Chapter 2: Rebecca A. Adelman ... American Infants: Coping with trauma and becoming historical in A Home at the End of the World and American Pastoral.
Culture, trauma and conflict Cultural studies perspectives on war Nico Carpentier (ed.) Introduction Chapter 1: Nico Carpentier Strengthening Cultural War Studies
Part 1: Media representations of war Chapter 2: Rebecca A. Adelman 'Fort Livingroom': Gender, Race, Class, Sexuality, and Sentiment in Last Letters Home Chapter 3: Christina Lane Good Grief: The Cultural Work of Flightplan and the Vanishing Lady Tale Chapter 4: Metasebia Woldemariam Memory, Representation and Genocide on Film Chapter 5: Karen J. Hall Photos for Access: War Pornography and US Practices of Power
Part 2: Incarceration and torture Chapter 6: Usha Zacharias Abu Ghraib, War Media and the Gray Zones of Imperial Citizenship Chapter 7: Stephanie Athey Torture, Alibi and Archetype in US News and Law Since 2001
Part 3: Trauma and memory Chapter 8: Gordon Coonfield News Images, Lived Images, and the Trauma of Everyday Life Chapter 9: Vincent Stephens American Infants: Coping with trauma and becoming historical in A Home at the End of the World and American Pastoral Chapter 10: Marc Lafleur Life and Death on the 60th Anniversary of the A-bomb: Sovereignty, Politics and Memory Chapter 11: Tina Wasserman Intersecting Traumas: The Holocaust, the Palestinian Occupation, and the work o f Israeli Journalist Amira Hass Chapter 12: Nico Carpentier From individual tragedy to societal dislocation. The filmic representation of tragedy, dislocation, and cultural trauma in the Dreyfus affair.
