I Surrender All ... for Bro. Jerome Schwabe, C.S.C. and all Brothers of the Holy
Cross .... be taken to assure the integrity of both lyrics and scriptural texts.
2
I Surrender All Offertory Hymn from the Mass of Saint Martin de Porres
Judson W. Van de Venter INTRO: Andante (
Piano
F/C
6
G9
9
C add9
2
C7 sus4
C
Cmaj7
C
C9 sus4
F 69( 11)
G 9( 11) 2
Winfield S. Weeden Arranged by Leon C. Roberts
= ca. 70)
C
3
SAMPLE
for Bro. Jerome Schwabe, C.S.C. and all Brothers of the Holy Cross
2
7
Dm
2
C6
F
2
C/G
Am/G
2
Arrangement © 1985, 1996, Leon C. Roberts. Published by OCP Publications. All rights reserved.
Edition 30114257
2
G7
3 VERSE 1: Choir Soprano
to will
Je ev
SAMPLE
12
Alto 1a. All
1a. All 1b. I
1b. I
Tenor
Bass
1a. All 1b. I
to will
C
15
1a. sus 1b. er 1a. Je 1b. ev
Je ev G7/C
2
I love sus er
I love
sur and
to will
sur and ren trust
der, him,
2
1a. sus 1b. er C
I love C/E D/F 2
G sus4
sur and
G
2
2
I Surrender All
4 18
der, him,
1a. I 1b. love
sur and
ren trust
2
1a. ren 1b. trust E
E7
2
21
C7 sus4/G
I Surrender All
der, him,
der, him,
E sus4
1a. 1b.
all in
SAMPLE
1a. ren 1b. trust
to his
C7
him pres
F
D9/F
I ence
G/F
C/E
E7/G
all in
all in Am(add9)
Am
2
2
free dai 2
C/G
G 2
5 25
-
ly ly
give; live.
F/G
F/C
2
REFRAIN: 28
I
C
(to Vs. 1b.)
SAMPLE
1a. 1b.
C
F/A G/B 2
2 2
sur
ren
G/C
F/C
I Surrender All
6 31
*
all,
der
sur
SAMPLE
I
ren
der
Dm
Dm( 5)
all, *
C
7
Dm(add9)
*
34
all,
G7
*
= 1st two times through,
I Surrender All
Dm7
; 3rd time,
C add9/E
.
Fmaj7
I
G
7 37
ren
F/G
G13
40
all,
Am(add9)
2
2
43
der
SAMPLE
sur
Gm7
C7
G13
Dm
rit.
13
G
7
F
3rd time to CODA
(page 13)
3rd time to CODA
(page 13)
Fmaj7
C
C sus4
a tempo
I Surrender All
8 45
to
C
47
thee,
F/C
Cmaj7
my
2
G9
50
ed
C7 sus4
SAMPLE
all
G 9( 11)
C add9
bless
C
C9
Sav
ior,
F 69( 11)
F
C13
2 2
I Surrender All
2
9 53
sub.
sur
sub.
C
7
Dm
2
VERSE 2: Soprano solo 56
2. All
3. All
to Cmaj7
C
der.
C/G
Am/G
G7
2
to
VERSE 3: Tenor solo
8
ren
SAMPLE
I
2
2
Je
Je F/C
Fm6/C
2
59
2. sus
8
3. sus C
I
D9
I G9 sus4
sur G9
I Surrender All
10 62
8
ren
der,
3. ren
der,
E7 sus4
E7
65
8
2.
bly
at
3.
I
give
C7
F 69
Gm7
68
2. feet
8
D9/F
E7/G
Lord, Am(add9)
self
Dm9
Dm7
2
2
G13( 9)
2
2
Am
A m7
2
his
my, C/E
2
2
I
3. my
I Surrender All
hum
SAMPLE
2. sur
bow,
to
thee, Dm7( 5)/C
2
2
11 71
2
8
and
world
3. C add9 F/A
G/B
fill
me
C
Cmaj7
74
2. plea
8
sures
3. with F/C
Fm6/C
C
77
2.
8
2
3.
and G/C
Am/G
G
ly
SAMPLE
2.
2
all
thy
love
D9
G
for
sak
pow
er;
E7 sus4
E7
Am/G
2
F /G
en;
D9/F
E7/G
I Surrender All
12 80
2
8
me,
3. let
Am(add9)
Am
A m7
2 83
2.
8
sus,
3. ing
me
3. me.
Dm7( 5)/C
I Surrender All
take
bless
C7
F
me,
Dm11
86
8
Gm7
thy
G/F
Lord,
take
fall
C/E
2.
Je
SAMPLE
2. take
now.
C add 9
F/A
2
on G13( 9)
D. S. (page 5)
D. S. (page 5)
G/B
D. S. (page 5) (both times)
13 CODA 88
G13
91
to
thee,
Cmaj7
F/C
94
bless
C9
C13
SAMPLE
all
C7 sus4
2
C
my
G9
C add9
ed
Sav
G/C
F69 ( 11)
C
I Surrender All
14 97
F
I
2
F/G
2
F/G
2
100
sur
A 7
SAMPLE
ior,
ren
der,
I
B/A
A 7
C/G
103
sur
C/G
ren
der,
F m7( 5)
Fm(maj7)
2
Fm6 Fm(maj7) Fm/E
2
2 4
I Surrender All
15
1
106
C
109
sur
7
rit.
ren
der,
I
sur
ren
der
der,
1 C/G
all.
Am/G
G7
Ooh.
all.
rit.
2
rit.
ren
Dm
2
C/G
SAMPLE
I
Am/G
G7
C7 sus4 Cm7 D/C
D /C
D 69 /G
C 69
Performance Note Soloists should be free to creatively interpret the score in a prayerful manner. Embellishment of the texts is a feature found in many forms of African American music, therefore care must be taken to assure the integrity of both lyrics and scriptural texts. Most importantly, God is to be praised and glorified through the singing of I Surrender All. —L.C.R. I Surrender All