JEAN BERKO GLEASON. Sex Differences in the Language of Children and Parents. JUDITH GREEN and CYNTHIA WALLAT. What is an Instructional Context: ...
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What Is an Instructional Context?
J. Green and C. Wallat
184
APPENDIX C: MAP OF AN INSTRUCTIONAL CONVERSATION: WELCOME LESSON Divergent UNITS
Text
Lines
PHASE I OF
APPENDIX C (cont'd)
THEMATICALLY TIED INSTRUCTIONAL UNITS
WELCOME, WELCOME, WELCOME HERE TODAY
001
010
J
012 25 013
25
WELCOME, WELCOME MEANS HELLO PLEASE STAY
014 Rogan: [Rogan enters circle for first time]
NV 003
01
0
24
ROGAN, WELCOME
004
STEPHANIE, IF YOU'LL SIT BACK HERE SO I CAN SEE NYLA, PLEASE Stephanie: [She was kneeling and sits back] SIT BACK HERE. [Points to space in circle] Stephanie: [Sits back]
011 8
002
185
016
HELLO THANK YOU [To Stephanie simultaneous with new unit to complete previous unit on lines 012-013)
25
HELLO, AND HOW ARE YOU TODAY? 25
WELCOME, WELCOME EVERYONE
005
25
017 018
James: [Inaudible nonverbal action]
006
WE'RE SINGING NOW points to James]
007
+
019 24 25
[Teacher
020 021 23022 023
009
J
WE WILL SHARE AND LEARN AND HAVE SOME FUN.
25
HELLO [points to right side of group] All: hello [sung simultaneously with Teacher] I'M FEELING FINE TODAY . 25
James: [Stops vying for Teacher's attention and refocuses]
008
HELLO [points to left side of circle]
G
024 25
COME OUT, COME OUT, [waves hand toward self)
25
COME OUT WITH ME AND PLAY [waves hand toward self)
25
ALL RIGHT, ALL RIGHT, I'LL BE THERE RIGHT AWAY All: I'll be there right away [sung simultaneously with T while T sings in quieter tones]
5
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J. Green and C. Wallat
186
What Is an Instructional Context?
APPENDIX D: MAP OF AN INSTRUCTIONAL CONVERSATION: WELCOME LESSON
025 026
23
I'M GOING TO GREET ALL OF YOU THIS MORNING BECAUSE [said almost in a whisper]
23
028
HELLO JAMES
029
James:
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HELLO ERIN Erin: -
Hi
23
040 25
Hi
3
Peter: -
041
042
HELLO STEPHANIE
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Rogan:
045
Nyla:
033
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HELLO ROGAN Hi
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HELLO MISS BRIENIK [turns to student teacher who brings in materials for the teacher]
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HELLO NYLA
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Hi
~1iss Brienik: Good morning Mrs. Marx
043
Hi
. HELLO PETER
I
032
:~ er
25
Stephanie:
031
APPENDIX D (cont'd)
MY VOICE IS GOING TO GET VERY SMALL AND
I'D LIKE TO SAY [said louder]
027
030
PHASE II OF
187
r;
25
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034
J
Shauna:
035
036 037
HELLO SHAUNA
J
Hi
HELLO JOY Joy:
Hello
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HELLO BRIAN 25
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Brian: -
047
Hello
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048 25 25
049
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' HELLO THAD Thad: -
Hello
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J. Green and C. Wallat
188
APPENDIX D (cont'd)
050
J
HELLO ERIC
8~+ ec
25
r+ ec
25
8
051
Eric:
Hello
052
James: Hello Peter [side comment - not part of main conversation]
A Cross-cultural Investigation of Children's Imagery* VERA JOHN· STEINER, PATRICIA IRVINE, and HELGI OSTERREICH University of New Mexico
INTRODUCTION
053
J
Humans of all ages are hard at work creating order, frequently of a temporary kind, out of their complex, and often contradictory, environments. Children's activities are particularly noteworthy in this respect as they are more overt and thus open to observation than those of adults.
[TEACHER AND PETER IGNORE JAMES] 3
054] 055
056] 057
058] 058
059] 060
061] 062
AND HELLO NICHOLAOUS [rhythm changes-said stressed and slower] Nicholaous:
25
Hi
25
ALL TOGETHER
We know more about the role verbal representation plays in thinking and learning than we do about the role of visual or other modes of representations. In this paper we are only examining imagery and verbal processes at the exclusion of other modes. Language is more accessible to study. It is a more socially conditioned and a more socially supported process of communication and representation than imaging. The visual representation of experience is less easily understood, as it is bound to the internal, subjective life of the mind to a greater extent than are verbal processes.
AND CAN WE S
James: Peter, You didn't said Peter
1
24 25 24 25
I DID SAY PETER.
Peter: self
And hello your24 15
WELL THANK YOU. HA! HA! HAl HA! St. X:
Well, well, well
St. X: self.
Well hello your-
The inward flow of sensations and experiences are organized by the brain in a variety of ways; some sense impressions are stored in long-term memory requiring re-coding. The transformation of what is heard, seen or touched is dependent upon the skill of the human mind in presenting anew, or rbpr;senting events as images, as inner language, and as other forms of sym ol1c representation. It is difficult to ascertain the nature of inner cognitive processes. We are dependent to a large extent upon subjective reports as our source of information. Individuals do specify visual, verbal, kinesthetic and more elusive elements as components of their memory skills and thoughts. There are variations in introspective report among individuals in the same culture and between individuals from differing cultures in their reliance upon one or another aspect of these inner processes.
Nevertheless, psychological theorists have stressed the importance of the iconic, particularly in the course of development, as an essential stage in the growth of thinking. The two questions which provide the focus of this paper are: (a) To what extent are children's and adult's images the same or different? and (b) Do children rely on images more than adults? Developmental psychologists approach the issue of varying modes of representation from the point of view of stages. In one theory at least (Bruner, 1966), verbal processes are placed in the context of an age-linked progression: "At first the child's world is known to him principally by the habitual *The research reported here was supported by the National Institute of Education, HEW: NE-G-00-0074. 189
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