CAGED Chord System Tab - Guitar Music Theory

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Do you know that great rhythm guitar players don't necessarily use strange chords, ... Each section of this tune sounds unique but the whole song is actually just ...
CAGED Chord System Tab About Fretboard Theory Free Tab

This collection of free tab will help you get started learning chord shapes and inversions derived from the guitar CAGED system. It’s a perfect resource for applying the chord and music principals taught in Fretboard Theory.

Great Rhythm Guitar Players

Do you know that great rhythm guitar players don’t necessarily use strange chords, they just know how to freshen up common chord changes with different shapes and voicings? Take the song “Jack and Diane” by John Mellencamp for example. Each section of this tune sounds unique but the whole song is actually just variations of the SAME THREE CHORDS! Do you want to know how to get all this sound from just three chords?

Chapter 3: CAGED Template Chord System

Most books on chords simply provide fingering examples to no end and fail to teach you the “system” from which all chords are built. Fretboard Theory Chapter 3, which is also available for purchase on DVD, will teach you how to use the “CAGED Template Chord System.” This five-form “system” is how chords are built and arranged on the guitar fretboard. Learn how to map out arpeggio patterns that you can use to create all sorts of unique chord shapes and interesting chord voicings. No need to try and memorize thousands of different fingerings. Have you heard the saying, “If you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime.” It’s the same principle.

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

About Free Tab

Please note that Fretboard Theory only teaches the theory behind songs. It is NOT a tab book and won’t teach you how to play songs. But, I’ve included special details along with the notation that correspond to what you learn in the book about chord forms. These songs range from beginner level through advanced and make perfect exercises for developing chording technique. The better you learn these and play along the more you’ll train your ear too.

Order Fretboard Theory

The Fretboard Theory guitar theory book is available in both hardcopy and e-book format. Select chapters are also available on video DVD. Order from anywhere in the world! Pay online with credit card, PayPal, or mail a check. Shipping is calculated at checkout before your order is finally submitted. MONEY-BACK GUARANTEE! Learn more at the link below.

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CAGED DVD

The CAGED Template Chord System is also available on video DVD. Sign up for a free preview online!

FREE PREVIEW!

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

Use the bookmark tab in Adobe Acrobat to navigate through this document. “C Form” “Under the Bridge” Red Hot Chili Peppers “Stairway to Heaven” Led Zeppelin “Jack and Diane” John Mellencamp “Brown Sugar” The Rolling Stones “Plush” Stone Temple Pilots “Stay Together for the Kids” Blink 182 “Tears in Heaven” Eric Clapton “A Form” “Stairway to Heaven” Led Zeppelin “All Star” Smash Mouth “(BangYour Head) Metal Health” Quiot Riot “The Wind Cries Mary” Jimi Hendrix “G Form” “The Wind Cries Mary” Jimi Hendrix “Landslide” Fleetwood Mac “Fade to Black” Metallica “Stairway to Heaven” Led Zeppelin “E Form” “Gloria” Them (Van Morrison) “Johnny B. Goode” Chuck Berry “Tripping Billies” Dave Matthews Band “Never LetYou Go” Third Eye Blind “D Form” “Spirit of Radio” Rush “Crash Into Me” Dave Matthews Band “Hole Hearted” Extreme “All the Small Things” Blink 182 “Tears in Heaven” Eric Clapton

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

“C form” Barre Chord “Under the Bridge” Red Hot Chili Peppers

                         D



F#

               D

3

                  F#

F#

 

 “Stairway to Heaven” Led Zeppelin

                                            Am

E+/G#

C/G

D/F#

Fmaj7

G/B Am

 



This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

A        

  

  

E/A

  

A E/A

        

D/A









A E            



   

D

 

                  A D A E

E A E               

E            

D

   

A D A E

             

   

D



“Jack and Diane” John Mellencamp

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

 

E A          

A              

D



 

C G C C C F C F C  G C  G C                                              



            F



Ab Eb C                      C

Eb

               Db

Ab

Db

Eb

    

Bb

F

 



   

      F

 

C

 

“Brown Sugar” The Rolling Stones

        G

0:28

D/F#

F

C/E

                               

       C

Ab

  

Eb

  

F                 

Ebmaj7



“Plush” Stone Temple Pilots

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

 

0:39

                                          G5

D/F#

 



“Stay Together for the Kids” Blink 182

0:38

F#m       













F#7     















C#





 











A7







 



                     Bm7

D/E



“Tears in Heaven” Eric Clapton

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

 

   



 





“A form” Barre Chord

“Stairway to Heaven” Led Zeppelin

  

  3

2:14 Interlude

Am7

  

  

  

  

  

  

  

  

  

  

  

  

 Am7

Stairway to Heaven   

  

 

Em/D

  

  

G/D

Led Zeppelin

  D

D

   

 

 



C/D



 



 

D



   

Intro

All Star

 D           

G

" A form"



 

  

"A form" barre chords

 Tune Down 1/2 Step

 

Smash Mouth



C              

Am



“All Star” Smash Mouth

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

"A form"

 

(Bang Your Head) Metal Health

Verse 0:43

       A

B/A

   

C/A

   

Quiet Riot

     B/A

 

"A form"



“(Bang Your Head) Metal Health” Quiot Riot

       

Eb/Bb



The Wind Cries Mary

E/B

 

"A form"

 

F/C

 

Eb/G

 

E/G#



The Jimi Hendrix Experience F/A

  

 

“The Wind Cries Mary” Jimi Hendrix

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

  

“G form” Barre Chord

       

Eb/Bb

The Wind Cries Mary

 

E/B

F/C

   

Eb/G

 

  

E/G#

F/A

  



"G form"



The Jimi Hendrix Experience



 

 

“The Wind Cries Mary” Jimi Hendrix

   

Landslide

Intro Capo III

Eb (C)









let ring throughout

Bb/D (G/B)





"G form"





Fleetwood Mac

Cm7 (Am7)









Bb/D (G/B)





w/fingers

“Landslide” Fleetwood Mac

    

Fade to Black

Intro



    

Metallica

                                

(Bm)

(A)

let ring throughout

(B)

(A)

"G form"



“Fade to Black” Metallica

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

 

                                          Am

E+/G#

C/G

D/F#

Fmaj7

G/B Am

 



“Stairway to Heaven” Led Zeppelin

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

“E form” Barre Chord Gloria

Interlude 1:06

Them (Van Morrison) E D A D

E   D A D E   D A D E   D A D                                      3 "E form"

3

3

3

3

3

3

3



“Gloria” Them (Van Morrison)

    

Intro





  

   

Bb

 

"E form"

 

 

 

 

5 5

 

Chuck Berry

            

Bb

5 5

     4

Johnny B. Goode

 

5 5





 





“Johnny B. Goode” Chuck Berry

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com







Tripping Billies

Intro

D/F# G                   "E form"



    

1. D/F# G

Dave Matthews Band

Bm A D/F# G                         D/F#

 

G

2.

                           

4



A

Bm

D/F#

G

“Tripping Billies” Dave Matthews Band Bridge 1:50

Never Let You Go

                 E5



B/D#

E5

"E form"

B

Third Eye Blind

           E5

A5

“Never Let You Go” Third Eye Blind

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

 

“D form” Barre Chord 0:27 Intro

Spirit of Radio

     

   5



     

E

B

     

E/G#

  

  

  

"D form"

E

           

B

  

       

  

  

Rush

  

  

A 3

3 B

                             

        

E/G#

"D form"

3

          

A

“Spirit of Radio” Rush Intro

E/C#         



     3

E/G#

"D form"

Crash Into Me

E/A           

E/A           

     

     

E/B

 

E/B

 

Dave Matthews Band

E           

E           



file is my Matthews own work and represents Band my interpretation of the songs. You may only use this file for “Crash Into Me” This Dave

private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

     

        

Hole Hearted

Tune Down 1/2 Step Intro

    

   

D

 

   

E/D

  

   

   

D

 

Extreme

   

E/D

  

  

    

"D form"



   5

   

D

 

 

  

E/D

  

   

   

D

  

E/D

F/D     

  

   



“Hole Hearted” Extreme

All the Small Things

Intro

                                              C5



F5

"D form"

G5

Blink 182

            

“All the Small Things” Blink 182

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com

F5

 

     

Tears in Heaven

Intro



 

                 3

F#m7/E

 

 

A

 

 

D/F#

 



Eric Clapton

          3

E/G#

 

F#m7

  

"D form"



"D form"

E7sus4 E7

  

 

A

         



“Tears in Heaven” Eric Clapton

This file is my own work and represents my interpretation of the songs. You may only use this file for private study, scholarship, or research. This file was downloaded from: http://Guitar-Music-Theory.com