Canham DLC 4x5, May/June 1997. pp 58-59.*. Canham 5x7DLC ..... Burns,
Marsha - Crossing Cultural Boundaries, Mar/Apr 1992. pp 32-38. Busch, Doug ...
INDEX OF ARTICLES -
MAGAZINE
August 1988 through Nov/Dec 1999 Back issues are $7.00 each, plus postage
Articles with asterisk (*) are sold out but are available as photocopies for $4.00 each. To order back issues or photocopies, call 800-894-8439 M-F 8-5 Pacific Time. View Camera Magazine, 1400 ‘S’ Street, #200, Sacramento, CA 95814 Linhof M 679, May/June 1998. p 55. Backpacking and Traveling with Large Format Backpacking in the Adirondacks (8 x 10), May/June 1991. pp 36-39.* Backpacking with a View Camera, May/June 1990. pp 28-31. Backpacking and Day Hiking with 4 x 5, May 1989. pp 27-32.* Photographing in the National Parks, Mar/Apr 1998 . p 56.* Traveling with 8 x 10, November 1988. pp 18-19.* Traveling with 11 x 14, Nov/Dec 1990. pp 41-43.* Traveling with the View Camera, August 1988. pp 18-19.*
Business Practices Learning the Stock Market, Nov/Dec 1994. pp 22-25. Living and Working in the Magic of New Mexico, May/June 1997. pp 4-12.* Professional Practices (presenting your work to galleries), Nov/Dec 1994. pp 40-43. Renting vs. Owning a Studio, July/Aug 1992. pp 30-31. Studio Workflow, March/Apr 1997. pp 66-69. Surviving in a Smaller Market, Nov/Dec 1993. pp 20-27. The Business of Architectural Photography, July 1989. pp 4-15.* Tilt Studio, Nov/Dec 1998. pp 48-54. Trends in Commercial Photography, May/June 1996. pp 54-56.*
Equipment Reviews Adios Printing Filters - Variable Contrast Enlarging Heads - pt. 1, July/ Aug 1997. pp 56-58.* Buenos Dias. VC Enlarging Heads - pt. 2, Sep/Oct 1997. pp 54-58.* (The) Alt View WA 410, Sep/Oct 1997. p 63.* Arca Swiss Cameras, Mar/Apr 1990. pp 45-46.* Arca Swiss M-Line Monolith, May/June 1991. pp 40-42.* Arca-Swiss F-Metric, Mar/April 1999. pp 60-61.* Banquet Formats - Used Cameras, Nov/Dec 1990. pp 17-23.* Battle of the Bulge - Sheet Film Holders, Mar/Apr 1996. pp 62-67.* Bender Kits for 4 x 5, May/June 1990. pp 50-51. Bogen/Manfrotto Stacker Stands and Convertible Boom Stand, Nov/ Dec 1998. p 80. Buying the Used Deardorff, November 1989. pp 12-15.* Buying the Used Linhof Technika, November 1989. pp 16-19.* Calumet's New Cadet Camera, May/June 1997. pp 57-58.* Calumet's Zone VI VC Enlarger, Sep/Oct 1997. p 65.* Cambo SCRX 4 x 5 Camera, November 1988. p 24.* Cambo 4 x 5 Master PC, May/June 1991. pp 49-50.* Cambo 23 and 45SF Cameras, May/June 1996. pp 61-66.* Cambo 4x5 Ultima, May/June 1999. p 60. Canham DLC 4x5, May/June 1997. pp 58-59.* Canham 5x7DLC, Mar/April 1999. pp 62-63.* Cheaper Glass, Lens Alternatives for 6x9 and 4x5, Sep/Oct 1997. pp 60 61.* Cleaning and Repairing the Older Shutter, November 1989. pp 30-35.* Closeup Lenses, July 1989. pp 30-33.* Color Temperature Meters, July 1989. p 44.* Corfield 6 x 7/6 x 9 Camera, Nov/Dec 1994. pp 66-67. Dagor Lenses, May/June 1992. pp 54-56. Ebony SV45U, Jan/Feb 1999. pp 60-61 8 x 10 Field Cameras, November 1988. pp 26-29.* 8 x 10 Lenses, November 1988. pp 30-35.* 8 x 10 Monorail Cameras, November 1988. pp 22-23.* Graflex Cameras, Mar/Apr 1991. pp 56-59. Gandolfi 4 x 5 Variant, May/June 1995. pp 58-59.* Gandolfi Cameras (History), Jan/Feb 1990. pp 23-25. Good Buys in Used Equipment - The Calumet C-1, May 1989. p 43.* Ground Glass/Fresnel/Screen Brighteners - pt. 1, May/June 1997. pp 5657.* Ground Glass Brighteners - pt. 2, July/Aug 1997. p 51.* Horseman SW612 Camera, Nov/Dec 1997. pp 62-63. Horseman View Camera Converter for 35mm, Nov/Dec 1997. pp 63-64. Horseman 45HD Camera, May/June 1995. p 58.* Horseman ISS Shutter, Sep/Oct 1994. p 66. Horseman LE Camera, May/June 1995. pp 61-62.* Horseman SW612 Pro Super Wide-Angle Camera, Nov/Dec 1998. p 80. Inka Cameras, May/June 1990. p 45. Inexpensive Intro to 8 x 10, Jan/Feb 1993. pp 60-61.* Jobo Comparator 100. ProTime 100. and Color Line 100, Nov/Dec 1998. p 80. Kodak Master View 8 x 10, May/June 1999. p 64 Linhof Master Technika 2000, May/June 1996. pp 58-61.*
64 JANUARY/FEBRUARY 2000
Lotus Rapid Field 4x5, May/June 1998. pp 53-54. Lowe Pro Super Trekker Backpack, July/Aug 1992. p 61. Mido Film Holders, Nov/Dec 1993. p 72. Mounting Lenses Into Shutters, November 1989. pp 27-30.* New Ultra Wide Angle Lenses, Nov/Dec 1995. pp 44-48. New Wide-Angle Lenses, July/Aug 99, pp 59.* Polaroid CS-500 Scanner and Pro 100 Film, Sep/Oct 1993. pp 53-57. Polaroid PrintScan 45, Nov/Dec 1997. pp 66-67. Pre-Loaded Films for 4 x 5, Sep/Oct 1991. pp 59-61. Phillips 8 x 10 Camera, Sep/Oct 1990. p 53. Phillips Advantage and Explorer Cameras, Nov/Dec 1991. pp 56-57. Phillips 4x5 Field Cameras, Mar/April 1999. p 62 Photographing with Fred Picker Video, May/June 1992. p 34. Printing with Fred Picker Video, May/June 1992. p 34. Prontor Press Shutters, July/Aug 1991. pp 54-55. Roll Film Holders for 4 x 5, March 1989. pp 26-27.* Saunders New LPL 4550XL Enlarger, May/June 1993. p 50. Schneider 58mm lens, Sept/Oct 1991. p 54. Schneider 120mm f5.6 Super-Symmar HM Lens, September 1989. p 46. Schneider 58 and 90mm XL Lenses, May/June 1994. p 55.* Schneider Super-Symmar XL Aspheric, Mar/April 1999. p 64. Semi-Wide Lenses for 8 x 10, Nov/Dec 1993. p 74. Sekonic L-778 Dual Spot Meter, May/June 1993. pp 57-58. A Short Primer on Lenses (How to select), Jan/Feb 1991. p 54. Sinar A1 4 x 5 Camera, May/June 1993. p 58. Sinar Expolux Exposure System, Nov/Dec 1994. p 74. Sinar X Camera, May/June 1995. pp 59-60.* Sinar Cameras, Mar/Apr 1990. pp 43-44.* Silvestri 6 x 9 Camera, Sep/Oct 1990. p 54 Silvestri Model H Camera, Sep/Oct 1994. pp 60-63. 6 x 9 View Cameras, March 1989. pp 13-18.* Some Thoughts on Lenses, Jan/Feb 1998. pp 60-62.* The Tachihara, Woodfield, and Osaka 4x5 Cameras, July/Aug 1997. pp 54-55.* Telephoto Lenses, Mar/Apr 1991. pp 41-48. The 5 x 7: A Personal View, July/Aug 1993. pp 32-33. The 5 x 7 Format, January 1989. pp 16-21.* The Orbitar: Wide Angle Blast from the Past, Mar/Apr 1990. pp 37-39.* The Super Symmars, Jan/Feb 1991. pp 51-52. The V-Pan 617 Camera, May/June 1994. pp 52-54.* The Wisner 4x5 Expedition Camera, May/June 1996. p 58.* The Wisner Convertible Plasmat Lens, Jan/Feb 1998. pp 48-53.* The Wisner Pocket Expedition 4 x5 Camera, Jan/Feb 1998. pp 54-55.* The Wisner 8 x 10 Pocket View Camera, Sept/Oct 99, p 57. Topfield 4x5, May/June 1999. p 52. Toyo 45CX Monorail, Jan/Feb 1999. pp 60-61 Toyo 4 x 5 G, July/Aug 1990. p 54. Toyo 45AII/45AX & Wista Field 45 Type III, Nov/Dec 1998. pp 70-71. Toyo 810M, July 1989. p 46.* Toyo VX125, July/Aug 1995. p 57.* Used Lenses for 4 x 5 and 8 x 10, November 1989. pp 20-26.* View Camera Lenses: Making A Decision to Buy Old Or New Lenses, Jan/Feb 1998. pp 56-59.* Wooden Cameras from the United Kingdom, May/June 1991. pp 53-58.* Woodman 4 x 5 Camera, Jan/Feb 1997. p 65. Zeiss Lenses, Mar/Apr 1993. pp 54-59.* Zone VI UltraLight, Jan/Feb 1999. pp 60-61.
Darkroom Techniques and Equipment ABC Pyro and T-Max 100, September 1989. pp 17-20. Advantages of Using Pyro for Plat. Printing, Sep/Oct 1997. pp 15-21.* Arista Black and White Films, Mar/April 1999. pp 56-57.* Aristo Variable Contrast Head, Jan/Feb 1995. pp 54-56.* Bergger’s New BPF 200 Sheet Film, Sep/Oct 1998. pp 56-60. Black and White Paper Negatives, Nov/Dec 1992. pp 76-77. Brush Agitation Development for Sheet Film, July/Aug 1993. pp 35-40. Carbon Printing, Nov/Dec 1990. pp 4-11.* Cachet papers, July/Aug 1997. pp 64-67.* Creating a Cyanotype, July/Aug 1994. pp 48-52. Creating a Platinotype, July/Aug 1994. pp 24-29. Darkroom Cookbook (book review), Jan/Feb 1995. p 64.* Darkroom Tour (Gerry Russell), Jan/Feb 1999. pp 54-55.
Determining Exposure and Development, Jan/Feb 1995. pp 40-41.* Development by Inspection, September 1989. pp 30-32. Development by Inspection, May/June 1999. pp 56-59. Direct Positive Black and White Photography, Nov/Dec 1994. pp 44-47. Divided D-23, The Perfect Film Developer, September 1989. pp 12-15. Evercolor Technology, July/Aug 1994. pp 14-20. 4 x 5 Enlargers, September 1989. pp 37-41. Gordon Hutchings Pyro Corner, Mar/Apr 1992. pp 58-59. Ilford’s New HP5+ Sheet Film, Jan/Feb 1991. p 24. Ilford's New Pristine paper, Mar/Apr 1997. pp 56-57. Light Sources for Enlargers, Mar/Apr 1992. pp 52-56. Making Enlarged Negatives, Sep/Oct 1992. pp 56-60. New and Improved Black and White Printing Papers, Sep/Oct 1994. pp 22-24. New Solutions for Platinum Printers, Sep/Oct 1994. pp 36-41. Orthochromatic Film, Mar/Apr 1991. pp 33-39. Photographing in the Sierra Pt. 2, Printing the Negatives, Mar/April 1999. pp 52-55.* Penetrating the Density of the Film Curve, Jan/Feb 1991. pp 15-21. Photogravure-Paradise Earned, Sep/Oct 1996. pp 12-19.* Platinum Printing - How To, May 1989. pp 4-9.* Platinum - A Medium for the Hopelessly Obsessed, Sep/Oct 1996. pp 36-43.* Platinum and Palladium: Tonal Delicacy, Image Color, and Depth, July/Aug 1998. pp 10-19.* Plat/Palladium Process, July/Aug 99, pp 6-14.* Polacolor Image Transferring, May/June 1991. pp 47-48.* Preservation of Large Format Photographs, Jan/Feb 1995. pp 34-37.* Print Flashing Techniques, Sep/Oct 1997. pp 38-40.* Printing From Glass Plates, Jan/Feb 1990. pp 39-42. Printing Out Paper, Jan/Feb 1990. pp 43-46. Printing with Azo and Amidol, July/Aug 1996. pp 46-51. Processing Sheet Film - Three ways - trays. hangers, rotary drums, July/ Aug 1990. pp 46-49. Recommended EI’s for Infrared Film, Mar/Apr 1991. pp 17-18. Ross, Alan - Controlling Local Contrast Through Selective Masking, Nov/Dec 99, pp 50-55. Rotary Drum Processing and Pyro, Jan/Feb 1992. pp 50-55.* Safelights: Reviewing Today’s Options for Darkroom Illumination, Nov/Dec 1998. pp 66-68. Selective Masking Pt. 1, July/Aug 99, pp 48-56.* Selective Masking Pt. 2, Sept/Oct 99, pp 58-63. Spotting Negatives (The Black Hole in Photography), March 1989. pp 39-42.* Techniques for Making the Black and White Print, Jan/Feb 1991. pp 41-47. Testing Black and White Film, September 1989. pp 21-28. The Art of Bromoil and Transfer, Sep/Oct 1996. pp 44-49.* The Black and White Corner - Archival Processing, Sep/Oct 1994. pp 52-56. The Black and White Corner - Bleaching a Photograph, Jan/Feb 1995. pp 46-49.* The Black and White Corner - Density and Contrast, Mar/Apr 1994. pp 47-51. The Black and White Corner - The Doc Francis Chronicle #1 (structure of black and white film), Sep/Oct 1995. pp 58-60. The Black and White Corner-Burning and Dodging, July/Aug 1994. pp 60-62. The Black and White Corner - Chromoskedasic Painting, Sep/Oct 1992. pp 40-43. The Black and White Corner - Controlling Contrast in the Print, May/ June 1994. pp 48-51.* The Black and White Corner - Forte Film and Paper, May/June 1992. pp 48-51. The Black and White Corner - Ilford’s 100 and 400 Delta Sheet Films, Mar/Apr 1996. pp 50-52.* The Black and White Corner - Making the Proper Proof Print, Jan/Feb 1994. pp 54-56.* The Black and White Corner - Making Your Own Developers, Mar/Apr 1995. pp 50-53. The Black and White Corner - Metronomes and Printing, May/June 1998. pp 44-48. The Black and White Corner - Negative Intensification, July/Aug 1995. pp 48-51. The Black and White Corner - Negative Reduction, Nov/Dec 1995. pp 58-61. The Black and White Corner - Pyro Roundtable Discussion (Phil Davis and Gordon Hutchings), Jan/Feb 1997. pp 52-58. The Black and White Corner - Split Filtration, Jan/Feb 1993. pp 43-47.* The Black and White Corner - Toning for Permanence II, Nov/Dec 1994. pp 48-52. The Black and White Corner - Warm-Toned Papers Pt. 1, Sep/Oct 1993. pp 24-29. The Black and White Corner - Warm-Toned Black and White Papers, Nov/Dec 1993. pp 54-56. The Black and White Corner - The Zone System and Multigrade Papers, May/June 1995. pp 48-51.* The Demise of Dye Transfer, July/Aug 1994. pp 36-41. The Effects of Pyro Stain in Plat. Printing, July/Aug 99, pp 16-24.* The History of the Daguerreotype, July/Aug 1994. pp 42-44. The Mystery of Pyro, Sep/Oct 1991. pp 17-24. The Platinotype, Jan/Feb 1994. pp 30-33.* The Salthill Enlarger, Sep/Oct 1994. pp 42-47. The Secrets of Silver Dye Bleach Printing, Sep/Oct 1994. pp 26-30. The Tone System, Jan/Feb 1992. pp 59-62.*
The Transparency as Negative, Nov/Dec 1992. pp 50-55. Through a Magic Window - Modern Dagerreotype, July/Aug 1994. pp 46-47. Unsharp Masks for Black and White Printing, July/Aug 1995. p 41. Using the JOBO CPP-2 with Pyro. Jan/Feb 1992. pp 56-58.* Variables in Platinum Printing, Sep/Oct 1992. pp 2-8. Wet Plate Photography: Through a Glass Plate Darkly, Jul/Aug 1998. pp 36-39.* Working With a Master - New Black and White Printing Papers. May/June 1995. pp 44-47.* Working with a Master/John Sexton, July/Aug 1995. pp 42-47.
Digital Technology Better Light 6000: Digital Scanning Back for 4x5 Cameras, Nov/Dec 1998. pp 60-62. Blending Digital and Traditional Technology in the Studio, Noc/Dec 99, pp 6-10. Bob Nendza - Digital From the Start, Nov/Dec 1996. pp 34-38. Braun Photography Makes the Digital Transition, Nov/Dec 1996. pp 40-44. Building an Image Through Technology, May/June 1993. pp 35-36. Capturing a Moment in Time, May/June 1993. pp 38-40. Copyright Ownership and Digital Imaging, Nov/Dec 1992. p 25. Designer’s Corner (What They Expect in Digital Capability from Photographers), Nov/Dec 1994. pp 26-31. Digital Imaging is on Its Way, Jan/Feb 1994. pp 16-21.* Digital Imaging Primer, Nov/Dec 1992. pp 56-58. Digital Retouching and Editorial Integrity, Nov/Dec 1992. p 59. Digital Technology in the Commercial World, Nov/Dec 1997. pp 20-25. Electronic Imaging on the PC, May/June 1994. pp 38-41.* Electronics in the Studio - A Progress Report, Nov/Dec 1992. pp 60-65. Getting Started with Adobe Photoshop, May/June 1994. pp 34-36.* Leaf Systems Digital System, Nov/Dec 1995. pp 54-56. Mixing Traditional and Digital Technologies: Interviews with Charles Cramer, Chip Forelli, and H. Witherill, Nov/Dec 99, pp 30-39. PhotoStyler Tips and Techniques, Sept/Oct 1994. pp 32-35. Roger Mattingly, Digital Success Story - Nov/Dec 1996. pp 12-17. Scanning, a Smart Solution - May/June 1998. pp 60-61. Setting Up the Digital Studio, July/Aug 1996. pp 65-67. The Iris Print, Jan/Feb 1994. pp 12-15.* The Digital Darkroom, May/June 1996. pp 50-52.* The Digital Zone System, Nov/Dec 1997. pp 53-56.
Photographers - Interviews and Portfolios Aaron, Peter - A Sense of Light and Space, Sept/Oct 1990. pp 16-24. Adams, Ansel - Five Important Landscapes, Jan/Feb 1999, pp 6-16. Adams, Shelby Lee - Portraits from Appalachia, May/June 1993. pp 18-23. Adams, Shelby Lee - Appalachian Legacy (w/tech notes), May/June 1999, pp 36-43 Arentz, Dick - 12 x 20 Platinum in the Appalachias, Nov/Dec 1990. pp 25-32.* Baer, Morley - Forty Years of Architecture and the Land, November 1988. pp 4-9.* Baer, Morley - Fifty Years of Enthusiasm, Jan/Feb 1993. pp 50-54.* Barnes, Richard - Cultural Archeology, Jan/Feb 1995. pp 14-17.* Barnes, Richard - Artifacts, Sept/Oct 99, pp 6-15. Barr, Paula - Icons of New York, Sep/Oct 1998. pp 36-44. Berger-Conser - Admission to the Past, Jan/Feb 1995. pp 24-29.* Bernhard, Ruth - Portfolio and Interview, May/June 1995. pp 40-42.* Bernhard, Ruth - Intimate Portrait of a Master, Mar/Apr 1990. pp 21-24.* Benson, Richard; Dialogs, Jan/Feb 1997. pp 24-31. Bond, Howard - Music-Math-Photography, July/Aug 1995. pp 34-39. Bones, Jim - Standing Quietly in the Revealing light, Mar/Apr 1998. pp 6-13.* Bronstein, Steve - Steve Bronstein’s Small World, Nov/Dec 1992. pp 20-24. Bubriski, Kevin - Working With a Master, May/June 1993. pp 26-31. Burkett, Chris - In Certain Light, Sep/Oct 1997. pp 10-15.* Burns, Marsha - Crossing Cultural Boundaries, Mar/Apr 1992. pp 32-38. Busch, Doug - Super Large Format World, July/Aug 1990. pp 27-37. Butler, Linda - Italy: Seduction of the Eye, Sep/Oct 1997 pp 4-9* Callis, Chris - Work in Progress, Nov/Dec 1993. pp 30-35. Camp, Jan - Art for Life’s Sake, May/June 1996. pp 28-37.* Caponigro, Paul - A Conversation, May/June 1995. pp 4-9.* Carter, Keith - Eastern Texas Portraits, May/June 1994. pp 8-15.* Carabasi, Thomas - Searching for the Perfect Balance, Nov/Dec 1991. pp 14-23. Casanave, Martha - The Personal Portrait, Nov/Dec 1991. pp 42-47. Chappell, Walter - The Metaphysics of Seeing, May/June 1997. pp 30-37. Chapple, Gordon - Process to Contact, Sep/Oct 1995. pp 30-33. Charis, Philip Stewart - Formal Color Portraiture, Mar/Apr 1990. p 11.* Christenberry, William - Exploring His Southern Heritage, May/June 1993. pp 4-9. Citret, Mark - A Vision Apart, Sept/Oct 99, pp 30-37. Clement, Michelle - Commercial Art, Nov/Dec 1993. pp 4-11. Cole, Brad - Interview and Portfolio, July 1989. pp 21-28.* Conner, Linda - Absorbing Light, July/Aug 1994. pp 30-34. Conrad, Fred - Documenting Life in New York, Mar/Apr 1992. pp 2-7. Cravo Neto, Mario - Scars of Our Inheritance, Sep/Oct 1993. pp 30-31. Craig Cutler - The Creative Process, Nov/Dec 1997. pp 12-19. Crane, Tom - Historic Houses of Philadelphia (w/tech notes), Mar/ April 1999, pp 36-43.* Davis, Todd - Studies in Disguise, Mar/Apr 1996. pp 10-16.* Dexter, King - Personal Vision, Style, and Practice, July/Aug 1992. pp 24-29. DeZitter, Harry - The Road Travelled Well. Nov/Dec 95. pp 36-42.
VIEW CAMERA
65
Dole, Jody - Scouting the Trail to Digital, Nov/Dec 1996. pp 4-11. Dow, Jim - Panelrama, Sep/Oct 1995. pp 38-43. Dusard, Jay - At Home on the Range, July/Aug 1993. pp 18-27. Dykinga, Jack - Canyons of the Southwest and New York (w/tech notes), Mar/April 1999, pp 8-17 Eastman, Michael - Going Home, Mar/Apr 1997. pp 4-10. Englander, Joe - Denali: The Right of Passage, July/Aug 1996. pp 28-37. Evans, Frederick - Portfolio and Excerpts, Jan/Feb 1990. pp 13-21. Feldman, Vincent - Relics of the Civic Past, Sep/Oct 1998. pp 6-11. Fellman, Sandi - Maintaining a Personal View, Jan/Feb 1993. pp 26-30.* Fenton, Cheryl - Still Life in Action, May/June 1996. pp 20-27.* Ferguson, Jesseca - Synchronicity: Pinhole Photography with the Polaroid 20x24 Camera, July/Aug 1998. pp 22-26.* Figures: Hager, Oglesbee, Pedrero, Renkes (w/tech notes), May/June 1999. pp 6-17. Forelli, Chip - City Boy Goes Landscape, July/Aug 1995. pp 10-15. Frank, Sandra and Geoffrey Nelson - Tilt Studio, Nov/Dec 1998. pp 48-54. Gagliani, Oliver - Portfolio and Interview, January 1989. pp 10-15.* Galvin, Jim - 25 Years of Photographs and Cameras, March 1989. pp 4-12.* Gastel, Giovanni - Designing a Reality, Nov/Dec 1996. pp 30-35. Giles Larrain, The French Chef of Photography, Nov/Dec 1997. pp 4-11. Gilpin, Laura - The Call of the Southwest, May/June 1997. pp 22-28. Gibson, David - Retro-Vision:The Beauty of the Landscape in Black and White (w/tech notes), Jan/Feb 1999. pp 42-48. Gittings, Kirk - New Mexico's Magical Places, May/June 1997. pp 14-20. Goff, Sharmon - Manipulating Color, July/Aug 1990. pp 13-17. Gohlke, Frank - Footprints on the Earth, July/Aug 1995. pp 4-9. Greenfield-Sanders, Timothy - Shooting Star, Mar/Apr 1992. pp 16-24. Greenfield-Sanders, Timothy - 20x24 Polaroids for Hilfiger, Nov/Dec 1998. pp 18-20. Goldman, Susan - Food for Thought, May/June 1996. pp 12-19.* Harding, Tom - Through a Pinhole Brightly, Sep/Oct 1995. pp 4-9. Hauser, Marc - Polaroid Portraits, Jan/Feb 1993. pp 18-23.* Hedrich-Blessing, Photographers for America's Architecture, Mar/Apr 1997. pp 12-19. Heisler, Gregory - Portfolio and Interview, May/June 1995. pp 10-17.* Henningsen, Chuck - Modern Platinum Prints, Sep/Oct 1992. pp 52-55. Heyart, Elizabeth - Gracious Living, Sep/Oct 1994. pp 4-8. Hnizdo, Jan - Polaroid Perception, Mar/Apr 1996. pp 18-24.* Holowitz, Jack - Portraiture and Figure Studies in Black and White, Mar/Apr 1990. pp 13-19.* Hursley, Tim - The Arkansas Office, Mar/Apr 1997. pp 48-54. Hutchings, Gordon - Vision and Craft, Nov/Dec 99, pp 16-25 Hyde, Philip - In Service to the Land, Mar/Apr 1998. pp 14-20.* Imboden, Connie - Beneath the Surface, Sep/Oct 1993. pp 18-23. Irving, Gary - Open Spaces, May/June 1992. pp 36-40. Isreal, Ralph - 5x7 and the Figure. Sep/Oct 1995. pp 10-13. Izu, Kenru - Atmospheric Perspective, Jan/Feb 1998. pp 30-36.* Johnson, Stephen - The Great Central Valley: California’s Heartland, July/Aug 1993. pp 4-9. Johnson, Stephen - Elusive Gigabyte of Light, Sep/Oct 1995. pp 14-18. Katsiff, Bruce - Crossing the Golden Section, Sep/Oct 1992. pp 32-37. Keel, Michael - Spontaneous Collaborations, Mar/Apr 1996. pp 26-32.* Kenna, Michael - Monique’s Kindergarten: Room for the Viewer, Nov/ Dec 1998. pp 22-32. Kernan, Sean - Secret Books and Other Stories, May/June 1996. pp 4-11.* Kernan, Sean - Portraits that Talk (w/tech notes), May/June 1999. pp 18-31 Klett, Mark - Landscape, Geology and Art, July/Aug 1997. pp 14-20.* Kolbrenner, Bob - At Home in the West, July/Aug 1997. pp 30-37.* Levick, Joel - Quarrying Images at Carrara (w/tech notes), Mar/April 1999. pp 18-25.* Ling, Elaine - Cultural Formations in Distant Places, Nov/Dec 99, 4247 McGrath, Norman - Interview and Portfolio, May/June 1995. pp 28-32.* McGrath, Norman - The Great Swamp, Mar/Apr 1998. pp 32-36.* Mann, Sally - The Power of Everyday Life, March/Apr 1992. pp 26-31. Mann, Sally - I Was Aware of Ghosts, Sept/Oct 99, pp 18-24. Mark, Mary Ellen - The power of Portraits, May/June 1994. pp 22-27.* McSavaney, Ray - Quiet Giant, July/Aug 1996. pp 4-11. Merrick, Nick - Interior Views, Mar/Apr 1997. pp 22-28. Meyerowitz, Joel - Portfolio and Interview, May/June 1995. pp 20-26.* Misrach, Richard - Interview and Portfolio, Sep/Oct 1998. pp 14-24. Morell, Abelardo - Reinventing a Child’s Vision, May/June 1998. pp 36-43. Morris, Wright - The Wright Stuff, Jan/Feb 1994. pp 34-37.* Muench, David - Excitement, Passion, and Enthusiasm for Landscape Photography, July/Aug 1990. pp 38-44. Neill, William - Gentle Light, July/Aug 1995. pp 28-32. Neleman, Hans - The Golden Touch, Nov/Dec 1992. pp 33-39. Newman, Arnold - Portfolio and Interview, May/June 1995. pp 34-39.* Nixon, Nicholas - The Many Faces of Photography, Jan/Feb 1998. pp 20-26.* Nogami, Mike - New York: Sacred Ground, Mar/Apr 1998. pp 37-46.* Oglesbee, Brian - Portfolio, Interview and Artist’s Statement, July/Aug 1990. pp 18-24. Osmundson, Gordon - The Mettle of Time, July/Aug. 1996. pp 12-17.* Oswald, Jan - Talking About Evolving Style with a Contemplative
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Approach. Nov/Dec 1998. pp 34-40. Peterson, Grant - Elegant Settings, Nov/Dec 1994. pp 16-21. Polaroid Collection - International Collection, Mar/Apr 1993. pp 12-16.* Portal, Cecelia - Dreams and Myths of a Mexican Mind, Sep/Oct 1993. pp 4-9. Porter, Eliot - A Tribute, Jan/Feb 1991. pp 4-9. Pottle, Jock - Architecture in the Studio (Models), July/Aug 1991. pp 18-23. Purvis, Charles - Hot Light, Hard Shadows, and Multiple Sets in the Studio, May/June 1990. pp 37-42. Ranney, Ed - Passages (w/tech notes), Jan/Feb 1999. pp 26-32. Robinson, Cervin - Cleveland, Ohio, Sep/Oct 1991. pp 25-36. Rosenstock, Ron - Photographing Ireland, May/June 1991. pp 4-10.* Rosenstock, Ron - Capturing the Spirit of the World, July/Aug 1997. pp 22-28.* Rosenthal, Steve - The Eye of an Architect, Sep/Oct 1990. pp 33-42. Ross, Alan - Combining Personal and Commercial Photography, September 1989. pp 4-11. Reuter, John - Contemporary Frescos, Sep/Oct 1992. pp 25-31. Reuter, John - Mythic Reality, May/June 1998. pp 26-34. Russell, Andrew J. - The Union Pacific Photographs, Jan/Feb 1996. pp 36-43.* Segal, Mark - Taking Stock of His Career, May/June 1992. pp 24-33. Seliger, Mark - Gathering No Moss, Mar/Apr 1996. pp 4-9.* Shibata, Toshio - Critical Landscapes/Pure Art (w/tech notes), Jan/Feb 1999. pp 18-25. Shimon & Lindemann - Home Grown Rebels, Mar/Apr 1996. pp 34-39.* Shulman, Julius - Defining Architecture Through Photography (w/tech notes), Mar/April 1999. pp 44-51.* Silverman, Martin - A Philosophy of Vision, July/Aug 1997. pp 4-12.* Smith, Clinton - A Contemplative Approach to Photography, July/Aug 1993. pp 41-45. Smith, Michael A. - A 25-Year Retrospective, May/June 1992. pp 12-20. Solinsky, Steve - A Passion for Pictures, Jan/Feb 1997. pp 4-13. Stimson, Jim - A Canvas of Stone, Jan/Feb 1995. pp 4-7.* Stimson, Jim - Mono Lake: Explorations and Reflections, Mar/Apr 1998. pp 22-29.* Stoller, Ezra - Life time of Architectural Photography, Sep/Oct 1990. pp 4-11. Sturges, Jock - Relations: Extending Family through Photography, Jul/ Aug 1998. pp 42-49.* Suchy, Lida - Religious practitioners Persecuted by the Stalinist Regime, Jan/Feb 1998. pp 4-11.* Taka, Rei - Painterly Still Lifes, Mar/Apr 1994. pp 18-24. Takagi, Madoka - Inner and Outer Places, July/Aug 1994. pp 4-9. Tenneson, Joyce - Following the Light, Nov/Dec 1991. pp 25-36. Tennesen, Joyce - Lighting the Figure, Sep/Oct 1993. pp 12-16. Thall, Bob - On Home Ground, Jan/Feb 1996. pp 28-32.* Tice, George - The Urban Landscape, Sep/Oct 1991. pp 4-9. Tice, George - A Conversation with George Tice, July/Aug 1996. pp 38-45. Tomczak, Anna - Visual Artistry, May/June 1998. pp 4-11. Trager, Phillip - Portraits of Architecture, Sep/Oct 1997. pp 28-34.* Vail, Roger - Beyond the Image, July/Aug 1996. pp 18-26. Van Dongen, Ron - Try Angles, Sep/Oct 1993. pp 49-52. Van Keuren, Sarah - Learning Patience, July/Aug 1998. pp 28-32.* Vanden Brink, Brian - Rural Architecture, Sep/Oct 1994. pp 16-20. Vedros, Nick - Creative Control, May/June 1996. pp 38-45.* Vogel, Allen - Set Constructions in the Studio, July/Aug 1991. pp 25-34. Ward, Alan - Designed Landscape (w/tech notes), Jan/Feb 1999. pp 3441. Washburn, Bradford - Focused: The Aerial Photography of, Sep/Oct 1998. pp 26-33. Watkins, Carleton - Portfolio and Technical Notes, Jan/Feb 1990. pp 5-10. Wawrzonek, John - The Hidden World, Sep/Oct 1996. pp 4-11.* Weston, Brett - Mining the Brett Weston Archives, Sep/Oct 1998. pp 48-53. Wegman, William - Dog Days, Jan/Feb 1993. pp 4-7.* Wilton, Rosemary - Still Life and Fashion in the Studio, July/Aug 1991. pp 42-48. Witherill, Huntington - Conversation and Portfolio, May/June 1997. pp 40-46. Worth, Don - Interview and Portfolio, July/Aug 1990. pp 5-10. Zimmerman, Zoe - An Albuman Omelette, Sep/Oct 1992. pp 18-23. Zuckerman, Bruce and Ken - Fragments of the Past, Jan/Feb 1995. p 23.*
How-To; Shooting Techniques Adams, Gary - The Black and White Corner (20 x 24 in the Field), Nov/ Dec 1992. pp 68-72. Architecture in Black and White, Sep/Oct 1990. pp 26-31. Beginner’s Corner - High Contrast, Movements, and Long Exposures. Jan/Feb 1996. pp 44-46.* Beginner’s Corner - Photographing Scale Models, Nov/Dec 1995. pp 62-63. Beginner’s Corner - Photographing at Dusk/Dawn, Mar/Apr 1996. pp 40-42.* Calculating Bellows Extension, Sep/Oct 1991. pp 37-38. Calibrating Polaroid Film and Light Meters for Transparencies, Jan/Feb 1994. pp 58-60. * Composite In-Camera Images, May/June 1990. pp 33-36. Constructing and Photograping a Life Sized Set, Nov/Dec 1992. pp 17-19. Creative In-Camera Masking, Mar/Apr 1992. pp 48-49. Documenting the Past - HABS Photo Survey Requirements, Jan/Feb 1995. pp 42-44.* Emulsion Transfer, Sep/Oct 1995. pp 34-36.
Exploring Portraiture, May/June 1994. pp 18-20.* Filters for Black and White and Color Films, Mar/Apr 1998. p 58.* Food Photography, May/June 1990. pp 5-14. Legal Issues in Food Photography, May/June 1990. pp 24-26. Lens Coating: When is it Worth It? July/Aug 1998. pp 60-62.* Lighting an Interior, Sep/Oct 1990. pp 44-45. Lighting Control in the Studio, July/Aug 1994. pp 54-56. Lighting for a Food Photograph, May/June 1990. p 55. Measured Photography, Nov/Dec 1993. pp 44-48. Nuts and Bolts - Large & Medium Format Lenses, Mar/Apr 1998. p 52.* Nuts and Bolts - The Engine House, Chama, New Mexico, May/June 98. p 57. Sharp Pinholes, Jul/Aug 1998. pp 56-57.* Sweep Table Techniques, Nov/Dec 1993. pp 58-61. Painting with Light - Tools and Techniques, Nov/Dec 1991. pp 2-13. Photographing an Historic Adobe - July/Aug 99, pp 36-47.* Photographing Interior Spaces in Black and White, Jan/Feb 1992. pp 2-11.* Photographing Interiors with Natural and Tungsten Light, Nov/Dec 1993. pp 66-70. Photographing in Antarctica:The Southern Lights Portfolio, May/June 1991. pp 11-17.* Photographing in the Light of New Mexico, Jan/Feb 1991. pp 25-32. Photographing in the Sierra, Jan/Feb 1999. pp 52-54 Photomicrography in the Hospital Lab, July/Aug 1992. pp 40-43. Preservation Through Photography at Bodie State Historical Park, May/June 1991. pp 18-23.* Scanning Electron Microscope Photography, July/Aug 1992. pp 44-48. Studio Casebook - Contrast Control in Black and White, Jan/Feb 1995. pp 50-51.* Studio Casebook - Effective Treatment for Computer Hardware, July/ Aug 1993. pp 56-58. Studio Casebook - Electronic Solutions for Large Format, Nov/Dec 1994. pp 54-59. Studio Casebook - How Digital Software will Change Photography, Jan/Feb 1997. pp 48-50. Studio Casebook - Large Format Portraiture, Mar/Apr 1996. pp 46-47.* Studio Casebook - Lenses and Shutters for the Digital Environment, Mar/Apr 1995. pp 47-49.* Studio Casebook - Polaroid Print to Press, Sep/Oct 1995. pp 48-49. Studio Casebook - Shooting Macro the Easy Way, July/Aug 1995. pp 58-59. Studio Casebook - Studio Tips and Techniques, May/June 1995. pp 55-56.* Studio Casebook - Update on Digital Backs, Jan/Feb 1996. pp 54-55.* The Hollywood Glamour Portrait: Hurrell's Technique Explained, Jan/ Feb 1998. pp 12-18.* The Photography of Interior Spaces and Interior Design, Jan/Feb 1992. pp 18-35.* The Wetplate Collodian Process, July/Aug 99, pp 28-31. Up Close and Personal - Macro Photography, July/Aug 1992. pp 32-38. Using Roll Film in the View Camera, Mar/Apr 1998. pp 54-55.* Working with a Master - Coin and Medallion Photography, Nov/Dec 1995. pp 50-52. Working with a Master - Composite Images in the Camera, Nov/Dec 1991. pp 37-40. Working with a Master - Dusk Light and Architectural Photography, Nov/Dec 1991. pp 58-59. Working with a Master - Landscape Photography, July/Aug 1991. pp 57-58. Working with a Master, Lighting a Kitchen, September 1989. pp 33-36. Working with a Master, Modern Calotype:Handmade Paper Negatives, Sep/Oct 1995. pp 50-52. Working with a Master - Portrait Lighting, Mar/Apr 1992. pp 12-14. Working with a Master - John Sexton, November 1989. pp 37-41.* Working with a Master - The Light of Aaron Jones in the Studio, Nov/ Dec 1990. pp 48-51.* Working with the 11 x 14, May 1989. pp 11-20.*
Product Surveys Archival Products, Mar/Apr 1993. p 60.* Backpacking Equipment, July/Aug 1993. pp 64-65. Black and White Films, Mar/Apr 1995. pp 66-67.* Broncolor Grafit Power Packs, Sep/Oct 1998. p 72. Camera Stands, Nov/Dec 1992. p 66. Chimera Screems, Sep/Oct 1998. p 72. Considerations in 4 x 5 Field Camera Design, July/Aug 1992. pp 49-51. Contact Printing Frames, July/Aug 1994. pp 66-67. Closeup Lenses, Mar/Apr 1994. pp 64-65. Color Negative Films, May/June 1995. p 66-67.* Color Transparency Films, July/Aug 1995. pp 66-67. 11 x 14 Cameras and Lenses, May 1989. pp 21-26* 8 x 10 Folding Cameras, Sep/Oct 1993. pp 64-67. Films for Working in Mixed Lighting, Mar/Apr 1997. pp 62-64. 5 x 7 Cameras and Lenses, July/Aug 1993. p 59. 4 x 5 Cameras Under 1,800.00, Nov/Dec 99, p 62. 4 x 5 Technical Cameras, Mar/Apr 1993. pp 64-66.* 4 x 5 Monorail Cameras Over $2,600.00, July/Aug 1992. pp 54-56. 4 x 5 Monorail Cameras Under $2,600.00, May/June 1992. pp 42-45. 4 x 10 Cameras, Sep/Oct 1995. pp 66-67. Fields of Plenty - Comparison of the Canham, Wisner, and Gandolfi 4x5 Cameras, Jan/Feb 1997. pp 62-64. Focusing Aids (Screen Brighteners), Jan/Feb 1996. pp 66-67.* HP Marketing Giottos Ball Heads, Sep/Oct 1998. p 72.
Light Meters, May/June 1992. pp 46-47. Lighting Equipment, Nov/Dec 1993. pp 76-81. Light Painting Tools and Techniques, Nov/Dec 1992. pp 40-48. Maxwell 4x Precision Loupe, Sep/Oct 1998. p 72. Papers for Handcoated Prints, Sep/Oct 1996. pp 65-66.* Plate and Other Old Film Sizes, Sep/Oct 1997. pp 42-43.* Pre-Loaded Films, Jan/Feb 1993. p 55.* Presentation Cases, Mar/Apr 1994. p 63. New 12 x 20 Cameras, Sep/Oct 1992. p 44. Roll Film Back, Jul/Aug 1998. pp 64-65.* Studio Cases, Nov/Dec 1994. pp 70-71. Tripod Heads, Jan/Feb 1995. p 66.* 2 x 3 and 6 x 9 Cameras, May/June 1993. pp 64-66. Wide Angle Cameras, Sep/Oct 1994. p 67. Wooden Tripods, Jan/Feb 1994. pp 64-65.* The Walker ABS 4x5 Camera, Jan/Feb 1997. p 66. Wide Angle Cameras, Mar/Apr 1997. pp 64-65. Wooden Camera Wrapup (Interviews with wooden camera makers), Nov/Dec 1994. pp 32-37.
Special Articles Adams’ Family Values (Ansel Adams Former Assistants), Mar/Apr 1995. pp 14-21.* Big Pics; Giant Legends: A 20-Year Salute to Polatoid’s 20x24 Cameras, Nov/Dec 1998. pp 8-17. Boston and Sullivan: Supporting Alternatives, Sep/Oct 1998. pp 62-63. Building a Camera Bellows, July/Aug 1996. pp 52-54. Building Your Own Field Camera, Nov/Dec 1996. pp 48-57. Chasing the Light (Landscape as stock business), July/Aug 1995. pp 16-25. Cockpits: Photographing in the National Air and Space Museum, Nov/ Dec 1998. pp 42-47. Cold Weather Photography, Jan/Feb 1996. pp 47-52.* Creating a Professional Portfolio, Sept/Oct 99, pp 64-66. Designing and Building Your Own Camera, Mar/Apr 1995. pp 38-44.* History of Lens Design Pt. 1., July/Aug 1995. pp 52-56. History of Lens Design Pt. 2., Sep/Oct 1995. pp 54-56. History of Lens Design Pt. 3., Jan/Feb 1996. pp 56-60.* History of Lens Design Pt. 4., Mar/Apr 1996. pp 54-56.* History of Camera Movements Pt. 1, Jan/Feb 1999. pp 56-59. Industrial Photography of Gladding, McBean, Jul/Aug 1998. pp 4-9.* Keeping the Creative Spirit - Bruce Barnbaum, Jan/Feb 1993. pp 38-42.* Keith Canham: ‘I Think I Could Build One,’ May/June 1998. pp 50-51. Living and Working in the Magic of New Mexico: Barley, Bones, Frank, Lown, Nohl, Reck, Ross, Studio 7, Swanson, Trofimuk, Wartell; May/June 1997. pp 4-12. Making Your Own Pinhole Camera, July/Aug 1996. pp 58-59. Mementos of Silver and Gold - Daguerrotypes from the California Gold Rush, May/June 1998. pp 12-21. Morley Baer: The Power of Teaching, Mar/Apr 1995. pp 22-28.* Muses Sight & Sound: Photographer Musicians, Mar/Apr 1995. pp 4-12.* Polaroid’s 20 x 24 Studio, Jan/Feb 1993. pp 24-25.* Polaroid’s Artist Support Program, Mar/Apr 1995. pp 30-33.* Preserving the Past:HABS/HAER, Jan/Feb 1996. pp 10-17.* Reader’s Gallery - Climbing Mt. Whitney with 8 x 10, Jan/Feb 1993. pp 62-63.* Refurbishing Old Wooden Cameras, Mar/Apr 1995. pp 35-37.* The Waterford Inst. Mammoth Camera Conf., Sept/Oct 99, pp 42-53 Mike Walker: Camera Maker, May/June 1999, pp 62-63. View Camera Excellence Awards, Nov/Dec 1995. pp 4-24. Wisner: The Name Behind the Products, Jul/Aug 1998. pp 52-54.* Women Who Photograph the Land, May/June 1991. pp 25-33.* Zone VI Regroups and Refocuses, Mar/Apr 1998. pp 48-50.*
View Camera Technique Angle of View vs. Angle of Coverage, July/Aug 1993. p 66. Camera Design - Double Tilt, Jan/Feb 1992. p 49.* Camera Design - Variable Axis Tilts, Jan/Feb 1992. p 48.* Cleaning Film Holders, Sep/Oct 1998. p 68. Depth of Field Pt. 1, July/Aug 1996. pp 55-57. Depth of Field, Pt. 2 - Sep/Oct 1996. pp 56-58.* Getting Started in Large Format - book reviews of intro/ref. books for large format, Mar/Apr 1995. pp 60-62.* Groundglass Alignment, Nov/Dec 1996. pp 57-59. Image Quality in a View Camera, July/Aug 1992. pp 58-60. Moving Up to Large Format, Jan/Feb 1995. p 53.* Scheimpflug, Depth of Field, and Hyperfocal Distances, Nov/Dec 1990. pp 34-39.* Setting Up and Using the View Camera, Sep/Oct 1997, pp 48-52.* Setting Up and Using the View Camera (Pt. 2) Nov/Dec 1997. pp 46-50. Sinar Focusing: Two-Point System for Critical Sharpness, Sep/Oct 1998. pp 64-65. The Adjustable Camera Pt. 1. January 1989. pp 26-31.* The Adjustable Camera Pt. 2. Yaw, Yaw and Scheimpflug, Perspective Control, March 1989. pp 34-38.* The Landscape as Tabletop and Other Fables of Scheimpflug, Sep/Oct 1993. pp 44-45. Understanding Depth of Field, Nov/Dec 1995. pp 64-65
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