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UNDERSTANDING ME: LECTURES AND INTERVIEWS (MIT PRESS) BY MARSHALL MCLUHAN

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Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan. Negotiating with checking out behavior is no need. Checking out Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan is not kind of something marketed that you can take or not. It is a thing that will alter your life to life better. It is the important things that will certainly give you several things around the world and also this cosmos, in the real life as well as here after. As exactly what will be given by this Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan, how can you negotiate with the many things that has numerous advantages for you?

Review ...[A] fast-moving and articulate public intellectual... (Michael R. Mosher Leonardo)

McLuhan comes across as outrageous, funny, perplexing, stimulating and provocative. How we need him now! (Umbrella) About the Author Stephanie McLuhan is an award-winning television documentary producer. She lives in Toronto.

David Staines is Professor of English at the University of Ottawa.

Excerpt. © Reprinted by permission. All rights reserved. Predicting Communication via the Internet (1966) By the mid-1960s, McLuhan had made the world aware that television was a medium that held modern man in its thrall in profound ways that did not meet the eye, and he did this in the most oldfashioned way possible by saying it to as many people as he could. On May 8, 1966, This Hour Has Seven Days, a Canadian Broadcasting Corporation TV public

affairs program, featured McLuhan in an interview with the journalist Robert Fulford. McLuhan has the novel idea that the teenager of the mid-sixties was a far more realistic, serious, and meditative creature than the teenager of the previous generation, all because of television and its “involving” quality. In this interview McLuhan also accurately predicts the sort of “interactive” communication that has become possible in the past decade via the Internet. *** McLuhan: The planet is going to get a great new processing from the meteorologists and from all sorts of scientific therapists. It’s going to be put in apple-pie order so it will be nice to come home to once in a while, back to the old homestead from outer space every once in a while. Fulford: You’ve been writing about the mass media for a good many years and now you’re an object of the mass media. How has this changed your view of it, if at all? McLuhan: Let me instead explain why this has happened, because, if you notice, the mood of North America has suddenly changed very drastically. Things like the safety car couldn’t have happened ten years ago. Fulford: Why is that? McLuhan: It’s because people have suddenly become obsessed with the consequences of things. They used to be obsessed with mere products and packages and launching these things out into markets and into the public. Now they’ve suddenly become concerned about what happens when these things go out onto the highway, what happens when this kind of program gets on the air. They want safety air, safety cigarettes, safety cars, and safety programming. This need for safety is a sudden awareness that things have effects. Now my writing has for years been concerned with the effects of things, not their impact, but their consequences after impact. Unlike the fantasy world, the escape world of movies, TV creates the enormously serious and realistic-minded sort of person, well, almost Oriental in his inward meditativeness. Fulford: This is the teenager of today? McLuhan: Yes, he’s becoming almost Oriental in his inwardness. Fulford: He’s so thoughtful and serious. McLuhan: Yes, grim, whereas the movie generations of the twenties and thirties were a cooncoated bunch of superficial types, had a good time and went to college but not for knowledge and that sort of thing. All has changed. Fulford: And changed because of television? McLuhan: Very much. Television gave the old electric circuitry that was already here, gave it a huge extra push in this direction of involvement and inwardness. You see, the circuit doesn’t simply push things out for inspection. It pushes you into the circuit. It involves you. When you put a new medium into play in a given population, all their sensory life shifts a bit, sometimes shifts a lot. This

changes their outlook, their attitudes, changes their feelings about studies, about school, about politics. Since TV, Canadian and British and American politics have cooled off almost to the point of rigor mortis. Our politics require much more hotting up than the TV medium will give them. TV is ideal when you get two experts like ourselves discussing TV. This is good TV because there’s a process going on of mutual challenge, discovery, and processing. Now TV is good for that, and the same with ads. If the audience can become involved in the actual process of making the ad, then it’s happy. It’s like the old quiz shows. They were great TV because it gave the audience a role, something to do. They were horrified when they discovered they’d really been left out all the time because the shows were rigged. This was a horrible misunderstanding of TV on the part of the programmers. In the same way, most advertisers do not understand the TV medium. Do you know that most people read ads about things they already own? They don’t read things to buy them, but to feel reassured that they have already bought the right thing. In other words, they get huge information satisfaction from ads, far more than they do from the product itself. Where advertising is heading is quite simply into a world where the ad will become a substitute for the product, and all the satisfactions will be derived informationally from the ad, and the product will be merely a number in some file somewhere. Instead of going out and buying a packaged book of which there have been five thousand copies printed, you will go to the telephone, describe your interests, your needs, your problems, and say you’re working on a history of Egyptian arithmetic. You know a bit of Sanskrit, you’re qualified in German, and you’re a good mathematician, and they say it will be right over. And they at once xerox, with the help of computers from the libraries of the world, all the latest material just for you personally, not as something to be put out on a bookshelf. They send you the package as a direct personal service. This is where we’re heading under electronic information conditions. Products increasingly are becoming services.

From the Hardcover edition.


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In the last twenty years of his life, Marshall McLuhan published a series of books that established his reputation as a world-renowned communications theorist and the pre-eminent seer of the modern age. It was McLuhan who made the distinction between "hot" and "cool" media. And it was he who coined the phrases "the medium is the message" and "the global village" and popularized other memorable terms including "feedback" and "iconic." McLuhan was far more than a pithy phrasemaker, however. He foresaw the development of personal computers at a time when computers were huge, unwieldy machines available only to institutions. He anticipated the wide-ranging effects of the Internet. And he understood, better than any of his contemporaries, the transformations that would be wrought by digital technology -- in particular, the globalization of communications and the instantaneous-simultaneous nature of the new, electric world. In many ways, we're still catching up to him -- forty years after the publication of Understanding Media. In Understanding Me, Stephanie McLuhan and David Staines have brought together nineteen previously unpublished lectures and interviews either by or with Marshall McLuhan. They have in common the informality and accessibility of the spoken word. In every case, the text has been transcribed from the original audio, film, or videotape of McLuhan's actual appearances. This is not what McLuhan wrote but what he said -- the spoken words of a surprisingly accessible public man. He comes across as outrageous, funny, perplexing, stimulating, and provocative. McLuhan will never seem quite the same again. The foreword by Tom Wolfe provides a twenty-first century perspective on McLuhan's life and work, and co-editor David Staines's insightful afterword offers a personal account of McLuhan as teacher and friend.

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Sales Rank: #488314 in Books Published on: 2005-02-11 Original language: English Number of items: 1 Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.13 pounds Binding: Paperback 344 pages

Review ...[A] fast-moving and articulate public intellectual... (Michael R. Mosher Leonardo)



Excerpt. © Reprinted by permission. All rights reserved. Predicting Communication via the Internet (1966) By the mid-1960s, McLuhan had made the world aware that television was a medium that held modern man in its thrall in profound ways that did not meet the eye, and he did this in the most oldfashioned way possible by saying it to as many people as he could. On May 8, 1966, This Hour Has Seven Days, a Canadian Broadcasting Corporation TV public affairs program, featured McLuhan in an interview with the journalist Robert Fulford. McLuhan has the novel idea that the teenager of the mid-sixties was a far more realistic, serious, and meditative creature than the teenager of the previous generation, all because of television and its “involving” quality. In this interview McLuhan also accurately predicts the sort of “interactive” communication that has become possible in the past decade via the Internet. *** McLuhan: The planet is going to get a great new processing from the meteorologists and from all sorts of scientific therapists. It’s going to be put in apple-pie order so it will be nice to come home to once in a while, back to the old homestead from outer space every once in a while. Fulford: You’ve been writing about the mass media for a good many years and now you’re an object of the mass media. How has this changed your view of it, if at all? McLuhan: Let me instead explain why this has happened, because, if you notice, the mood of North America has suddenly changed very drastically. Things like the safety car couldn’t have happened ten years ago. Fulford: Why is that? McLuhan: It’s because people have suddenly become obsessed with the consequences of things. They used to be obsessed with mere products and packages and launching these things out into markets and into the public. Now they’ve suddenly become concerned about what happens when these things go out onto the highway, what happens when this kind of program gets on the air.

They want safety air, safety cigarettes, safety cars, and safety programming. This need for safety is a sudden awareness that things have effects. Now my writing has for years been concerned with the effects of things, not their impact, but their consequences after impact. Unlike the fantasy world, the escape world of movies, TV creates the enormously serious and realistic-minded sort of person, well, almost Oriental in his inward meditativeness. Fulford: This is the teenager of today? McLuhan: Yes, he’s becoming almost Oriental in his inwardness. Fulford: He’s so thoughtful and serious. McLuhan: Yes, grim, whereas the movie generations of the twenties and thirties were a cooncoated bunch of superficial types, had a good time and went to college but not for knowledge and that sort of thing. All has changed. Fulford: And changed because of television? McLuhan: Very much. Television gave the old electric circuitry that was already here, gave it a huge extra push in this direction of involvement and inwardness. You see, the circuit doesn’t simply push things out for inspection. It pushes you into the circuit. It involves you. When you put a new medium into play in a given population, all their sensory life shifts a bit, sometimes shifts a lot. This changes their outlook, their attitudes, changes their feelings about studies, about school, about politics. Since TV, Canadian and British and American politics have cooled off almost to the point of rigor mortis. Our politics require much more hotting up than the TV medium will give them. TV is ideal when you get two experts like ourselves discussing TV. This is good TV because there’s a process going on of mutual challenge, discovery, and processing. Now TV is good for that, and the same with ads. If the audience can become involved in the actual process of making the ad, then it’s happy. It’s like the old quiz shows. They were great TV because it gave the audience a role, something to do. They were horrified when they discovered they’d really been left out all the time because the shows were rigged. This was a horrible misunderstanding of TV on the part of the programmers. In the same way, most advertisers do not understand the TV medium. Do you know that most people read ads about things they already own? They don’t read things to buy them, but to feel reassured that they have already bought the right thing. In other words, they get huge information satisfaction from ads, far more than they do from the product itself. Where advertising is heading is quite simply into a world where the ad will become a substitute for the product, and all the satisfactions will be derived informationally from the ad, and the product will be merely a number in some file somewhere. Instead of going out and buying a packaged book of which there have been five thousand copies printed, you will go to the telephone, describe your interests, your needs, your problems, and say you’re working on a history of Egyptian arithmetic. You know a bit of Sanskrit, you’re qualified in German, and you’re a good mathematician, and they say it will be right over. And they at once xerox, with the help of computers from the libraries of the world, all the latest material just for you personally, not as something to be put out on a bookshelf. They send you the package as a direct personal service. This is where we’re heading under electronic information conditions. Products increasingly are becoming services.

From the Hardcover edition. Most helpful customer reviews 0 of 0 people found the following review helpful. Inessential. By Z. Stiegler If you've ever seen footage of McLuhan lecturing or being interviewed, you're aware that he was a masterful conversationalist, whose oration retained the wit and playfulness of his writing, but dropped much of the convolution. That tact is well represented in this volume of lectures and interviews spanning 1959-1979. As the previous reviewer mentioned, the format and style often conveys McLuhan's ideas more lucidly than some of his denser works. However, the selections in this volume are maddeningly repetitive. Entire chunks and lines of thought are repeated across the selections, which grows tiresome very quickly, nor did it do much to offer insight to his thinking. This rampant redundancy could be the fault of the editors' choice of selections, or it may just be the case that McLuhan didn't drastically vary his lectures in that 20 year span. In any case, it's a rather inessential volume whether you're a die hard McLuhanite or someone just dipping their toes into his ideas. For the latter camp, a much better introduction to his work can be found in Essential McLuhan (1996, eds. Eric McLuhan and Frank Zingrone). The Essential McLuhan 17 of 17 people found the following review helpful. Spoken words to help the written By Gordon Cieplak For anyone remotely interested in McLuhan, I recommend this book for the following reasons. It is a much easier read than most of McLuhan's work, as it is a collection of interviews and speeches which are necessarily more concise, and were for me much more involving. It gives an insight into McLuhan's theories which can be quite puzzling and abstruse at first. In his speeches and essays, he repeats his same themes in a variety of manners, which help to give the reader a better understanding of the theories. It's no McLuhan for Idiots (I'm not sure if there is such a thing, based on the nature of his works), but it is definitely a very useful and enjoyable companion book. See all 2 customer reviews...


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Excerpt. © Reprinted by permission. All rights reserved. Predicting Communication via the Internet (1966) By the mid-1960s, McLuhan had made the world aware that television was a medium that held modern man in its thrall in profound ways that did not meet the eye, and he did this in the most oldfashioned way possible by saying it to as many people as he could. On May 8, 1966, This Hour Has Seven Days, a Canadian Broadcasting Corporation TV public affairs program, featured McLuhan in an interview with the journalist Robert Fulford. McLuhan has

the novel idea that the teenager of the mid-sixties was a far more realistic, serious, and meditative creature than the teenager of the previous generation, all because of television and its “involving” quality. In this interview McLuhan also accurately predicts the sort of “interactive” communication that has become possible in the past decade via the Internet. *** McLuhan: The planet is going to get a great new processing from the meteorologists and from all sorts of scientific therapists. It’s going to be put in apple-pie order so it will be nice to come home to once in a while, back to the old homestead from outer space every once in a while. Fulford: You’ve been writing about the mass media for a good many years and now you’re an object of the mass media. How has this changed your view of it, if at all? McLuhan: Let me instead explain why this has happened, because, if you notice, the mood of North America has suddenly changed very drastically. Things like the safety car couldn’t have happened ten years ago. Fulford: Why is that? McLuhan: It’s because people have suddenly become obsessed with the consequences of things. They used to be obsessed with mere products and packages and launching these things out into markets and into the public. Now they’ve suddenly become concerned about what happens when these things go out onto the highway, what happens when this kind of program gets on the air. They want safety air, safety cigarettes, safety cars, and safety programming. This need for safety is a sudden awareness that things have effects. Now my writing has for years been concerned with the effects of things, not their impact, but their consequences after impact. Unlike the fantasy world, the escape world of movies, TV creates the enormously serious and realistic-minded sort of person, well, almost Oriental in his inward meditativeness. Fulford: This is the teenager of today? McLuhan: Yes, he’s becoming almost Oriental in his inwardness. Fulford: He’s so thoughtful and serious. McLuhan: Yes, grim, whereas the movie generations of the twenties and thirties were a cooncoated bunch of superficial types, had a good time and went to college but not for knowledge and that sort of thing. All has changed. Fulford: And changed because of television? McLuhan: Very much. Television gave the old electric circuitry that was already here, gave it a huge extra push in this direction of involvement and inwardness. You see, the circuit doesn’t simply push things out for inspection. It pushes you into the circuit. It involves you. When you put a new medium into play in a given population, all their sensory life shifts a bit, sometimes shifts a lot. This changes their outlook, their attitudes, changes their feelings about studies, about school, about

politics. Since TV, Canadian and British and American politics have cooled off almost to the point of rigor mortis. Our politics require much more hotting up than the TV medium will give them. TV is ideal when you get two experts like ourselves discussing TV. This is good TV because there’s a process going on of mutual challenge, discovery, and processing. Now TV is good for that, and the same with ads. If the audience can become involved in the actual process of making the ad, then it’s happy. It’s like the old quiz shows. They were great TV because it gave the audience a role, something to do. They were horrified when they discovered they’d really been left out all the time because the shows were rigged. This was a horrible misunderstanding of TV on the part of the programmers. In the same way, most advertisers do not understand the TV medium. Do you know that most people read ads about things they already own? They don’t read things to buy them, but to feel reassured that they have already bought the right thing. In other words, they get huge information satisfaction from ads, far more than they do from the product itself. Where advertising is heading is quite simply into a world where the ad will become a substitute for the product, and all the satisfactions will be derived informationally from the ad, and the product will be merely a number in some file somewhere. Instead of going out and buying a packaged book of which there have been five thousand copies printed, you will go to the telephone, describe your interests, your needs, your problems, and say you’re working on a history of Egyptian arithmetic. You know a bit of Sanskrit, you’re qualified in German, and you’re a good mathematician, and they say it will be right over. And they at once xerox, with the help of computers from the libraries of the world, all the latest material just for you personally, not as something to be put out on a bookshelf. They send you the package as a direct personal service. This is where we’re heading under electronic information conditions. Products increasingly are becoming services.

From the Hardcover edition.

Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan. Negotiating with checking out behavior is no need. Checking out Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan is not kind of something marketed that you can take or not. It is a thing that will alter your life to life better. It is the important things that will certainly give you several things around the world and also this cosmos, in the real life as well as here after. As exactly what will be given by this Understanding Me: Lectures And Interviews (MIT Press) By Marshall McLuhan, how can you negotiate with the many things that has numerous advantages for you?