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over 4,000 illustrations (500 in color), including portraits, music examples ..... to Richard Strauss. Edited by CHARLES YOUMANS ...... Music Listening Today, 4th Edition (with 2-CD set). Charles Hoffer, University of Florida, Gainsville.
ASHGATE

New Music Titles from Ashgate Publishing…

Adrian Willaert and the Theory of Interval Affect

Music, Sound, and Silence in Buffy the Vampire Slayer

Timothy R. McKinney

Ashgate Popular and Folk Music Series

Includes 69 music examples Aug 2010. 336 pgs. Hbk. 978-0-7546-6509-0

Includes 20 b&w illustrations Feb 2010. 304 pgs. Pbk. 978-0-7546-6042-2

Changing the System: The Music of Christian Wolff

The Musical Ear: Oral Tradition in the USA

Aug 2010. 284 pgs. Hbk. 978-0-7546-6680-6

Includes 1 b&w illustration, 2 music examples and a CD Mar 2010. 218 pgs. Hbk. 978-0-7546-6396-6

Edited by Paul Attinello, Janet K. Halfyard The Musica nova Madrigals and the Novel Theories of Zarlino and Vicentino and Vanessa Knights

Edited by Stephen Chase and Philip Thomas Anne Dhu McLucas Includes 1 b&w illustration and 49 musical examples SEMPRE Studies in The Psychology of Music

Shostakovich in Dialogue

Form, Imagery and Ideas in Quartets 1–7 Judith Kuhn

Includes 32 b&w illustrations and 99 musical examples Feb 2010. 314 pgs. Hbk. 978-0-7546-6406-2

Harrison Birtwistle: The Mask of Orpheus

Jonathan Cross Landmarks in Music Since 1950

Includes 10 b&w illustrations and 12 music examples Dec 2009. 196 pgs. Hbk. 978-0-7546-5383-7

Sociology and Music Education Edited by Ruth Wright SEMPRE Studies in The Psychology of Music Includes 13 b&w figures and 8 tables Sep 2010. 322 pgs. Hbk. 978-0-7546-6801-5

Leonard Bernstein: West Side Story Nigel Simeone

Includes 3 b&w illustrations, 22 music examples and a CD Dec 2009. 192 pgs. Hbk. 978-0-7546-6484-0

Messiaen the Theologian Edited by Andrew Shenton

Includes 12 b&w illustrations and 21 musical examples Apr 2010. 312 pgs. Hbk. 978-0-7546-6640-0

The Ashgate Research Companion to Popular Musicology Edited by Derek B. Scott

Includes 13 b&w illustrations and 14 musical examples Dec 2009. 576 pgs. Hbk. 978-0-7546-6476-5

Where Music Helps: Community Music Therapy in Action and Reflection

Brynjulf Stige, Gary Ansdell, Cochavit Elefant and Mercédès Pavlicevic Ashgate Popular and Folk Music Series Includes 23 b&w illustrations Jun 2010. 364 pgs. Pbk. 978-1-4094-1010-2

Music and the Modern Condition: Investigating the Boundaries Ljubica Ilic

Oct 2010. 140 pgs. Hbk. 978-1-4094-0761-4

New Perspectives on Marc-Antoine Charpentier Edited by Shirley Thompson

Includes 2 color and 20 b&w illustrations and 37 music examples Apr 2010. 414 pgs. Hbk. 978-0-7546-6579-3

She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music

Edited by Laurie Stras Ashgate Popular and Folk Music Series

Includes 17 b&w illustrations and 7 music examples Aug 2010. 284 pgs. Hbk. 978-1-4094-0051-6

Understanding Music The Nature and Limits of Musical Cognition

Hans Heinrich Eggebrecht Translated by Richard Evans

Includes 4 musical examples Dec 2009. 170 pgs. Hbk. 978-0-7546-6612-7 First Edition in English

Jean Cras, Polymath of Music and Letters Paul-André Bempéchat

Includes 10 color and 33 b&w illustrations and 187 music examples Nov 2009. 608 pgs. Hbk. 978-0-7546-0683-3

Understanding Mozart’s Piano Sonatas John Irving

Includes 12 musical examples and 1 line drawing Oct 2010. 176 pgs. Hbk. 978-0-7546-6769-8

Come visit our booth in the book exhibit www.ashgate.com/ams2010 Ashgate Publishing

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MGG

Carl PhiliPP EmanuEl BaCh

he omplete orks Versuch über die wahre Art das Clavier zu spielen Edited by Tobias Plebuch

ISBN 978-1-933280-42-4 (forthcoming, early 2011) Price for the three-volume set: $75.00

Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken Baerenreiter ISBN 978-3-7618-1100-9 This 29-volume set is the most important and comprehensive research tool available, with more than 20,000 articles covering all aspects of music. International in scope, the MGG is the result of the collaborative efforts of 3,500 scholars from 55 countries, with over 4,000 illustrations (500 in color), including portraits, music examples, instruments and diagrams. • Subject Encyclopedia in 9 volumes • Index to the Subject Encyclopedia • Biographical Encyclopedia in 17 volumes • Index to the Biographical Encyclopedia • Supplement volume with new biographical and subject entries Special Offer $2585.00 Shipping and handling fees are additional. Stock is limited!

Theodore Front Musical Literature, Inc. 16122 Cohasset Street Van Nuys CA 91406-2989 USA Tel: +1 (818) 994-1902 Fax: +1 (818) 994-0419 Email: [email protected] Web: www.tfront.com

Supplement to the Versuch: Facsimile edition of Wq 63 ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00

The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order. Please see website for a complete list of published and forthcoming volumes and for free performing materials. Standing orders welcome.

E-mail: [email protected] Phone orders: (800) 243-0193 in the USA; 001-978-829-2531 phone or fax from outside the USA Web orders: www.cpebach.org Details on shipping costs may be requested by phone or e-mail above.

Exhibitors at AMS/SMT Indianapolis 2010 The Exhibits are located in the Indianapolis Marriott Hotel, Marriott Ballroom, near the registration desk. Exhibit hours are: 1 p.m. to 6 p.m. Thursday, 8:30 a.m. to 6 p.m. Friday and Saturday, and 8:30 a.m. to noon Sunday. Complimentary coffee service is provided in the exhibit area mornings and afternoons. booth

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A-R Editions, Inc., 8551 Research Way, Ste. , Middleton, WI , tel. () -, fax (608) 831-8200, [email protected],

403

*Alexander Street Press, 3212 Duke Street, Alexandria, VA 22314, tel. (800) 889-5937, fax (703) 940-6584, [email protected],

203

American Institute of Musicology,  Research Way, Ste. , Middleton, WI , tel. () - x16, fax () -, [email protected],

211

*Ashgate Publishing Company,  Cherry Street, Ste. , Burlington, VT -4405, tel. () -, fax () -, [email protected],

413

Bärenreiter, Heinrich-Schütz-Allee 35-37, D-34131 Kassel, Germany, tel. + (0)561 3105173, fax + (0)561 3105320, [email protected],

101

*Bedford/St. Martin’s,  Arlington Street, Boston, MA , tel. () -, fax () 426-8582,

301

Boydell & Brewer / University of Rochester Press, 668 Mt. Hope Ave., Rochester, NY 14620, tel. (585) 275-0419, fax (585) 271-8778, boydell@ boydellusa.net,

412

Breitkopf & Härtel, Walkmühlstrasse 52, 65195 Wiesbaden, Germany, tel. [011] 49 611 450080, fax [011] 49 611 45008 5961, [email protected], [represented by Theodore Front]

100

Broude Brothers Limited, 141 White Oaks Road, PO Box 547, Williamstown, MA 01267, tel. (800) 525-8559, fax (413) 458-5242, [email protected]

213

*Cambridge University Press, 32 Avenue of the Americas, New York, NY 3-2473, tel. (212) 924-3900, fax (212) 691-3239, [email protected],

314

*C.P.E. Bach: The Complete Works, The Packard Humanities Institute, 11A Mt. Auburn Street, Cambridge, MA 02138, tel. (617)876-1317,

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booth Exhibitors with an advertisement published in this book are identified with an asterisk

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Early Music America, 2366 Eastlake Ave. East, Suite 429, Seattle, WA 98102, tel. (206) 720-6270, fax (206) 720-6290, [email protected],

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407

*Hal Leonard Corporation, 7777 West Bluemound Rd., Milwaukee, WI 53213, tel. (414) 774-3630, fax (414) 774-3259, [email protected],

412

Harmonia Mundi USA, 1117 Chestnut Street, Burbank, CA 91506-1624, tel. (818) 333-1500, fax: (818) 333-1502, [email protected], [represented by Theodore Front]

305

Harmonie Park Press, Liberty Professional Center, 35675 Mound Road, Sterling, MI 48310-4727, tel. (586) 979-1985, fax (586) 620-6070, [email protected],

207

*Indiana University Press,  N. Morton Street, Bloomington, IN , tel. (12) 855-4522, fax (812) 856-0415, [email protected],

311

MacGamut Music Software, 146 N. Hamilton Rd, Suite 156, Gahanna, OH 43230-2600, tel. (800) 305-8731, fax (877) 370-1074, [email protected],

103

McGraw-Hill Higher Education, Two Penn Plaza, th floor, New York, NY -, tel. (212) 904-4826, fax (212) 904-6160, [email protected],

200

*W. W. Norton Inc,  Fifth Avenue, New York, NY , tel. () 354-5500, fax (212) 869-0856,

302

*Oxford University Press,  Madison Avenue, New York, NY , tel. (212) 726-6000,

410

*Pearson, One Lake Street, Upper Saddle River, NJ 07458, tel. (800) 526-0485,

108

*Pendragon Press, P.O. Box ,  White Hill Lane, Hillsdale, NY , tel. () -, fax () -, [email protected],

112

Presto Music Fonts, 2221 Ironwood St., Eugene, OR 97401, tel. (541) 517-1173, [email protected],

312

RILM Abstracts of Music Literature, CUNY Grad Center,  Fifth Avenue, 3rd floor, New York, NY , tel. () -, fax () -, [email protected],

307

Routledge, 270 Madison Avenue, New York, NY 10016, tel. (212) 216-7830, fax (212) 564-7854,

313

Scarecrow Press,  Forbes Blvd., Ste. , Lanham, MD , tel. (800) 462-6420, fax (800) 338-4550, [email protected],

107

*Schirmer Cengage Learning, 2 Davis Drive, Belmont, CA , tel. (650) 637-7518, fax (650) 595-0260, [email protected],



AMS/SMT Indianapolis 1

booth Exhibitors with an advertisement published in this book are identified with an asterisk

105

Society for American Music, Stephen Foster Memorial, Univ. of Pittsburgh 15233, tel. (412) 624-3031, fax (412) 624-7447, [email protected],

102

Stainer & Bell, P.O. Box 110, Victoria House, 23 Gruneisen Rd., London, N3 IDZ, Great Britain, tel. +44(0)20 8343-3303, fax +44(0)20 8343-3024, [email protected]

204

The Scholar’s Choice, 25 Franklin Street, Ste. 1260, Rochester, NY 14604, tel. (585) 262-2048 x111, fax (585) 262-2228, [email protected],

412

*Theodore Front Music, 16122 Cohasset Street, Van Nuys, CA, 91406, tel. (818) 994-1902, fax (818) 994-0419, [email protected],

303

*University of California Press,  Berkeley Way, Berkeley, CA -, tel. (510) 643-4247, fax (510) 643-7127,

402

*University of Chicago Press,  E. th Street, Chicago, IL , tel. () 702-4216, fax () 702-9756,

404

*University of Illinois Press,  South Oak Street, Champaign, IL -, tel. () 244-6491, fax () -, [email protected],

205

*University of Michigan Press, 839 Greene Street, Ann Arbor, MI 48104, tel. (734) 764-4330, fax (734) 615-1540, [email protected],

200

*W.W. Norton, Inc., 500 Fifth Avenue, New York, NY 10110, tel. (212) 354-5000, fax (212) 869-0856,

Advertisers Alexander Street Press Ashgate Publishing Company Bedford/St. Martins University of California Press Cambridge University Press University of Chicago Press C. P. E. Bach: The Complete Works College Music Society Georg Olms Verlag Hal Leonard Corporation University of Illinois Press Indiana Theory Review Indiana University Press Journal of Music Theory Leuven University Press Liverpool University Press Institute of Musical Research, University of London MacDowell Symposium and Festival University of Michigan Press University of North Texas Press W. W. Norton & Company Oxford University Press

Pearson Pendragon Press Schirmer Cengage Learning Theodore Front Musical Literature Brandeis University University of Calgary University of California, Berkeley University of Cincinnati, CCM Eastman School of Music University of Houston, Moores School of Music Indiana University, Jacobs School of Music University of Manchester University of Massachusetts, Amherst University of North Texas Northwestern University University of Pennsylvania Pennslyvania State University Stony Brook University University of Southern California University of Texas, Austin University of Virginia

Conference Packet Inserts Duke University Press, Box 90660, Durham, NC, 27708, [email protected], tel. (919) 687-3600, fax (919) 688-4574, Information Age Publishing, PO Box 79049, Charlotte, NC, 28271, tel. (704) 752-9125, fax (704) 752-9113, [email protected], Pendragon Press, P.O. Box ,  White Hill Lane, Hillsdale, NY , tel. () -, fax () -, [email protected], Routledge Journals, Taylor & Francis Group, 2 & 4 Park Square, Milton Park, Abingdon, OX14 4RN, Great Britain, tel: (202) 7017-6000, Taylor & Francis, 4 Park Square, Milton Park, Abingdon, OX14 4RN, Great Britain, tel: (202) 7017-6000,

MUSIC ONLINE

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Bedford/St. Martin’s

you get more | bedfordstmar tins.com

More choices...more ways to listen Listen (with DVD) Seventh Edition

Joseph Kerman University of California, Berkeley

Gary Tomlinson

NEW

University of Pennsylvania

Available January 2011

bedfordstmartins.com/kerman/catalog

Consistently praised as the best book of its kind, Listen uses readable, enjoyable prose and the highest quality recordings to introduce students to the art of focused listening. With captivating discussions, concise Listening Charts, informative images, and useful historical and cultural background, the text continues to offer students the best preparation to appreciate the styles

and traditions of Western music. The seventh edition of Listen is more accessible than ever before with new, more teachable listening examples and a more focused and clear introduction to music fundamentals. An expanded range of formats for the text and recordings gives you more flexible choices and more ways to listen.

New formats and affordable choices • A streaming music option in addition to a choice of CD sets • Interactive Listening Charts that work with streaming music • A new, all-inclusive e-book with streaming music • MusicClass, a unique new online course space that comes preloaded with the e-book

“Listen is the best music

appreciation textbook I know.” —Maya Hartman, City College of New York





David Ake

Jazz Matters Sound, Place, and Time since Bebop

Nat Hentoff

Martin Munro

$24.95 paper, $60.00 cloth

At the Jazz Band Ball

Different Drummers

Arved Ashby

Sixty Years on the Jazz Scene Foreword by Lewis Porter

Rhythm and Race in the Americas Music of the African Diaspora

Absolute Music, Mechanical Reproduction $24.95 paper, $60.00 cloth

Larry Austin and Douglas Kahn, Editors

Source

Music of the Avant-garde, 1966–1973

$34.95 paper, $70.00 cloth NEW IN PAPERBACK

Amiri Baraka

Digging

The Afro-American Soul of American Classical Music Music of the African Diaspora

$17.95 paper

Joshua Clover

1989

Bob Dylan Didn’t Have This to Sing About

$16.95 paper

$27.50 cloth

Julie Hubbert, Editor

Celluloid Symphonies Texts and Contexts in Film Music History

$34.95 paper, $70.00 cloth

Lawrence Kramer

$27.50 paper, $65.00 cloth

Anne K. Rasmussen

Women, the Recited Qur’an, and Islamic Music in Indonesia $29.95 paper, $65.00 cloth

Interpreting Music $24.95 paper, $60.00 cloth

Mark Katz

Arnold Schoenberg

How Technology Has Changed Music Revised Edition

Roy E. Carter, Translator 100th Anniversary Edition with a New Foreword by Walter Frisch

Capturing Sound $24.95 paper

Arnold Schoenberg

Style and Idea

Selected Writings Leonard Stein, Editor, Leo Black, Translator 60th Anniversary Edition with a New Foreword by Joseph Auner

$28.95 paper

Theory of Harmony

$34.95 paper

Richard Taruskin

The Danger of Music and Other AntiUtopian Essays $24.95 paper

Richard Taruskin

On Russian Music $24.95 paper

Please visit booth # 303 for the special meeting discount • www.ucpress.edu

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JOURNAL OF THE

SOCIETY FOR

AMERICAN

MUSIC journals.cambridge.org/jsam Editor Leta Miller University of California, Santa Cruz

Scholarship that transcends disciplinary boundaries, including historical musicology, music theory, ethnomusicology, cultural theory, identity studies, and American studies. JSAM has quickly become an indispensable source for anyone interested in American music. I appreciate the broad coverage, from barbershop quartet singing and Irish fiddling to Cage and Ornstein to blues and avant-garde jazz. I look forward to every issue. J. Peter Burkholder, Indiana University Sign up free of charge to receive news emails, table-of-content alerts, special offers and more from this and any other Cambridge journals here: journals.cambridge.org/register

journals.cambridge.org 

20% Discount!

Outstanding Scholarship from Cambridge Cambridge Companions to Music The Cambridge Companion to Medieval Music Edited by MARK EVERIST

The Cambridge Companion to Schoenberg Edited by JENNIFER SHAW

and JOSEPH AUNER

The Cambridge Companion to Richard Strauss

Situating Opera Period, Genre, Reception

HERBERT LINDENBERGER

BENJAMIN M. KORSTVEDT

Boulez, Music and Philosophy

Liszt as Transcriber

EDWARD CAMPBELL

JONATHAN KREGOR

Music in the Twentieth Century

The Musical Language of Pierre Boulez Writings and Compositions

JONATHAN GOLDMAN

Edited by CHARLES YOUMANS

Music Since 1900

Cambridge Composer Studies

Verdi and the Germans

Shostakovich Studies 2 Edited by PAULINE FAIRCLOUGH

Ravel Studies Edited by DEBORAH MAWER

Cambridge Introductions to Music

From Unification to the Third Reich

GUNDULA KREUZER New Perspectives in Music History and Criticism

Music and Urban Society in Colonial Latin America Edited by GEOFFREY BAKER

and TESS KNIGHTON

Music in London and the Myth of Decline From Haydn to the Philharmonic

IAN TAYLOR

Opera’s Orbit Musical Drama and the Influence of Opera in Arcadian Rome

STEFANIE TCHAROS

Richard Wagner Self-Promotion and the Making of a Brand

NICHOLAS VAZSONYI

Jazz Icons Heroes, Myths and the Jazz Tradition

TONY WHYTON

Harmony in Schubert

The Sonata THOMAS SCHMIDT-BESTE

DAVID DAMSCHRODER

Medieval Song in Romance Languages

The Song Cycle LAURA TUNBRIDGE

JOHN HAINES

Cambridge Studies in Opera

The Cultural Life of the Early Polyphonic Mass

When Opera Meets Film MARCIA J. CITRON

Listening for Utopia in Ernst Bloch’s Musical Philosophy

Medieval Context to Modern Revival

ANDREW KIRKMAN

Please visit our booth

(#213) to view these and other fine titles!

www.cambridge.org/us 

Upcoming Society meetings 2011: SMT: 27–30 October, Minneapolis, Minnesota AMS: November 10–13, San Francisco, California 2012: Joint meeting of the AMS, SEM, and SMT 1–4 November, New Orleans, Louisiana Proposal submissions are due in early January each year. See the web sites for full details:

www.societymusictheory.org www.ams-net.org CMS AMS ad 810

8/20/10

1:19 PM

Page 1

The College Music Society promotes music teaching and learning, musical creativity and expression, research and dialogue, and diversity and interdisciplinary interaction. A consortium of college, conservatory, university, and independent musicians and scholars interested in all disciplines of music, the Society provides leadership and serves as an agent of change by addressing concerns facing music in higher education.

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COLLEGE MUSIC SOCIETY

312 East Pine Street, Missoula MT 59802 1-800-729-0235 • (406)721-9616 FAX: (406)721-9419 EMAIL: [email protected]

MUSIC frOM ChICaGO

DUke ellingTon’s AmeriCA

nUns BeHAVing BADly

Harvey g. Cohen 720 p., 12 halftones Cloth $40.00

Tales of Music, Magic, Art, and Arson in the Convents of Italy Craig A. monson

mUsiC in germAn PHilosoPHy

264 p., 25 halftones Cloth $35.00

An Introduction edited by stefan lorenz sorgner and oliver Fürbeth With an Introduction by Michael Spitzer and a Foreword by H. James Birx Translated by Susan H. Gillespie 304 p. Paper $35.00

THUg liFe Race, Gender, and the Meaning of Hip-Hop michael P. Jeffries

THe rePUBliC oF loVe Cultural Intimacy in Turkish Popular Music martin stokes Chicago Studies in Ethnomusicology 280 p., 7 halftones, 1 map, 20 line drawings, 1 table Paper $29.00

CHAmBer mUsiC giuseppe Verdi Edited by Gundula Kreuzer

258 p., 3 halftones, 2 tables Paper $21.00

The Works of Giuseppe Verdi, Series V: Chamber Music 120 p., 6 halftones, 30 musical examples, 3 tables

THeory oF AFriCAn mUsiC,

(This volume also includes the four instrumental parts for the Quartetto.)

gerhard kubik Chicago Studies in Ethnomusicology

Volume i 464 p., 113 musical examples, 64 halftones, 9 maps, 32 line drawings, 14 figures, 13 tables Paper w/CD $30.00

Volume ii 408 p., 60 halftones, 32 line drawings, 34 figures, 37 musical examples, 6 tables Paper w/CD $30.00

Visit booth #402 for a 20% discount on these and related titles.

Cloth $115.00

ATTilA Drama lirico in a Prologue and Three Acts by Temistocle Solera and Francesco Maria Piave giuseppe Verdi Edited by Helen Greenwald The Works of Giuseppe Verdi, Series I: Operas 640 p., 6 halftones, 30 musical examples, 3 tables Cloth $295.00

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Selected Recent Henle Urtext Editions ISAAC ALBÉNIZ: THREE IMPROVISATIONS 1903 Piano First Edition

ÉDOUARD LALO: VIOLONCELLO CONCERTO IN D MINOR Cello and Piano Reduction Edited by Peter Jost

With a CD recorded by the composer in 1903 Edited by Milton Rubén Laufer

WOLFGANG AMADEUS MOZART: HORN QUINTET IN E-FLAT MAJOR, K. 407 Horn, Violin, 2 Violas, Violoncello Edited by Henrik Wiese and Norbert Müllemann

LUDWIG VAN BEETHOVEN: SEXTET IN E-FLAT MAJOR, Op. 81B 2 Horns, 2 Violins, Viola, Bass Edited by Egon Voss LUDWIG VAN BEETHOVEN: CHRISTUS AM ÖLBERGE, Op. 85 Edited by Anja Mühlenweg Study Score ALBAN BERG: PIANO SONATA NO. 1 Edited by Ullrich Scheideler ALBAN BERG: VIOLIN CONCERTO Edtied by Michael Kube JOHANNES BRAHMS: BALLADES, Op. 10 Piano Edited by Katrin Eich Extracted from the Brahms Complete Edition CLAUDE DEBUSSY: INTERMEZZO AND SCHERZO Cello and Piano Edited by Ernst-Günter Heinemann JOHANN NEPOMUK HUMMEL: TRUMPET CONCERTO IN E MAJOR Edited by Michael Kube

ROBERT SCHUMANN: MÄRCHENERZÄHLUNGEN Clarinet (Violin) and Piano Edited by Ernst Herttrich ROBERT SCHUMANN: LIEDERKREIS, OP. 39 Versions 1842 and 1850 HigH Voice and Piano Edited by Kazuko Ozawa ROBERT SCHUMANN: COMPLETE PIANO WORKS Revised Edition Edited by Wolf-Dieter Seiffert, Wiltrud Haug-Freienstein, Ernst Herttrich Volumes 1-6

Special Henle Publication BEETHOVEN AUS DER SICHT SEINER ZEITGENOSSEN Edited by Klaus Martin Kopitz and Rainer Cadenbach 2 volumes in a slipcase Text in German, with selected excerpts in French and English

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MACDOWELL SYMPOSIUM AND FESTIVAL December 3 – 5, 2010 In honor of the 150th birthday of composer Edward MacDowell (1860–1908), Elizabethtown College will bring together scholars and performers from around the world to celebrate the life and music of this preeminent American musician. Friday through Sunday Symposium papers Friday, 7:30 p.m. Faculty and guest recital

Saturday 7:30 p.m. James Tocco, piano recital Sunday, 2:00 p.m. Orchestra with pianist Justin Badgerow

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JOEL PHILLIPS, PAUL MURPHY, JANE PIPER CLENDINNING, ELIZABETH WEST MARVIN

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New from the University of North Texas Press Theoria: Historical Aspects of Music Theory, Volume 17

Edited by Frank Heidlberger Theoria is an annual peer-reviewed journal on all aspects of the history of music theory. It includes critical articles representing the current stage of research, and editions of newly discovered or mostly unknown theoretical texts with translation and commentary. Analytical articles on recent or unknown repertory and methods are also published, as well as review articles on recent secondary literature and textbooks. Back issues are available by calling 1-800-826-8911. Volume 17 (2010) is now available and includes: John L. Snyder, “Pitch and Pitch relationships in Musicae artis disciplina: Letter Notation, Species, and Contour theory”; David Stern, “Thomas Morley’s View of the Importance of Modal Order in Renaissance Composition”; Irna Priore, “Serialism in the 1950s: Berio’s Approach”; and Stephen Slottow’s review of Michiel Schuijer’s Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (University of Rochester Press, 2008). Contributions for future volumes are welcome any time. For editorial inquiries, please contact: [email protected]. ISSN 1554-1312. $22.00

Journal of Schenkerian Studies 4

Edited by Colin Davis The Journal of Schenkerian Studies is a peer-reviewed journal published annually by the Center for Schenkerian Studies at the University of North Texas. The journal features articles on all facets of Schenkerian thought, including theory, analysis, pedagogy, and historical aspects. Back issues can be obtained by calling 1-800-826-8911. The forthcoming special issue (Volume 4) includes contributions from Ian Bent, “Schenker as Teacher: The Case of Gerhard Albersheim”; Marko Deisinger, “Heinrich Schenker as Reflected in His Diaries of 1918: Living Conditions and World View in a Time of Political and Social Upheaval”; William Drabkin, “Hans Weisse in Correspondence with Schenker and His Circle”; Christoph Hust, “‘How desolating to have to say that he is and will be the premier conductor of our time!’ Heinrich Schenker and Wilhelm Furtwängler”; Timothy L. Jackson, “Punctus contra punctus—a Counterpoint of Schenkerian and Weissian Analysis: Hans Weisse’s Counterpoint Studies with Heinrich Schenker”; and John Koslovsky, “Primäre Klangformen, Linearität, oder Auskomponierung?: The Analysis of Medieval Polyphony and the Critique of Musicology in the Early Work of Felix Salzer.” ISSN 1558-268X. $22.00

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Anette Müller Komponist und Kopist – Notenschreiber im Dienste Robert Schumanns 2010. VIII/444 pp. with numerous, partly coloured ill. (STUDIEN UND MATERIALIEN ZUR MUSIKWISSENSCHAFT, vol. 57). ISBN 978-3-487-13840-4 € 74.00

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To Broadway, To Life! The Musical Theater of Bock and Harnick PHILIP LAMBERT (Broadway Legacies) 2010 Hardback $35.00

Mendelssohn and the Organ WM. A. LITTLE 2010 Hardback $65.00

South Pacific Paradise Rewritten JIM LOVENSHEIMER (Broadway Legacies) 2010 Hardback $27.95

Songs in Motion Rhythm and Meter in the German Lied YONATAN MALIN (Oxford Studies in Music Theory) 2010 Hardback $49.95

Special Sound The Creation and Legacy of the BBC Radiophonic Workshop LOUIS NIEBUR (Oxford Music/Media Series) 2010 Hardback $99.00 Paperback $27.95

This Life of Sounds Evenings for New Music in Buffalo RENÉE LEVINE PACKER 2010 Hardback $35.00

Harmony and Discord Music and the Transformation of Russian Cultural Life LYNN M. SARGEANT (The New Cultural History of Music Series) 2010 Hardback $45.00

Hi-de-ho The Life of Cab Calloway ALYN SHIPTON 2010 Hardback $29.95

A Geometry of Music Harmony and Counterpoint in the Extended Common Practice DMITRI TYMOCZKO (Oxford Studies in Music Theory) 2010 Hardback $39.95

indicates titles with companion websites. Visit oxfordwebmusic.com for more information.

1

Visit OUP booths 302, 304, & 306 for discounts on these and other titles! 

AMS2010_program:AMS2010_program

8/16/10

3:33 PM

Page 1

Now available with MyMusicLab LISTEN TO THIS Second Edition Mark Evan Bonds Now with downloadable audio! A listening-oriented approach enables students to explore musical styles through active listening—not just passive reading. ©2011, paperback, 560 pages Text: 9780205777365 Text + MyMusicLab: 9780205072538

MUSIC FOR SIGHT SINGING Eighth Edition Robert W. Ottman & Nancy Rogers New recording capability within MyMusicLab allows students to record their singing and submit it to their professors for grading and commentary. ©2011, paperback, 448 pages Text: 9780205760084 Text + MyMusicLab: 9780205011520

‘‘

MyMusicLab was an interactive way of learning and helped me immensely, since I am a visual learner. —Student, Modesto Junior College



www.mymusiclab.com

Stop by the Pearson booth to view a demo of MyMusicLab and receive your Got Music? t-shirt (while supplies last). For more information, visit www.pearsonhighered.com/music, or contact your local Pearson Publisher’s Representative at www.pearsonhighered.com/replocator.

Listening to You!

Don’t Miss a Beat! Teach from the most innovative and illuminating titles in Music!

MUSIC (4LTR Press) Michael Campbell

Join us us at AMS! forVisit refreshments and Booths 107/206 hors d’oeuvres, Friday, 5:00, booth 107

ISBN: 978-0-495-00468-4 | ©2012

Cengage Advantage Books: Music Listening Today, 4th Edition (with 2-CD set) Charles Hoffer, University of Florida, Gainsville ISBN: 978-0-495-91614-7 | ©2012

Listening to Music, 6th Edition includes Introduction to Listening CD-ROM Craig Wright ISBN-13: 978-1-4390-8345-1 | ©2011

Listening to Western Music, 6th Edition includes Introduction to Listening CD-ROM Craig Wright ISBN-13: 978-1-4390-347-5 | ©2011

Jazz: The First 100 Years, 3rd Edition includes Audio CD Henry Martin and Keith Waters ISBN-13: 978-1-4390-8333-8 | ©2012

A Concertgoer’s Guide Christine Linial ISBN: 978-1-111-34752-9 | ©2011

Source Code 11C-MU0033

www.cengage.com/music 

JAMES Q. DAVIES Music and cultural history of the early nineteenth century

MU S IC at

JOCELYNE GUILBAULT Music of the Caribbean; Popular music & transnationalism

NICHOLAS MATHEW

Music of the eighteenth, early nineteenth and twentieth centuries; Music aesthetics, politics, theories of performance

DAVITT MORONEY

J.S. Bach, Byrd; Keyboard music of the seventeenth and early eighteenth centuries

TAMARA ROBERTS African American & Asian American popular music; Critical race theory, urban political economy, interracial/ethnic studies

MARY ANN SMART Verdi, Wagner; Nineteenth-century music; Gesture & gender

RICHARD TARUSKIN

KE L EY

Russian music; Twentieth-century music; Historiography

KATE VAN ORDEN The French chanson; Music & absolutism; Print culture

BONNIE C. WADE Music of India & Japan; Iconography & music



B E R

h t t p : / / m u s i c . b e r ke l ey. e d u

Music in Java, Bali, and the Middle East; Musical interaction and cognition

The Department of Music at the University of California, Berkeley welcomes applications from qualified students for our Ph.D. programs in m u s ic ol og y & ethnomusicology.

BENJAMIN BRINNER

UNIVERSIT Y OF CALGARY - DEPARTMENT OF MUSIC

GRADUATE STUDIES

IN COMPOSITION AND MUSICOLOGY DEGREES:

MA, Master of Musical Arts in Musicology MMus, Master of Music in Composition PhD in Composition PhD in Musicology MSc and PhD in Computational Media Design (CMD)

The Department of Music provides the opportunity for intensive study of both music composition and musicology (including both historical and theoretical perspectives in the study of music). We also encourage candidates interested in performance practice, interdisciplinary research, and creative activities.

Internal funding

Graduate Teaching Assistantships and Graduate Teaching Fellowships Graduate Research Scholarships Faculty of Graduate Studies Awards (Grants can range from $4000 to $12000 per year.)

External funding

SSHRC-funded Research Assistantships

Graduate funding is available in the form of teaching assistantships and research grants depending on the application and is available beginning at approximately $4800 up to $12,000 for the school year.

FACULTY:

Allan Bell ([email protected]): Composition, Counterpoint, Orchestration, Music in Canada, Interdisciplinary Studies

Kenneth DeLong ([email protected]): Classical & Romantic Periods, Opera, Nationalism,

Music in Central Europe

David Eagle ([email protected]): Composition, Electroacoustic Music, Sonic Arts, Interactive Composition, Sound Spatialization, Contemporary Music Kenneth Fields (ken.[email protected]): Tele-Arts/Music on High-Speed Networks, Integrated Media Arts and Technology, Sound Synthesis and Media Composition Laurie Radford ([email protected]): Composition, Electroacoustic Music, Interactivity and Live Electronic Performance, Spatial Audio, Sound Recording, Music Technology, Arts and Technology Friedemann Sallis ([email protected]): Musicology, Sketch Studies, Reception History, The Interaction of Historical and Theoretical Perspectives in 20th-Century Music *Les travaux rédigés en français peuvent être acceptés au Département de musique.

Graduate Admission Deadline: January 15, 2011 FOR MORE INFORMATION, PLEASE CONTACT: Dr. Friedemann Sallis, Graduate Program Director, Faculty of Arts, University of Calgary E-mail: [email protected] www.music.ucalgary.ca 

The Music Department at Brandeis University offers graduate study leading to Masters degrees in Ph.D. degrees in Musicology Musicology Composition and Theory Composition and Theory Music and Women’s and Gender Studies Faculty Neal Hampton Mary Ruth Ray, Chair Seth Coluzzi Judith Eissenberg Allan Keiler Eric Chafe Joshua Gordon Sarah Mead Yu-Hui Chang Eric Chasalow

Bob Nieske James Olesen David Rakowski Daniel Stepner

The program in musicology offers an integrated approach to music history, history of theory, and music theory and analysis. The program in composition and theory offers composers the time and means to develop a secure command of the craft of composition. Music and WGS is an interdisciplinary program leading to a joint Master of Arts in Music and Women’s and Gender Studies. Topics include feminist theory, gender studies, cultural history, and the investigation of work by and about women.

For further information, visit our website:www.brandeis.edu/music

G r a d uat E S t u dy i n m u S i c

or contact: Allan Keiler, Musicology Program Chair: [email protected] Eric Chasalow, Composition Program Chair: [email protected]

Comprehensive Ph.D. Programs Musicology and Criticism – Ethnomusicology – Composition and Theory Ross Bauer • Anna Maria Busse Berger • D. Kern Holoman • Beth Levy David Nutter • Pablo Ortiz • Jessie Ann Owens • Mika Pelo • Christopher Reynolds Kurt Rohde • Laurie San Martin • Henry Spiller • Jeffrey Thomas

music.ucdavis.edu Fiat Lux special collection, UC Riverside: Ansel Adams, Students and Bicycles Near Library, University of California, Davis, 1966.



musicology and music theory at CCM Distinguished Faculty David Carson Berry: Schenkerian topics, American popular music, post-tonal analysis, Stravinsky, history of theory (1750-1950) Steven J. Cahn: Schoenberg studies, aesthetics, history of theory, historiography, imaging of musical phenomena, neuroscience of music Stefan Fiol: Himalayan studies, musical regionalism, ritual and media studies, ethnomusicological theory Jeongwon Joe: 20th-century music, opera-cinema studies, film music, cultural studies Jonathan Kregor: 19th-century aesthetics, Liszt, music & memory, virtuosity & gender, art songs, musical reproductions Catherine Losada: post-tonal music, transformational theory, musical collage, music after 1950

bruce d. mcclung: American music, musical theater, mass entertainment, manuscript studies, critical editing Mary Sue Morrow: 18th-century topics (including the symphony), sociology of music, nationalism, music criticism & aesthetics Samuel Ng: Brahms, metrical dissonance, phrase rhythm, music perception, analysis & performance Matthew Peattie: Medieval music, Beneventan chant, modality, sources & transcription, musical change Miguel Roig-Francoli: history of theory (Renaissance), analysis of early music, 20th-century topics, music theory pedagogy Stephanie P. Schlagel: Renaissance studies, Josquin des Prez, the motet, reception history, editing early music

Teaching Assistantships and Doctoral Fellowships available For details about graduate programs: www.ccm.uc.edu/comp_theory_hist For admissions & financial aid info: www.ccm.uc.edu/admissions

 G-AMS directory.indd 1

6/30/10 10:30:11 AM

The Eastman School of Music offers graduate students in musicology the opportunity to pursue a PhD in the context of a thriving music school with an incomparable research library. Thanks to a large and distinguished faculty, students enjoy exposure to all areas of the discipline, with additional opportunities for advanced study in ethnomusicology (including a new Master of Arts degree), early music, music theory, and performance. Graduate students receive generous stipends, with support normally assured for five years. Alumni of the program hold positions at top-ranked institutions and have become leaders in the field.

Patrick Macey, Chair

Honey Meconi

Michael Alan Anderson

Holly Watkins

Renaissance music and culture in Italy and France, Josquin, music and rhetoric Medieval and Renaissance music, Saints, the DivineOffice, Popular ritual, politics

Melina Esse

19th-century opera and melodrama, film music, gender and performance studies

Roger Freitas

17th-century music (especially the cantata), performance practices, the castrato

Lisa Jakelski

20th-21st century music, musical expression and social/political practices, with emphasis on music post-1945

Ellen Koskoff

Ethnomusicology, American musics, women and music, Balinese music and culture

Kim Kowalke

20th-century musical theater and opera, Sondheim, Hindemith, and Weill

Ralph P. Locke

Exoticism and nationalism, music culture in 19th-century France and Italy, opera, gender issues

Medieval and Renaissance music, manuscript culture, Hildegard, musical borrowing 19th- and 20th-century music, historical and contemporary aesthetics, ecocriticism, popular music

Daniel Zager

Renaissance and Baroque music, Lassus, church music history

SENioR FAcuLty ASSociAtES Jürgen thym

19th-century music, German Lieder, 19th-century symphony, music and text relations

Gretchen Wheelock

18th-century music, Haydn and Mozart, historical performance practices, reception history

AFFiLiAtE FAcuLty Hans Davidsson Robert D. Morris Paul o’Dette EMERitA Kerala Snyder

Priority application deadline November 1 Final application deadline December 1 www.esm.rochester.edu/musicology

 10ESM_American_music_Soc.indd 1

8/10/10 3:23 PM

MOORES SCHOOL OF MUSIC David Ashley White, directori

Musicology & Music Theory The Moores School of Music features a distinguished faculty, excellent Master’s and DMA programs, and a modern facility, located in a culturally vibrant and exciting metropolis. Graduate Academic Degrees Offered: M.M. in Musicology M.M. in Music Theory Teaching Assisantships Available in Music Theory and in Music History Musicology Faculty

Paul Bertagnolli: Liszt, 19th-century music, music and literature. Matthew Dirst: Bach, Baroque music, harpsichord and organ, Collegium Musicum. Barbara Rose Lange: Ethnomusicology, popular music, music and gender, Eastern Europe, Romany (Gypsy) music. Howard Pollack: 20th-century music, American music. Jeffrey Sposato: Mendelssohn, Classical and Romantic music, sacred music. Theory Faculty

Aaminah Durrani: Schnittke, post-tonal music, aesthetics of the Classical period, string quartet literature. Andrew Davis: Late 19th- and 20th-century opera, musical meanings and semiotics. Timothy Koozin: Post-tonal music, analysis of popular music, semiotics, film music, computer applications. John Snyder: History of music theory, Schenkerian analysis, Medieval music, music of Samuel Coleridge-Taylor. www.music.uh.edu  Graduate Office: 713-743-3314 120 School of Music Bldg Houston, Texas 77204-4017

UH is an EEO/AA Institution.



Mu s i c o l o g y at Indiana

We offer individual

attention with all the advantages of a large music school and university. Our resources include the Center for the History of Music Theory and Literature, Early Music Institute, Latin American Music Center, Ethnomusicology Program, and the outstanding Cook Music Library (more than 343,000 volumes).

DEGREES

Ph.D., M.A., M.A./M.L.S. Direct admission from the B.A. or B.M. to the Ph.D. program with three years of course work. For a complete list of Jacobs School faculty, please visit us at music.indiana.edu.



MUSICOLOGY FACULTY J. Peter Burkholder, Chair: 20th-century music, Charles Ives, musical borrowing Phil Ford: American music, cultural studies, “hipness,” jazz, musical theatre, radical and countercultural intellectual movements Halina Goldberg: 19thcentury Poland and Eastern Europe, musical and cultural environment of Chopin’s Warsaw, performance practice, reception, national constructs Thomas J. Mathiesen: Music in the ancient world, medieval music, history of music theory Daniel R. Melamed: Baroque music, J. S. Bach and older members of the Bach family, performance practice, Mozart’s operas Kristina Muxfeldt: Late 18thand early 19th-century music and aesthetics, Lieder, reception studies, social history

Massimo Ossi: Renaissance and Baroque music, early 17th-century Italian music theory and aesthetics, Italian lyric poetry and madrigal (1550–1650), Vivaldi Ayana Smith: Baroque music, opera and literary criticism (1650–1750), signifying and the blues, women and gender in music Giovanni Zanovello: 15thcentury Italian cathedral music, Florence, music and humanism, Renaissance music theory, Heinrich Isaac ADJUNCT FACULTY Judah Cohen: Jewish music and culture Lynn Hooker: Bartók, Hungarian music POSTDOCTORAL FELLOW Laura Weber: Medieval music theory, Handel

Mu s i c T h e o r y

at Indiana

A special blend of cuttingedge academic research and innovative pedagogy within one of the world’s greatest schools of music.

The overwhelming majority of our graduates hold teaching and administrative positions in major research universities, music schools, and liberal arts colleges. We offer the Master of Music (M.M.) and Doctor of Philosophy (Ph.D.) degrees. Most students are awarded generous graduate teaching assistantships. Supplemental scholarships are awarded to especially well-qualified students.

MUSIC THEORY FACULTY Kyle Adams: history of

Marianne Kielian-Gilbert:

Robert Hatten: gesture,

Gary Potter: pedagogy,

theory, 16c and 17c music, popular music

semiotics, 18c and 19c music

Jay Hook: transformational theory, algebraic approaches Gretchen Horlacher:

chair; rhythm and meter, Stravinsky, Reich

Eric Isaacson: atonality, music informatics, cognition

Roman Ivanovitch:

tonal analysis, form, Mozart

Blair Johnston:

Rachmaninoff, Russian music, late 19c and 20c music

cultural studies, feminist theory, Stravinsky 20c music, jazz

Frank Samarotto:

Schenker, rhythm/ temporality, 19c music

Alan Theisen:

post-doctoral fellow; music/culture since 1945, form, post-tonal analysis/ performance

Mary Wennerstrom:

pedagogy, form, 20c music

For a complete list of Jacobs School faculty, please visit us at music.indiana.edu.



Institute of Musical Research, School of Advanced Study, University of London

VISITING FELLOWSHIPS IN LONDON The Institute of Musical Research is delighted to welcome visiting scholars to the heart of London. We offer: • School Professorial and Visiting Fellowships (competitive) for six months • Visiting Fellowships (usually one to six months; bench fee payable) • Overseas Doctoral Fellowships (up to a year; reduced bench fee payable) For further information follow our ‘Fellowships’ link on www.music.sas.ac.uk or email the Director at [email protected]



Music Theory

Graduate Study in

M.M. and Ph.D.

Faculty Gary S. Karpinski Lawrence Shuster

• •

Brent Auerbach Rob Schultz



Jason Hooper

Studies in Schenkerian analysis, post-tonal theory, history of theory, pedagogy of theory, motivic analysis, analysis of rhythm and meter, and other areas. Specialized advanced study available in cognition and perception, analysis of 20th-century music, aural skills acquisition, and other areas. Teaching Assistantships Theory • Aural Skills • Music Appreciation • Jazz Instrumental Instruction • Choral Conducting Orchestra • Accompanying Assistantships carry a minimum stipend of $7258, full tuition remission, health benefits, and waiver of most fees. For further information, contact either of the following: Professor Gary S. Karpinski Coordinator of Music Theory [email protected] (413) 545-4229

Professor Jeffrey Cox Graduate Program Director [email protected] (413) 545-6055

Department of music anD Dance Visit our web site at http://www.umass.edu/music



UNIVERSITY OF NORTH TEXAS, COLLEGE OF MUSIC

THE DIVISION OF MUSIC HISTORY, THEORY, AND ETHNOMUSICOLOGY Degrees MM in Musicology; concentrations in Early Music Performance and in Ethnomusicology Ph.D. in Musicology; concentration in Early Music Performance MM and Ph.D. in Music Theory Teaching Assistantships and Fellowships, Tuition Waivers and Master’s and Dissertation Fellowships available

Faculty Musicology Margaret Notley Ana Alonso-Minutti Benjamin Brand Hendrik Schulze Deanna Bush Laura Kennedy Bernardo Illari

Music Theory Timothy Jackson Steven Slottow David Schwarz Frank Heidlberger Graham H. Phipps Pop Music & European Studies Thomas Sovik

Ethnomusicology Steven Friedson Eileen M. Hayes John Murphy Theory Pedagogy Joán Groom Gene Cho Paul Dworak Laila Kteily-O’Sullivan

We focus on many historical fields such as medieval source studies, Baroque performance practice, Mozart studies, 19th and 20th century music, particularly Brahms; Latin American music studies. Faculty carry out cutting edge research and classroom instruction in various areas including Schenkerian studies, theory pedagogy, history of music theory, and contemporary approaches to music analysis. In addition to ethnomusicology theories and methods, we offer area studies in the music of Africa, East Asia, India, and African American music. The College of Music offers one of the largest and most comprehensive music programs in the U.S. Its Jazz Studies program has received critical acclaim worldwide. International study abroad programs in collaboration with institutions and scholars in Europe, Asia, Africa, and South America provide students with a diverse array of learning experiences. Contact Eileen Hayes, Chair, Division of Music History, Theory and Ethnomusicology, College of Music [email protected] • 940-565-3761



Extraordinary Opportunities for Exceptional Students n o r t h w e s t e r n u n i ve rs i t y

Graduate Study in Musicology Situated within one of the nation’s premier research universities and top music schools, Northwestern’s musicology program offers students a unique experience: a universitywide interdisciplinary focus that encourages collaborative work, a thriving performance schedule of more than 400 concerts each year, and ready access to the vast cultural resources of downtown Chicago. Degree programs include the MM and the PhD. All stu­ dents admitted to the PhD program receive full tuition funding plus a stipend.

Bienen School of Music

Faculty Linda Austern, 16th- and 17th-century England, gender; music as related to history of medicine and science; European iconography Thomas Bauman, 18th-century opera, film music, cultural studies Drew Edward Davies, 17th- and 18thcentury Mexico and Iberia, 20thcentury Britain Inna Naroditskaya, ethnomusicology, Middle East, Russia, gender studies Jesse Rosenberg, 19th- and 20thcentury opera

Office of Music Admission and Financial Aid Bienen School of Music Northwestern University 711 Elgin Road Evanston, Illinois 60208-1200 847/491-3141 [email protected]

www.music.northwestern.edu

Northwestern University is an equal opportunity, affirmative action educator and employer.



University of Pennsylvania Graduate Studies in Music The University of Pennsylvania offers Ph.D. programs in Anthropology of Music History of Music Theory of Music Musical Composition Graduate Study in Music at Penn is characterized by a small student body, individual attention, a large and distinguished faculty, generous four- and fiveyear fellowship packages, and an excellent placement record. Faculty: Carolyn Carolyn Abbate, Abbate, Christopher Christopher H. H. Browne Browne Distinguished Distinguished Professor Professor of of Music Music (History) (History) Emma Dillon, Professor (History) Emma Dillon, Associate Professor (History) Emily Emily I. I. Dolan, Dolan, Assistant Assistant Professor Professor (History) (History) Jeffrey Jeffrey Kallberg, Kallberg, Professor Professor (History) (History) Jairo Associate Professor (Theory) CarolMoreno, A. Muller, Professor (Anthropology) Carol A. Muller, Professor (Anthropology) James Primosch, Robert Weiss Professor of Music (Composition) James Primosch, Robert Weiss Professor of Music (Composition) Guthrie P. Ramsey, Jr., Professor (History) Guthrie Ramsey, Jr., Edmund J. Kahn(Anthropology) Term Professor of Music (History) TimothyP.Rommen, Associate Professor Timothy Rommen, Associate Professor (Anthropology) Jay Reise, Professor (Composition) Jay Reise, Professor (Composition) Gary A. Tomlinson, Annenberg Professor in the Humanities (History, Anthropology) Gary Tomlinson, Annenberg Professor in the Humanities (History, Anthropology) Anna A. Weesner, Associate Professor (Composition) Anna Weesner, Associate Professor (Composition)

Detailed information our web website: site: Detailed informationisisavailable available on on our www.sas.upenn.edu/music/grad

or contact:

or contact: Director of Graduate Studies Director of Graduate Studies Music Department Music Department University of Pennsylvania University of Pennsylvania 201 S. 34th St. Philadelphia, 201 S. 34th PA St.19104-6313 tel: (215) 898-7544 Philadelphia, PA 19104-6313 e-mail: [email protected] tel: (215) 898-7544

e-mail: [email protected] 

College of Arts and Architecture

Penn State School of Music

Research Faculty MUSIC THEORY Vincent Benitez, Ph.D. (Indiana) 20th century: Messiaen, music after 1945, popular music; post-tonal analysis; Baroque era: Bach; history of music theory

Maureen Carr, Ph.D. (Wisconsin) 20th century: compositional process, sketch studies, Stravinsky, theory pedagogy, counterpoint

Taylor Greer, Ph.D. (Yale) French artsong, American music, aesthetics, Schenkerian theory

Eric McKee, Ph.D.(Michigan) Dance music of the 18th and 19th centuries, Chopin, Schenkerian theory, theories of tonal rhythm

MUSICOLOGY Marie Sumner Lott, Ph.D. (Eastman) 18th- and 19th-century musical life, chamber music, Brahms, reception studies

Marica Tacconi, Ph.D. (Yale) Early music: Renaissance Italy, Monteverdi, manuscript studies, interdisciplinary studies

Charles Youmans, Ph.D.( Duke) Austro-German music post-1850 (R. Strauss, Mahler), aesthetics, �ilm music 

Musicology and Early Music Performance at the USC Thornton School of Music Study music in an environment in which history and performance can and do interact. Musicology students at USC participate in the full range of musical activities at the Thornton School of Music, including its renowned Early Music program. Early music and 20thcentury music are particular strengths of the program, which benefits from close links to USC’s Early Modern Studies Institute, the School of Cinematic Arts and the Annenberg School for Communications. The University is located near such Los Angeles cultural landmarks as Disney Hall and is within easy reach of world-class research institutions such as the Getty Center and Huntington Library. Applicants to the Ph.D. program in musicology compete for Provost’s and Diversity Fellowships with full tuition waivers and a stipend currently set at $30,000 per year. Applicants to the M.A. and D.M.A. programs in Early Music Performance are eligible for scholarships of up to $20,000 per year. Department of Musicology Flora L. Thornton School of Music University of Southern California Los Angeles, California 90089-0851 (213) 740-3211 www.usc.edu/music



Our Distinguished Faculty

Bruce Brown Joanna Demers Adam Gilbert Rotem Gilbert Leah Morrison Tim Page Bryan Simms Nina Treadwell Mina Yang

and other adjunct Early Music faculty

Degree Programs

M.A.

Early Music Performance

D.M.A. Early Music Performance Ph.D. Musicology

Music Studies W

e offer the Bachelor of Arts and graduate degrees in the Histor y and Theor y of Music, Composition, and Performance. The degree programs emphasize interdisciplinar y perspectives and research on a wide range of issues and topics, with special attention to 20th- and 21st-centur y music. Each doctoral student receives a unique “contract” program of study.

H FA C U LT Y I N H I S T O R Y A N D T H E O R Y H

Mauro Calcagno, Andrew Eisenberg, Sarah Fuller, David Lawton, Judy Lochhead, Ryan Minor, Jamuna Samuel, Benjamin Steege, and Peter Winkler Undergraduate Scholarships and Graduate Teaching Assistantships available. For complete information about the Department of Music visit:

www.stonybrook.edu/music

Stony Brook University/SUNY is an affirmative action, equal opportunity educator and employer.

AMS and SMT Awards The AMS and the SMT will present their annual awards for outstanding books, articles, and research in musicology and music theory at this meeting!

Saturday, 6 November 2010 Indiana Ballroom, Marriott Hotel

SMT: 3:00 p.m. AMS: 5:30 p.m. 



McIntire Department of Music, University of Virginia PhD, Critical and Comparative Studies in Music “Supportive community in which people sincerely care about your ideas and progress as a scholar. Faculty who have honest conversations about teaching as well as research. Competitive in the sense that people want you to do your best work, but not competitive in the backbiting, unhealthy way. Commitment and open-mindedness to a variety of topics and approaches: students are genuinely encouraged to follow their interests.” – University of Virginia PhD student The Critical and Comparative Studies program (CCS) is committed to the highest standards of research in innovative and interdisciplinary music scholarship. Students take seminars in historical musicology, ethnomusicology, popular music studies, performance theory, and analysis, as well as graduate courses outside the Department of Music. We encourage broad awareness of contemporary thought within and beyond music studies, and imaginative choices in research projects. Recent and current dissertation topics include: female performers in the early 20th-century United States; the politics of gender transgression in recent Anglo-American popular music; social and political meanings of music and dance in early film musicals; the history and ideology of college radio stations; performance and social meaning in 17th-century English consort music; race and politics in 1980s hardcore; bluegrass in the Czech Republic; presentday Asian-American indie-pop musicians; relations between the avant-garde and Anglo-American popular music from the late 1960s on; and others. CCS faculty include Scott DeVeaux (jazz and American music; African music; popular music; music and war); Bonnie Gordon (early modern Italy; gender and sexuality; history of science; Monteverdi; castrati); Bruce Holsinger (music and literature in the European Middle Ages; liturgy; history of sexuality; premodern roots of modern critical thought); Michelle Kisliuk (performance theory; postcolonial cultural studies; musical ethnography; Central and West Africa; bluegrass); Fred Maus (theory and analysis; gender and sexuality; popular music; aesthetics); Michael Puri (theory and analysis; critical theory; hermeneutics; Wagner; Ravel; 19th- and 20th-century French classical music); Joel Rubin (Jewish instrumental klezmer music; music in relation to trauma, professionalism, diaspora, identity, religion); Heather Wiebe (modernism; 19th-20th century opera; early music revivals; British musical culture); Richard Will (European music of the 18th and early 19th centuries; American folk and roots music). Other faculty resources in Music include composers Matthew Burtner, Ted Coffey, and Judith Shatin; librarian Erin Mayhood; conductors Andrew Koch, William Pease, Michael Slon, and Kate Tamarkin; and many part-time and adjunct performance instructors. For detailed information about the program, including application procedures and contact information, go to www.virginia.edu/music and select the link for graduate programs. 

MGG

Carl PhiliPP EmanuEl BaCh

he omplete orks Versuch über die wahre Art das Clavier zu spielen Edited by Tobias Plebuch

ISBN 978-1-933280-42-4 (forthcoming, early 2011) Price for the three-volume set: $75.00

Baerenreiter ISBN 978-3-7618-1100-9 This 29-volume set is the most important and comprehensive research tool available, with more than 20,000 articles covering all aspects of music. International in scope, the MGG is the result of the collaborative efforts of 3,500 scholars from 55 countries, with over 4,000 illustrations (500 in color), including portraits, music examples, instruments and diagrams. • Subject Encyclopedia in 9 volumes • Index to the Subject Encyclopedia • Biographical Encyclopedia in 17 volumes • Index to the Biographical Encyclopedia • Supplement volume with new biographical and subject entries Special Offer $2585.00

Shipping and handling fees are additional. Stock is limited!

Theodore Front Musical Literature, Inc. 16122 Cohasset Street Van Nuys CA 91406-2989 USA Tel: +1 (818) 994-1902 Fax: +1 (818) 994-0419 Email: [email protected] Web: www.tfront.com

Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken Supplement to the Versuch: Facsimile edition of Wq 63 ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00

The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order. Please see website for a complete list of published and forthcoming volumes and for free performing materials. Standing orders welcome.

E-mail: [email protected] Phone orders: (800) 243-0193 in the USA; 001-978-829-2531 phone or fax from outside the USA Web orders: www.cpebach.org Details on shipping costs may be requested by phone or e-mail above.

ASHGATE

New Music Titles from Ashgate Publishing…

Adrian Willaert and the Theory of Interval Affect

Music, Sound, and Silence in Buffy the Vampire Slayer

Timothy R. McKinney

Ashgate Popular and Folk Music Series

Includes 69 music examples Aug 2010. 336 pgs. Hbk. 978-0-7546-6509-0

Includes 20 b&w illustrations Feb 2010. 304 pgs. Pbk. 978-0-7546-6042-2

Changing the System: The Music of Christian Wolff

The Musical Ear: Oral Tradition in the USA

Aug 2010. 284 pgs. Hbk. 978-0-7546-6680-6

Includes 1 b&w illustration, 2 music examples and a CD Mar 2010. 218 pgs. Hbk. 978-0-7546-6396-6

Edited by Paul Attinello, Janet K. Halfyard The Musica nova Madrigals and the Novel Theories of Zarlino and Vicentino and Vanessa Knights

Edited by Stephen Chase and Philip Thomas Anne Dhu McLucas Includes 1 b&w illustration and 49 musical examples SEMPRE Studies in The Psychology of Music

Shostakovich in Dialogue

Form, Imagery and Ideas in Quartets 1–7 Judith Kuhn

Includes 32 b&w illustrations and 99 musical examples Feb 2010. 314 pgs. Hbk. 978-0-7546-6406-2

Harrison Birtwistle: The Mask of Orpheus

Jonathan Cross Landmarks in Music Since 1950

Includes 10 b&w illustrations and 12 music examples Dec 2009. 196 pgs. Hbk. 978-0-7546-5383-7

Sociology and Music Education Edited by Ruth Wright SEMPRE Studies in The Psychology of Music Includes 13 b&w figures and 8 tables Sep 2010. 322 pgs. Hbk. 978-0-7546-6801-5

Leonard Bernstein: West Side Story Nigel Simeone

Includes 3 b&w illustrations, 22 music examples and a CD Dec 2009. 192 pgs. Hbk. 978-0-7546-6484-0

Messiaen the Theologian Edited by Andrew Shenton

Includes 12 b&w illustrations and 21 musical examples Apr 2010. 312 pgs. Hbk. 978-0-7546-6640-0

The Ashgate Research Companion to Popular Musicology Edited by Derek B. Scott

Includes 13 b&w illustrations and 14 musical examples Dec 2009. 576 pgs. Hbk. 978-0-7546-6476-5

Where Music Helps: Community Music Therapy in Action and Reflection

Brynjulf Stige, Gary Ansdell, Cochavit Elefant and Mercédès Pavlicevic Ashgate Popular and Folk Music Series Includes 23 b&w illustrations Jun 2010. 364 pgs. Pbk. 978-1-4094-1010-2

Music and the Modern Condition: Investigating the Boundaries Ljubica Ilic

Oct 2010. 140 pgs. Hbk. 978-1-4094-0761-4

New Perspectives on Marc-Antoine Charpentier Edited by Shirley Thompson

Includes 2 color and 20 b&w illustrations and 37 music examples Apr 2010. 414 pgs. Hbk. 978-0-7546-6579-3

She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music

Edited by Laurie Stras Ashgate Popular and Folk Music Series

Includes 17 b&w illustrations and 7 music examples Aug 2010. 284 pgs. Hbk. 978-1-4094-0051-6

Understanding Music The Nature and Limits of Musical Cognition

Hans Heinrich Eggebrecht Translated by Richard Evans

Includes 4 musical examples Dec 2009. 170 pgs. Hbk. 978-0-7546-6612-7 First Edition in English

Jean Cras, Polymath of Music and Letters Paul-André Bempéchat

Includes 10 color and 33 b&w illustrations and 187 music examples Nov 2009. 608 pgs. Hbk. 978-0-7546-0683-3

Understanding Mozart’s Piano Sonatas John Irving

Includes 12 musical examples and 1 line drawing Oct 2010. 176 pgs. Hbk. 978-0-7546-6769-8

Come visit our booth in the book exhibit www.ashgate.com/ams2010 Ashgate Publishing

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