November 2013 Workshops

November 2013 Workshops at The Art League School

Judit Varga

All About Wool

Inkle Weaving

Sylvia DeMar

Linda Hurt

Participants learn the differences between long and short wools, fine versus coarse wools, dual-coated sheep, and more to enable them to choose the best type of wool for any project. Wool washing, sorting, and preparation techniques are included in this three part workshop. No experience necessary. A $10 materials fee is payable to the instructor.

Inkle weaving produces such items as belts, or guitar straps. Participants learn to read inkle weaving patterns, and warp a loom with their choice of colors. Projects may be taken home between sessions so participants may practice weaving. Tuition includes loom rental and materials.

$80 Oct 24, 31 & Nov 7, 2013 (Thursday)

$80 November 2 & 9, 2013

(Saturday)

1:30pm–4:30pm

7:00pm–9:30pm

Felted Hat

Silver Soldering for Jewelry

Renate Maile-Moskowitz

Tina Chisena Students spend an intensive day devoted to working with the acetylene torch. Torch safety is stressed along with techniques, materials, and equipment. Participants practice with metal and silver solders. Materials are included.

Students are introduced to the basics of creating a simple felted hat. Choose from a myriad of styles, including: pill box, beret, cloche, and fascinators. All are possible selections to be explored. At the end of the day a materials fee is payable to the instructor based on materials used.

$95 November 2, 2013

$80 November 6, 2013

10:00am–4:00pm

Glass: Imagery with Powders Judith Conway

Judit Varga

Understanding the effective use of glass powders allows participants to break out of the limits of sheet glass and become more painterly in their work. Mix and overlay powders to create new colors and subtle hues. Students create both a floral study and a landscape to explore these techniques. A $100 materials fee is payable to the instructor. This workshop is held off-site. (Sat–Sun)

10:00am–4:00pm

Going back to basics of clay and starting from the origin of this malleable substance, students build their own artistic voice. During this hands-on workshop participants have the opportunity to extend their clay vocabulary, mix slips and engobes with special additives and colorants, pinch, coil and slab with a different attitude, and find inspiration from artists around the world. Suggested websites, books, and recipes are discussed. $5

Silk Painting

November 8, 2013

$100 November 8, 2013 November 9–10, 2013

Denise Vauthier Students spend a weekend with silks–dyeing, manipulating, and preparing pieces for further embellishment . Surface design techniques like watercolor, resists, immersion dyeing, and fixing methods are taught . General discussion of textile dyes and color theory is presented. Participants make samples and scarves to take home. A $45 materials fee is payable on the first day. $175 November 2 & 3, 2013

(Sat–Sun)

10:00am–4:00pm

What is Clay

Kevin O’Toole

$225 November 2 & 3, 2013

(Wednesday)

10:00am–4:00pm

(Friday)

Potluck & Slide Show OR

(Friday) Potluck & Slide Show & (Sat–Sun) 10:00am–2:00pm

105 North Union Street Alexandria, VA 22314 www.theartleague.org 703-683-2323

Taking the Bull by the Horns: Creating a Body of Work Diane Tesler Participants plan and begin a series of three to four paintings based on their own photos and sketches. On the first evening, students meet with Diane to review ideas and plan subject matter for the week. Rolled canvas and stretching supplies are used to move beyond standard canvas sizes. This workshop offers a chance to explore an idea in depth and from different angles while initiating the practice of developing several paintings simultaneously. Following the workshop, participants are encouraged to keep in contact with Diane via email for feedback on the work in progress. $330 November 18, 2013 November 19–22, 2013

1:00pm–3:00pm (Mon) & 10:00am–4:00pm (Tues–Fri)

Nick Barnes

Dyeing: Indigo–A Blue Like None Other Sylvia DeMar Unlike conventional dyes, indigo uses the air to impart its unique shades of blue to natural fibers. Participants explore the mysteries of setting up an indigo vat, producing color, and caring for and maintaining your indigo vat. No previous dye experience is needed. A $10 materials fee is payable to the instructor. $85 November 10, 2013

(Sunday)

10:00am–5:00pm

Surface Design: Shibori Candace Edgerley Shibori is a Japanese word for the technique of resist dyeing fabric by stitching, binding, or wrapping. Students learn the basics of this art, Arashi (pole wrapped), Trikit (stitch resist), and Boshi (capping), while making samples using silk and cotton fabrics. Dyes, discharges, and the care of silk are covered. Students design and complete two personal silk scarf projects. Materials fee of $45 due at first session. $175

Nov 14 & 15, 2013 (Thurs–Fri) 10:00am–4:00pm

Raku Firing Workshop Staff Experience the Raku firing process and learn about its vibrant possibilities. Each participant may bring up to six pieces of previously bisque-fired ware. Glazes are included with the firing fee. Raku tongs and safety gear are furnished. For further information regarding this fascinating method of firing your work, contact Blair Meerfeld at The Art League Ceramics Department: [email protected]. $75

Marilyn Harrington

Nov 15, 2013 (Saturday) (raindate: Nov 16) 10:00am–4:00pm

Unique Fold Forming Techniques for Jewelry Nick Barnes

Color in Fiber Arts Marilyn Harrington

Using traditional and non-traditional hand and hammer form raising techniques, students explore using fold forming in unique ways. Using pre-shaped blanks to aid in the emphasis of design through play, students are introduced to the basic techniques developed by Charles Lewton Brain and his students, and use these methods as a springboard to explore different avenues in their own pieces. A material list is available, and an optional tool kit may be purchased from the instructor.

From rich reds to muted greens, vibrant oranges to mild blues, and bold purples to retiring yellows, this class covers how to apply and combine colors successfully. Fiber arts require different strategies since colors operate in proximity and do not “blend” in the same manner as paint or dye. Using a series of in-class exercises, fiber enthusiasts of all persuasions learn to control color by the use of harmonies, proportions, and contrast. Students bring some materials from home, and a $12 materials fee is payable to the instructor for additional supplies.

$185 November 16 & 17, 2013

$170 November 23 & 24, 2013

(Sat–Sun)

10:00am–4:00pm

(Sat–Sun)

10:00am–4:00pm

Nancy Johnson

Cover to Cover: How to Make Books

Silk Screen Printing

Nancy Johnson

Nancy McIntyre

Making your own books is easier than you may think. With some instruction, a few simple tools, and easy to find materials, participants gain the knowledge to make beautiful books step-by-step. The workshop includes instruction for making multiple types of books. The instructor collects a materials fee of $20 to cover the cost of consumable supplies.

Students explore the silkscreen medium for twelve focused hours. Returning students should come with a project in mind. Beginners learn the three basic types of silkscreen stencil (cut, photographic, and hand-painted) and create two small editions of prints, using only non-toxic, water-based inks. All supplies are included. Limited to eight students.

$175 November 23 & 24, 2013

(Sat–Sun)

9:30am–4:00pm

Nick Xhiku

Ursula Marcum Students explore the possibilities of kilnformed fused and slumped glass as they learn the basics of glass cutting, firing schedules, glass compatibility, and annealing. Participants experiment with design possibilities using a wide variety of frit, stringers, confetti, sheet glass, and iridized glass to create a set of example tiles and two fused and slumped bowls. A $100 fee payable to the instructor covers all materials. This workshop is held off-site. (Sat–Sun)

(Sat–Sun)

Bas Relief Sculpture

Introduction to Kilnformed Glass

$195 November 23 & 24, 2013

$210 November 23 & 24, 2013

10:00am–4:00pm

This course introduces students to the principles of basrelief, which serves as a bridge between two-dimensional and three-dimensional art. Students explore different methods of the bas-relief process as they build up and out of the flat surface of clay. Principles of perspective are addressed. Class begins with a simple project and progresses to more complex ones. $175 November 23 & 24, 2013

(Sat–Sun)

10:00am–4:00pm

10:00am–4:00pm

105 North Union Street Alexandria, VA 22314 www.theartleague.org 703-683-2323