998 Generator, Radar ((pub)), Generator 1998 David Burrows (ed), Who’s afraid of Red White & Blue? ARTicle Press, 1998 Bob & Roberta Smith (ed), Don’t Hate Sculpt, (pub), Chisenhale Gallery 1998 John Windsor, Con Artists, Independent Saturday Magazine, 06 June1998 Simon McAuslane, Winner takes it all, but what? Highbury & Islington Express, 24 April 1998 Matthew Collings, Choking on Art! Modern Painters, Spring 1998 Robert Garnett, Britpopism & the Populist Gesture, Occupational Hazard, Black Dog Press, 1998 Naomi Siderfin, Occupational Hazard, Occupational Hazard, Black Dog Press, 1998 Josie Saunders, Crucifixion shock at city theatre, Glasgow Evening Times, 11 April 1998 everything, Dead Again? everything 2:2, spring 1998 Mathew Arnett, Poison, everything 2:2, spring 1998 David Burrows, Career Opportunities, Variant vol 2 No 5, spring 1998 Roger Tatley, The BANK, Dazed & Confused No 40, March 1998 Mark Harris, BANK’s Death, New Observations 117, winter 1998 Kate Bernard, Paparazzi Killers - BANK, Evening Standard Hot Tickets, 11 December 1997 Kate Spicer, Art and soul of the party, Elle UK Edition, November 1997 Gavin Clark, Well Hung, The Well, issue zero, November 1997 Kate Bernard, Mask of Gold, Evening Standard Hot Tickets, 09 October 1997 Louisa Buck, Free Expression, The World of Interiors, september 1997 Kate Bernard. BANK: Winkle, the Pot-Bellied Pig, Evening Standard Hot Tickets, 19 June 1997 Wienprogramm, Kunst - Winkle the Pot-Bellied Pig, Falter, Nr33/1997 Art, bambi with knobs on? D>TOUR, Issue 15, July 1997 Adrian Searle, Why oh why oh Y-fronts? The Guardian, 03 June 1997 everything, Page 37 picture feature, everything issue 2.1 1997 Lina Saigol, More than just a brush with success, The Guardian, 21 June 1997 James Hobbs, Compass, Artists Newsletter, June 1997 Victoria O’Brien, Investing in Contemporary Art , Square Meal, Summer 1997 Kate Bernard, Liz Arnold and BANK: GOD, Evening Standard Hot Tickets, 03 April 1997 HS, God, The Big Issue, March 31 - April 6 1997 Annie Morton, Generation next, ID, February 1997 Paula Smithard, How Rude Can You Get? Make, No 74 February - March 1997 Mark Harris, Trading Up or Selling Out, Art Monthly, No. 203 February 1997 Adrian Searle, 5 to Watch, The Guardian, 1 January 1997 TR, DogUmental, The Big Issue, December 30 1996 - January 5 1997 Eric Troncy, life/live, art press, December 1996 Simon Mills, The British Hip 100, Elle, November 1996 Page 4 feature, The Big Issue, November 11-17 1996 Sarah Kent, Party to Your Art’s Content, Time Out , October 23 - 30 1996 Maria Lind, Bra oversikt over ung brittisk konst, Svenska Dagbladet, 26 October 1996 Adrian Searle, The good, the bad and the ugly, The Guardian, 8 October 1996 Hans Ulrich-Obrist (ed), Life/live, (pub), Paris-Musees, Edition des Musees de la Ville de Paris, 1996 Martin Vincent,Viper/BANK TV, City Life Manchester, 11– 26 September 1996 Globe (eds), Compartments, (pub), Edition Globe, 1996 David Burrows, Yerself is Steam, Art Monthly, September 1996 Anders Michelsen, Compartments, Ojeblikket, October 1996 Robert Garnett, Den nye britiske kunst og kunsten fra fir serne, Ojeblikket, October 1996 John Roberts, Mad For It! Philistinism, the Everyday & the New British Art, Third Text #35, 1996 BANK with John Stezaker, In Conversation, Mute, Summer 1996 Graham Clews, Shock tactics - but is it art? Highbury & Islington Express, 2 June 1996 FAT (eds), Roadworks, (pub)& cassette, FAT Production, 1996 Lena Corner, The Glistening BANK, The Big Issue, 6 - 12 May 1996 Dave Beech, Chill Out, everything issue 20, 1996 John Roberts, Mad for it! BANK and the New British Art, everything issue 18, 1996 Martin Maloney, London’s Gallery Grappling, Flash Art, January - February 1996 Andrew Williamson, BANKism! HTV de Ijseberg, January - February 1996 Dave Beech, Getting Carried Away, Variant, Winter 1996 Bricks & Kicks (eds), Wiener Wald, (pub), Bricks and Kicks, 1995 Doris Krumpl, Zombies im Wienerwald, Der Standard, 30 June 1995 City Life, Bricks & Kicks, City, 23 - 29 June 1995 Annie Griffin (ed), The Art Casino, (pub), Barbican Art Gallery, London, 1995 Markus Wailund, Welcome to the Wienerwald, Falter, June 1995 Diane Eddisford, >alt.zombie.golf.the.earth, Mute, Summer 1995 Peterjohn Cresswell, BANK Sinks Into Chaos, Lewisham & Pubford Mercury, 11.07.1991

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