Heal The World

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Heal The World. Chorus (SATB) & Brass Band. Arr.: Ted Parson. Adapt.: Bertrand Moren. Michael Jackson. EMR 3666C. 1. 20 ... Piano / Guitar (optional). Shaker.
Heal The World Chorus (SATB) & Brass Band Arr.: Ted Parson Adapt.: Bertrand Moren

Michael Jackson EMR 3666C

1 20 1 5 1 3 3 1 2 2 2 2 2

Full Score Chorus E Cornet Solo B Cornet Repiano Cornet 2nd B Cornet 3rd B Cornet B Flugelhorn Solo E Horn 1st E Horn 2nd E Horn 1st B Baritone 2nd B Baritone

2 2 1 2 2 2 1 1 1 1 1

1st B Trombone  +  2nd B Trombone  +  B Bass Trombone  +  Euphonium E Bass B Bass Bass Guitar (optional) Piano / Guitar (optional) Shaker Tambourine Drum Set

Print & Listen Drucken & Anhören Imprimer & Ecouter

www.reift.ch

Case Postale 308 • CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail : [email protected] • www.reift.ch

DISCOGRAPHY

Voices 10 Track N°

Titel / Title (Komponist / Composer)

Time

N° EMR Blasorchester Concert Band

N° EMR Brass Band

1

The Show Must Go On (Queen)

3’18

EMR 10944

EMR 9301

2

Memory (Webber)

4’02

EMR 10875

EMR 9302

3

Conradiana (Morricone)

3’36

EMR 11536A

EMR 9303

4

Red Is The Rose (Arr.: Macduff)

3’51

EMR 11236

EMR 9164

5

Clementine (Arr.: Naulais)

2’55

EMR 10884

EMR 9304

6

My Bonnie (Parson)

3’08

EMR 10940

EMR 9305

7

Can’t Take My Eyes Off You (Crewe / Gaudio)

4’19

EMR 10967

EMR 3660

8

Spente Le Stelle (Capdevielle)

3’57

EMR 11003C

EMR 9306

9

L’Ame de Notre Harmonie (Naulais)

3’37

EMR 11112

EMR 9307

10

Cabaret (Ebb / Kander)

4’46

EMR 11013C

EMR 9308

11

Heal The World (Jackson)

3’34

EMR 11120C

EMR 3666C

12

Tom Dooley (Arr.: Bellini)

2’21

EMR 10930

EMR 9309

Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

Recorded on CD - Auf CD aufgenommen - Enregistré sur CD

Heal The World

| Photocopying is illegal!

1

     

2

3





Pop Ballad q = 80

Soprano

Alto



    



        Bass    

Tenor

Eb Cornet Solo Bb Cornet Repiano Bb Cornet 2nd Bb Cornet

  



   

mf

        

mf

      Bb Flugel Horn      3rd Bb Cornet

Solo Eb Horn 1st Eb Horn

    

mf



mf

      mf

1st Bb Trombone













mf

    





 



 





 































 



 

  













 













  





















 



There's a place

  

in your heart

   in your heart 

6

 

   

 

   

and I know

and I know

that

that

Solo

mf

 

 



mp

 

mp



mp



   

 

mp



mp



    



 

 

 

















 























       mf   Bb Euphonium      mf     Eb Bass  

















2nd Bb Trombone

mf

Bass Trombone

     Bass Guitar     (optional)     Bb Bass

Piano / Guitar (optional)

Shaker Tambourine Drum Set



Db       mf       















       

 

mf

 

mf

mf Gb/Db

 



















A¨/Db Gb/Db

 



 



Db

   Gb/Db

 

  

   

A¨/Db

 



      



mp



mp

  Gb/Db

 

           mf









mp



Toms ad lib. closed Hi-Hat + Cross Stick

                    mf



           

  





     



  

mp

Ebm7

Db

 

mp

 

  Fm7

 

  









  

and this place





mp



and this place

it is love



mp

mp

  

it is love











5

















 

There's a place mf





mf

 2nd Bb Baritone     



Arr.: Ted Parson Adapt.: Bertrand Moren

mf







     mf   1st Bb Baritone     







mf

2nd Eb Horn



A

4

Michael Jackson



         Gb/Ab

 

  

         

     





mp

           

mp

EMR 3666C © 1991 MIJAC MUSIC. THIS ARRANGEMENT © 2009 MIJAC MUSIC WARNER/CHAPPELL NORTH AMERICA LTD. REPRODUCED BY PERMISSION OF FABER MUSIC LTD EDITIONS MARC REIFT - 3963-CRANS-MONTANA (SWITZERLAND) ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED



            www.reift.ch

4

7 S.

         

8

    

could be much bright er than to - mor - row.

   A.              could be much bright er than to - mor - row.    T.         B.    Eb Cnt.

Solo Cnt.

  





   



10

  

      

you'll find there's no need to cry,

  

you'll find there's no need to cry,

  

real - ly try

  

real - ly try

And if you

And if you



       





     

 

9

  





 



 



in this place

in this place



There are

       

There are

you'll find there's no hurt or

you'll find there's no hurt or



sor - row.

 



 

 





 

sor - row.





      

12

       







11



       

  

Rep.Cnt.

   

2nd Cnt.

  













3rd Cnt.

  













Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B.Tbn.

Euph.

    

B.Gtr.

Pno./ Gtr.





































































































 









    



    













  

 

















 

 

   













  













   













    

  Eb Bass   Bb Bass





           



 Db          

 Shak.  Tamb.



Dr.



   









 



Ebm7

Fm7





        

  

Gb/Ab

 





     



  









  



  Db

 

      Ebm7

 

  Fm7





         Gb/Ab

 

                                        

 

  



  

   

 





           



            EMR 3666C



           









  



  Db

 



  

   

      Ebm7

 

  

  Fm7







        

  

Gb/Ab

 

  

               

       



            www.reift.ch

13 S.

A.

     

    

ways,

ways to get there

ways,

    

    

       B.   

         

if you care e - nough for the liv - ing,

   

   

if you care e - nough for the liv - ing,



T.

  Eb Cnt.  

ways to get there

14

         



make a litt - le

make a litt - le

space,



 





Rep.Cnt.

   

2nd Cnt.

  







3rd Cnt.

  







Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B.Tbn.

Euph.

Eb Bass

Bb Bass

     



       





 















 











  











       

















mf

     

mf

mf

 

     



     

  



   

 B.Gtr.   



        

     

  

 

 

 



 

      

 

  



  

Tamb.

Dr.

 

Fm7

 



           

Gbmaj7

Fm7



  

 

  



     

Ebm7



            EMR 3666C

     

Heal the world,

     

mf

  

mf

   mf

 

    

 

make it a

 



make it a

 

 

 









                                  



 



 



 



 



   



     

mf

   

mf

           

       

       

fill ad lib.

 



   

   

 







 



     

 

 





Gb/Ab

  

Heal the world,

     

    Pno./ mf Gtr.                                                  Shak.        

Ebm7



mf

  

  



mf



make it a

 

mp





     

mf

   

 

Heal the world,



mp



make it a

 

mf





mf

mp







mf

     





  

        



mf

 





              

mf



mf

 

 

Heal the world,

  

mf

 







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  

  

  

    





Solo Cnt.

 

    

make a bett - er place.



   

    

    

5

17

mf

make a bett - er place.

space,

B

16





 

15

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 

    

mf

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  

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  

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 

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           

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www.reift.ch

6

18 S.

19

        

for you and

       

Solo Cnt.

Rep.Cnt.

2nd Cnt.

3rd Cnt.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B.Tbn.

for me and

for you and

for me and

for you and

for me and

8va opt.

the en tire hu man race.





   









   

                                                   

       

Euph.

          B.Gtr.          Ebm7          Pno./ Gtr.            Shak. 



Tamb.



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  

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aah

Makea bett er place foryou and

for

      

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       

    

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aah

          

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    

 

  





   



   



   



   



   

   

 

        



 

 

        

    

        

   

   

        

 

 

                 

        mf         f

for





Makea bett er place foryou and



 

        

    







   













                











































  

  

  

 

      

  

      



  





                  

   

  

   

 

     

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   

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                                                   

f

aah



       

         



 



Aah

  

          

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aah







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 Bbm

 

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







f

           

 

   

         

 

   Ebm7 Gb/Ab                   

Fm7  Gb                  

Fm7

for

Makea bett er place foryou and

aah



                  

        









aah



           

        

Bb Bass

     

               

      

           Eb Bass      

   

                             

       

aah

  



  



Aah



          

ifyoucare e - noughfortheliv ing. Makea bett er place foryou and



aah

23

        

peop ledy - ing



                





   



22

    

Aah

  



Tutti

  

 







        

Yesthere are

the en tire hu man race.

                          

   

  

the en tire hu man race.

                

bett erplace

  Flug.               Solo Hn.   1st Hn.

the en tire hu man race.

                 for you and

 T.          bett erplace     B.   

  

for me and

                

bett erplace

  Eb Cnt.  

21

                

bett erplace

A.

20



  

                  





                                                EMR 3666C









           









            www.reift.ch

24 S.

A.

T.

B.

Eb Cnt.

Solo Cnt.

Rep.Cnt.

2nd Cnt.

3rd Cnt.

Flug.

Solo Hn.

     

me.

me.



    

mf

  

me.



   









 2nd Bar.    

    

 

 













27

28

            

so high,

let our spi -

rits nev er die,

let our spi -

rits nev er die,

I feel you are all my broth ers.

Createaworld

in myheart



Createaworld

              

    





    





    





Wecould fly





 

            

so high,

let our spi -

rits nev er die,

in myheart

            

so high,

let our spi -

rits nev er die,

in myheart

             



 















 



 











             

              



















 

  





mp



Createaworld







  

I feel you are all my broth ers.



            



  

Createaworld







       I feel you are all my broth ers.        





mp

  

I feel you are all my broth ers.



    

mp

      



              

mf

  





mf

      

in myheart

            

so high,

 

mp



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 

 









   









 









B.Tbn.

    









  



















  





Eb Bass

        



 Bb Bass      B.Gtr.

Pno./ Gtr.



Tamb.

Dr.

Db

 



Gb/Db

  

Dbmaj7

   



  



    

     

 Shak.



  

         

  



  

Gb/Db

 





 



  

















                      

















  



  

  

   

     



  



 

 

  

mp



mp



  

  



  

  

    





mp

mp

Eb     

Ab/Bb



  

  

2nd Tbn.

Euph.

7

29





    



26

     

mf





Wecould fly





    

    

mf





Wecould fly







    

Wecould fly



    

2nd Hn.

 mf



    

  

mf



   

  







   

 

1st Tbn.





    

1st Hn.

1st Bar.

mf



      me.

C

25

Fm7

 

mp



  

Gm7

 



Ab/Bb

 

Eb

  



 

Fm7

 

  

  Gm7

 



  

     Ab/Bb

 

  

                                  mp

Cross Stick



           

mp

EMR 3666C



           





                        www.reift.ch

8

30 S.

A.

T.

B.

             

   

 Eb Cnt. 

31

32

                

with no fear,

to geth er we'll

cry hap py tears,

see the na -

                

with no fear,

to geth er we'll

cry hap py tears,

see the na -

                             

Yes we could real ly get there if you care e - nough forthe liv ing, make a







 

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B.Tbn.

Euph.

Eb Bass

Bb Bass

B.Gtr.

Pno./ Gtr.

Shak.

             

tionsturntheir swordsin-to plow shares.

2nd Cnt.



 

see the na -



2nd Hn.

            

cry hap py tears,





  

to geth er we'll





 

Yes we could real ly get there if you care e - nough forthe liv ing, make a

with no fear,

Rep.Cnt.

1st Hn.

 

              

 

          



  

tionsturntheir swordsin-to plow shares.

  

  

Yes we could real ly get there if you care e - nough forthe liv ing, make a

  

 

 

 

Yes we could real ly get there if you care e - nough forthe liv ing, make a

tionsturntheir swordsin-to plow shares.

 

Solo Hn.

  

             

see the na -

Solo Cnt.

   

  

tionsturntheir swordsin-to plow shares.

  

cry hap py tears,



Flug.

 

35

to geth er we'll

          



  

34

with no fear,

  

3rd Cnt.

  

33

  

  

 

  

 

   

  

















                     

























     

     





      

  

      

     

  

 



      

  

  









      

  







  























 



































  













  



 

    



 Eb     

   





Tamb.



Dr.



  

   

















  



  



  

   



  

 

     



  





  

 

     

Fm7

Gm7

      Fm7

Gm7

 

 

  

    

   

 



Ab/Bb

 

  

Eb

 



Fm7

  



           



       

  





   

Gm7

Ab/Bb

 

 

                 





    

 

  

 

 

  

 

 





 



  

 

   

 

     

   

 

Abmaj7





 

Gm7

 

  

                            

                           

EMR 3666C

 







 





   

 









      

mf

 





     



  

 

  



  

   



  



     



      www.reift.ch

36 S.

       



litt - le space

A.

      



litt - le space

 T.         litt - le space      B.   

 Eb Cnt. 



to make a bett - er place.

Heal the world,

       to make a bett - er place.

Heal the world,

      

Heal the world,

 



Solo Cnt.

    



 

Rep.Cnt.

    



 

2nd Cnt.

  

 

      mp

 Flug.      

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

 













 

mf

  mf  



 

 1st Tbn.   

mf

 

  

   

mf

 



 

    



 B.Tbn.   

     

 

2nd Tbn.

 Euph.     

mf

mp

mp

mf

mp

mf

 



 



mf

 



  

mf

     B.Gtr.   

     

  mf   mf

Eb Bass

Bb Bass

Pno./ Gtr.

Shak.

Tamb.

Dr.

 



 Fm7         



 





  

Ab/Bb

  

   

          

      

   

and

for me

and

the

for

you

and

for me

and

the

for

you

and

for me

and

the

  

               

 

   

 



 



 

 

 



 

   

 



 

   

          

     

 



 

  

         

  

   



  

 

     

  

  

  

             

 

mf

you



  

for

 

mf

 

the

   



 

and

 

mf

 

     

for me



     

mf





make it a bett - er place

and

  

          

  

you

   

         

 

     

make it a bett - er place

for

 

 

mf

     

           

make it a bett - er place



       



           

   

Heal the world,

    

mf

   

 

 

mp

    

mf

     



9

40

     



 

39

 

to make a bett - er place.

  

3rd Cnt.

 

      

38



 

      

to make a bett - er place.

litt - le space

D

37

  

make it a bett - er place



 



 

   

 

   



 

   

 



 

   

 



 

   





          

          fill ad lib.

  

mf

  



mf

mf

 

Eb

mf



  



 

       

                               

  

         

   



       

 

   

    

 

         

     

 

 

          

       

                               

  

       

 

       

   



Fm7

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BRASS BAND CHORUS (SATB) & BRASS BAND EMR 1636 EMR 1636M EMR 3174 EMR 3440 EMR 3171 EMR 3878 EMR 3671 EMR 1343C EMR 2970 EMR 3881 EMR 2582 EMR 3667 EMR 2973 EMR 2560 EMR 3660 EMR 3882 EMR 3073C EMR 2547 EMR 1359C EMR 2971 EMR 3180 EMR 3173 EMR 3676 EMR 3066C EMR 2914 EMR 3941 EMR 3076C EMR 3437 EMR 2546 EMR 1345C EMR 3544 EMR 2761 EMR 3439 EMR 3441 EMR 3662 EMR 3939 EMR 3884 EMR 2674C EMR 3950 EMR 2583 EMR 3181 EMR 2580 EMR 3668 EMR 2778C EMR 3666C EMR 2969 EMR 1685 EMR 3443 EMR 3179 EMR 3447 EMR 3007 EMR 3072C EMR 2776C EMR 2633C EMR 3442 EMR 3674 EMR 3945 EMR 3036C EMR 2757C EMR 2626C EMR 2626M EMR 3170 EMR 3172 EMR 3175 EMR 3942 EMR 3677 EMR 2737C EMR 2763C EMR 2763M EMR 3673 EMR 2768 EMR 3949 EMR 3952 EMR 2653C EMR 3669 EMR 2762C EMR 2991 EMR 2579 EMR 3947 EMR 3305 EMR 2538

1492 "The Conquest of Paradise" 1492 "The Conquest of Paradise" (Male Chorus) A Merry Christmas A Truthful Friend Adeste Fideles Africana Alexandrie, Alexandra (Chorus SATB) Amen From "The Messiah" Anvil Chorus Around The World Auld Lang Syne Ave Maria (Chorus SATB)

VANGELIS (Mortimer) VANGELIS (Mortimer) Arr.: PARSON TAILOR Arr.: SAURER TAILOR FRANCOIS (Richards) HÄNDEL (Michel) VERDI (Hendriks) TRADITIONAL (Richards) TRADITIONAL (Armitage) SCHUBERT (Naulais) PLAMONDON / Ave Maria païen COCCIANTE (Richards) Bohemian Rhapsody QUEEN (Mortimer) Can't Take My Eyes Off You CREWE / GAUDIO (Saurer) Caro Mio Ben GIORDANI (Naulais) Cha Cha N° 2 NORIS Chess (Anthem) ANDERSSON (Mortimer) Choral / Sinfonia & Gavotte BACH / HÄNDEL (Michel) Chorus Of Hebrew Slaves VERDI (Hendriks) Christmas Glory Arr.: PARSON Christmas Swing Arr.: PARSON Cielito Lindo (Chorus SATB) Arr.: NAULAIS Close Together NORIS Conquistador MORTIMER Deep River PARSON Disco Lady NORIS Dix KOCHER (Schneiders) Don't Cry For Me, Argentina WEBBER (Tailor) Dona Nobis Pacem BACH (Michel) Dubinushka Arr.: MORTIMER Egyptian March STRAUSS (Mortimer) Ein' feste Burg ist unser Gott LUTHER (Schneiders) Ellacombe Arr.: TAILOR Everytime I Feel The Spirit PARSON Freedom PARSON Funiculi-Funicula TRADITIONAL (Suba) Ghost (Unchained Melody) NORTH / ZARET (Mortimer) Glory PARSON Gloryland (+ Female or Male Voice) RICHARDS Go Tell it on The Mountain Arr.: PARSON Gospel Train TAILOR Greensleeves (Chorus SATB) TRADITIONAL (Andrews) Hark, The Herald Angels Sing TRADITIONAL (Schneiders) Heal The World JACKSON (Parson) Henry V (Non Nobis Domine) DOYLE (King) Highlights from Carmen BIZET (Mortimer) Holy God, We Praise Thy Name IGNAZ (Schneiders) Holy Night Arr.: PARSON Hymn To Life TAILOR Hymn To Red October POLEDOURIS (King) I Love Samba NORIS Ihr Kinderlein kommet / Lasst uns TRADITIONAL (Schneiders) Il est né, le divin enfant TRADITIONAL (Schneiders) In Terra Pax RICHARDS Irish Eyes (Chorus SATB) TRADITIONAL (Oliver) Jericho PARSON Jesu, Joy Of Man's Desiring BACH (Mortimer) Jingle Bells TRADITIONAL (Tailor) Joy To The World TRADITIONAL (Schneiders) Joy To The World (Male Chorus) TRADITIONAL (Schneiders) Joyful Christmas Arr.: PARSON King's Blues March Arr.: SAURER Kling Glöckchen Arr.: PARSON Kumbaya PARSON La Bamba (Chorus SATB) TRADITIONAL (Saurer) La Mer TRENET / LASRY (King) Les anges dans nos campagnes TRADITIONAL (Schneiders) Les anges dans nos campagnes (Male Chorus) TRADITIONAL (Schneiders) Les Lacs du Connemara (Chorus SATB) SARDOU / REVAUX (Mortimer) Les Trois Cloches GILLES (Richards) Let My People Go PARSON Let My People Go PARSON (Moren) March Of The Three Kings TRADITIONAL (Tailor) Men Of Harlech (Chorus SATB) TRADITIONAL (Macduff) Merry Christmas SCHNEIDERS Money, Money, Money ABBA (Mortimer) Moscow Nights RICHARDS Motherless Child PARSON Mozart Medley (Duet for Mezzo-Soprano & MOZART (Moren) Baritone) Music MILES (Mortimer)

Chorus (SATB) (Fortsetzung - Continued - Suite) EMR 3446 Nearer, My God, To Thee EMR 3680 New York, New York (Chorus SATB) EMR 3943 Nobody Knows EMR 3438 Now Thank We All Our God EMR 3168 O Christmas Tree EMR 2764C O Come, All Ye Faithful EMR 2771C O Du Fröhliche / Alle Jahre wieder EMR 3716 O Happy Day EMR 2772C O Holy Night EMR 3679 O Sole Mio (Chorus SATB) EMR 2774C O Tannenbaum / In Dulci Jubilo EMR 2975 Ode To Joy EMR 2758 Oh Happy Day EMR 2518 One Moment in Time EMR 3169 Ox And Donkey Blues EMR 3672 Panis Angelicus (Chorus SATB) EMR 3436 Passion Choral EMR 3670 Pie Jesu (Chorus SATB) EMR 3885 Plaisir d'amour EMR 3675 Polka Hey! (Chorus SATB) EMR 2974 Pomp And Circumstance Nr. 1 EMR 3444 Praise To The Lord EMR 3434 Pray For A Better World EMR 3678 Qu'est-ce qu'on attend (Chorus SATB) EMR 2880 Requiem Aeternam EMR 3940 Riverside EMR 3068C Rock Your Blues Away EMR 2542C Samba Olé EMR 2755 Sister Act (I Will Follow Him) EMR 3176 Stille Nacht EMR 2777C Stille Nacht / Kommet Ihr Hirten EMR 3714 Super Trouper (+ Voice Solo) EMR 2775C Süsser die Glocken nie klingen EMR 3070C Swing And Jive EMR 3664 Swing Low EMR 3177 Swingle Bells EMR 3516C Take Me Home, Country Roads EMR 2652C The First Nowell EMR 3879 The Lost Chord EMR 2570 Time To Say Goodbye EMR 2972 Triumphal Scene From Aida EMR 2933 Troy EMR 3074 Twisting Brass Viva Verdi (Il Trovatore - La Traviata EMR 1680 Rigoletto - Nabucco - Aïda) EMR 3545 Vivo Per Lei EMR 2773C Vom Himmel hoch / Leise rieselt EMR 3944 Wade In The Water EMR 2571 We Are The Champions EMR 2769 We Are The World EMR 2867 We Have A Dream EMR 3445 We Plough The Fields EMR 3946 We Shall Overcome EMR 2770C We Wish You A Merry Christmas EMR 3178 What Child Is This ? EMR 3948 When The Saints EMR 3886 Wiegenlied

MASON (Tailor) KANDER / EBB (Parson) PARSON CRÜGER (Schneiders) Arr.: PARSON TRADITIONAL (Tailor) TRADITIONAL (Schneiders) PARSON TRADITIONAL (Schneiders) TRADITIONAL (Naulais) TRADITIONAL (Schneiders) BEETHOVEN (Richards) TRADITIONAL (Armitage) HAMMOND (Mortimer) Arr.: SAURER FRANCK (Naulais) HASSLER (Schneiders) WEBBER (King) MARTINI (Richards) TRADITIONAL (Sedlak) ELGAR (Hendriks) TAILOR TAILOR HORNEZ / MISRAKI (Mortimer) TAILOR PARSON NORIS NORIS POURCEL/MAURIAT (Mortimer) Arr.: SAURER TRADITIONAL (Schneiders) ABBA (Gourlay) TRADITIONAL (Schneiders) NORIS PARSON Arr.: PARSON DANOFF / DENVER (King) TRADITIONAL (Schneiders) SULLIVAN (Richards) SARTORI (Mortimer) VERDI (Hendriks) HORNER (Richards) NORIS VERDI (Mortimer) PANCERI / ZELLI (Saurer) TRADITIONAL (Schneiders) PARSON QUEEN (Mortimer) JACKSON / RICHIE (Mortimer) BOHLEN (Saurer) SCHULZ (Tailor) PARSON TRADITIONAL (Schneiders) Arr.: PARSON PARSON BRAHMS (Naulais)

Editions Marc Reift ● CH-3963 Crans-Montana (Switzerland) ● Tel. +41 (0) 27 483 12 00 ● Fax +41 (0) 27 483 42 43 ● [email protected] ● www.reift.ch