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Inhalt • Contents • Table des matières

Fürchte dich nicht

Seite

CD

Page

Track

Don’t Be Afraid. . . . . . . . . . . . . . . . 2

1 / 15

Das Lied vom Branntweinhändler • The Liquor Dealer’s Dream. . . . . . . . . . . . . . . . . . . . . . . 7

2 / 16

•

aus / from Happy End

aus / from Happy End

Zuhälterballade

•

Tango Ballad . . . . . . . . . . . . . . . . . . 13

aus Die Dreigroschenoper

Polly’s Lied

•

•

Polly’s Song . . . . . . . . . . . . . . . . . . . . . . . 18


Alabama-Song

•

•

3 / 17

from The Threepenny Opera 4 / 18

from The Threepenny Opera

Alabama Song . . . . . . . . . . . . . . . . . 24

5 / 19

aus Aufstieg und Fall der Stadt Mahagonny from Rise and Fall of the City of Mahagonny

Liebeslied

•

Love Song . . . . . . . . . . . . . . . . . . . . . . . . 32


•


Die Moritat von Mackie Messer • Ballad of Mack the Knife . . . . . . . . . . . . . . . . . . . . . . 38 aus Die Dreigroschenoper

•

6 / 20

7 / 21


Lied der Jenny • As You Make Your Bed, You Must Lie There . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

8 / 22

aus Aufstieg und Fall der Stadt Mahagonny from Rise and Fall of the City of Mahagonny

Kanonen-Song

•

Army Song . . . . . . . . . . . . . . . . . . . . 46


•

9 / 23


In der Jugend gold’nem Schimmer • In Our Childhood’s Bright Endeavour . . . . . . . . . . . . . . 53

10 / 24

aus / from Happy End Stimmton / Tuning note / Diapason (a = 443 Hz) B A

11 / 12 13 / 14

2

Fürchte dich nicht aus „Happy End“

Kurt Weill (1900 –1950) arr. Martin Reiter

q = 124 (iq = qK e)

Alto Saxophone (concert pitch)

G

0 F7

G = Piano

mf

5

G

F7

G = 9

A

G

mf

k E5

5:

G = 13

G

k E5

5:

55 :: 5:

5 :: 55 :

G = 5: ! 55 :: 5:

= 55 5M

Bb7

=

3

0

= = : 55 555 :: 5M 3 = 5M 5M 5 ! 5 5: B :

5

5

5

D7#9

= = 5 :: 55 5: E 5 5M = 5: 5M 5M 5M

© Copyright 2009 by Universal Edition A.G., Wien

Bb7

= = : = = = : 5 55 k 5: 555 :: 555 E5 5 5 : 55M 5M M 3 = = = 5M 5M 5 : 5M 5 ! 5 5: 5M 5M 0

F7

= = 55 k 5 :: E5 5 5: 5M = 5M 5 : 5M 5 5

= = 55 k 5 :: E5 5 5: 5M = 5M 5 : 5M 5

0

F7

F7

= = 55 555 ::: 5M 3 = 5M 5M 5 ! 5 5: 5

0

!5 :

Bb7

=

555 :::

= 5M 5 ! 5 5: Bb7

5

!B

F7

5:

55 :: 5:

0

5

F7

k E5

0

B G-7

= = 55 5: ! 55 :: 5M = 5M 5: 5M

= 55 5M 3 = 5 !5

0

Bb/C

55 5

BB B

5

B

B :

Bb7

= = 55 555 ::: 5M 3 = 5M 5 ! 5 5: 5

= 55 5M = 5M

B: Bb/C

= = 55 5: 55 :: 5M 3 = : 5 5 5 !5 M

C7

= 55 5M = 5M

Universal Edition UE 34 328

7

Das Lied vom Branntweinhändler Kurt Weill

aus „Happy End“ q = 204


    





Eb     

/D

 /C



 /Bb



7

  





/C    





/Bb

14

  

1.





   

      









F-7



2.

Bb7sus4

              

 Bb7

       

      


Eb

/D



 F-7

      





      







/C

   

        

      



 /C

    

/Bb

 

/D

 /D



             



 Eb

     



Bb7 Bb7b9sus4 Eb                                            2.

  







     





Bb7



     





1.

  





                              mp

Piano

21

A

(1900 –1950) arr. Martin Reiter











mp

/Bb

    UE 34 328

13

Zuhälterballade aus „Die Dreigroschenoper“ q = 102


 

A 5



$



F-^

 F-^

             

GØ



        13





F-



             F-^

              





 

  





  





 C+7

 F-7



F-6



  

F-6

         

C7



       


   

    





 

F-

    

   

 F-6

Bb-

  

   

Bb-

   



F-

F-^

F-7

F-6

                             

  

   



         

   



F-7

             



F-7

  

9





          mf        

F-





mf

F-

Piano


 Bb-^

 Bb-7





 Bb-6

                           F-^

       

F-7

  

Bb-^



   







 Bb-7



   







       

  

F-6







Bb-6

                         



   



UE 34 328

18

Polly’s Lied Kurt Weill

aus „Die Dreigroschenoper“


q = 96

  












  



 









                      mf               13



mf









 





   

                                     © Copyright 2009 by Universal Edition A.G., Wien

           



   





   



  

  

  

 











 



  

                      





















 



 

 

 

 

 

 



 

       

      

    

  



  

       



                                         9



                           p              

Piano

5







 



 





    

UE 34 328

24

Alabama-Song Kurt Weill

aus „Aufstieg und Fall der Stadt Mahagonny“ q = 240 A tacet 1. x


      f

Piano














                 m.d. f                   F7

5

  

 



  





  







        

 

Bb7                  m.d.                              

  

      

10

  

 



        





 



         

  






  



                             F7



UE 34 328

32

Liebeslied Kurt Weill

aus „Die Dreigroschenoper“


q = 128


Piano

6



    

 









 









    

11



  



 

 

       







              

     



  

    



  

  

   





   

     






 

 

 

  

   

 



 

 





      

           pp





16







                 

pp

  



A

  



  

 

     

 

      



 p

 UE 34 328

38

Die Moritat von Mackie Messer aus „Die Dreigroschenoper“


q = 112 (iq = qK e )


  



5



A



  

C6

A-7



             

        

  



            

       

9



 D-7



2nd x only



  mf

                                        mf                                        C6

Piano



G7

  

         





        


D-7

3

    D-7

        





G7





   

   

   

  





  

  

   

  



 

  

  

3

 

                                           C6

UE 34 328

43

Lied der Jenny aus „Aufstieg und Fall der Stadt Mahagonny“ Kurt Weill (1900 –1950) arr. Martin Reiter

q = 54


Piano

 







 









mp











7





  

  











  

 





 

     

  

 

 



             



  





      mf

       

mp

4



A







 








 





 



 

   

          

  

      mf

  

 







   













    

       

mp









  



  

UE 34 328

46

Kanonen-Song Kurt Weill

aus „Die Dreigroschenoper“ q = 102


Piano

  

    

  



     

                      

8





 

F-^

F-7

                 $





mf

F-6

      

F-7

            

  

F-^

     




  

 



                              

A



 

                 





                 12



            

mf





     

               

4






F-6



F-7

                      

 F-7



            



       

F-7

                      

 F-6

F-^



  

  F-7

            

  

UE 34 328

53

In der Jugend gold’nem Schimmer aus „Happy End“ q = 78


Piano

6

  

A

    

Kurt Weill (1900 –1950) Arr. Martin Reiter



        mp      



 

    



   





     



   



 

 







  





















                                              

11

  

                                               16

  

       





     







            

   


    

   

 

     UE 34 328