If you have an older Windows ... folder (Windows XP, Vista, 7) or in All Apps under ... functional hand-drawn still had
Number
Five
Rough User’s Guide
fon t faq
HOW T O I N S TA L L YOU R F ON T
H O W T O I N S E R T S WA S H E S ,
You will receive your files as a zipped folder. For instructions on how to unzip your folder, visit LauraWorthingtonType.com/faqs/. Your font is available in two formats: TrueType Font file (.ttf) and OpenType Font file (.otf). If you have a Mac® or newer Windows ® computer, install the .otf file(s). If you have an older Windows computer, install the .ttf files. Install the font by double-clicking on the .ttf or .otf file. When the popup menu appears, click on Install font (Mac) or Install (Windows). Fonts may also be installed by dragging and dropping them into your system’s font folder. After installing your font, save a copy of the downloaded font files in a folder on your computer as a resource in case you want to re-install the font or transfer it to a new computer.
A LT E R NA T E S , A N D O R N A M E N T S
l a u r aw o r t h i n g t o n t y p e . c o m
Some programs have a glyphs or symbol panel where the complete font including swashes and ornaments can be accessed and inserted directly. For programs that do not have a way to directly insert the swashes, the easiest method of putting in alternate swashes or symbols is by using either Character Map (Windows) or FontBook (Mac). Character Map (Windows) Character Map is a standard Windows utility and can be found in the Start Menu’s accessories folder (Windows XP, Vista, 7) or in All Apps under Windows Accessories (Windows 8.1, 10). Character Map can also be found by searching for it by name.
© l a u ra wort h i ng t on t y p e
Select your font from the drop-down menu. Character Map will show all available glyphs. To quickly find the swashes, change Group By to Unicode Subrange, and select Private Use Characters from the pop-up menu. Click on any swash and then copy and paste it into your document. See the Character Map Video for a demonstration.
than one user and/or more than five workstations, please contact me at
[email protected] for a multi-user license. This font is available for both personal and commercial use. For details on licensing, please visit my FAQ page at LauraWorthingtonType.com/faqs/. FON T SUPPORT
FontBook (Mac) Font Book is a standard Mac utility program and can be found in Finder under the Go menu under Applications. Once FontBook is open, go to the View menu and select Repertoire. Click on User in the left panel and then select the font name to see all available swashes in the font. Click on any swash and then copy and paste it into your document. See the Font Book Video for a demonstration.
Visit my FAQ page at LauraWorthingtonType.com/ faqs/ for information on licensing, installation, and both general and software specific questions. Contact me at
[email protected] and I will be happy to answer any questions.
L IC E N SING
Your font comes with a standard one-user license. This license covers one person with up to five workstations (laptop, desktop computer, etc.) connected to one printer or output device. For more
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve r o u g h •
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
h
n u m b e r f i ve • a b o u t
is pure Americana, suitable for titling, display, logo, signage, and editorial work. Its two versions, Smooth and Rough, are constructed similarly, yet imbued with distinct feelings and uses.
The 1940s and 1950s in America have taken on a mythology of their own, imagined by some as an idyllic time when the daily life, dreams, and sensibilities of a nation were stable, solid, unchanging. Yet this was when the same mothers who sewed their children’s names onto collars for summer camp using needle and thread and who picked berries at roadside fruit stands to lay up ruby and purple jams for the winter, also read books about scientific parenting, squeezed high-end appliances out of slim budgets, and dreamed of Jetson homes. l a u r aw o r t h i n g t o n t y p e . c o m
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n u m b e r f i ve • a b o u t
What we now treasure as “retro” was a time of powerful transformation, as the extraordinary beauty of the handmade past slipped slowly toward the outmoded, and as a nation we became restless for a manufactured perfection. How perfect, indeed, that we’d soon be watching as one while one of our own stepped onto the surface of the moon. Number Five captures the moments before we moved into our Brave New World. The letters are subtly retro and just barely distressed, and are evocative of Betty Crocker cookbooks used by women in high heels and crisp aprons, signs painted on old barns along the highway, and slow summer days with Joltin’ Joe Dimaggio (and his number 5 jersey) at bat. This was a time when modern machine-made was adored, yet handmade was the norm, and the l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve • a b o u t
functional hand-drawn still had a beauty all its own, whether or not we could still discern it. My motivation in designing Number Five (which was named not for Joe but for my own jersey, my favorite number since childhood, my lucky charm), was to capture this time of Jim Beam, plaid Bermuda shorts, laundromat signs, and hometown storefronts beckoning with freshly painted sign painter’s scripts. The human spirit still ruled in what we made, back in these days when Main Street, not Big Box stores, prevailed—and even when the edges of our goods were rough, the work spoke of warmth and a practiced hand. The lettering is bold and dark, beautiful but not especially feminine or even sophisticated, a casual down-to-earth script. Like many of my fonts, the letters grew organically, possibly triggered by watching l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve • a b o u t
an old movie or remembering the cheers when I was a kickass Little League pitcher. I used pencil to construct them, then scanned and finessed them on the computer. Constructed faces are carefully crafted and demanding, they don’t flow naturally from the pen or brush. Yet, designing the letters was hard work that came easily compared to others I’ve made; I drew the outlines on a single sheet of paper, which is unusual for me; perhaps the letters had a strong American identity running through them from the start and I simply followed them to completion. I intuited the direction I was headed: unpretentious, friendly, oddly familiar—as “retro” should be. The two versions are kissin’ cousins, lending themselves to different purposes and kindling a different feeling, as similar as they seem at first glance. Smooth is the slick version; I think of a pale, crisp, l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve • a b o u t
clean lager. Rough is the nut brown ale, or, taking it back in time, the neighborhood’s hardware store sign, at the center of town. Number Five has 433 alternates, including a set of unconnected letters (the default set is a connected script), and ten ornaments.
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve r o u g h • a b o u t
Hello
Number Five Rough Font Specifications c h a r ac t e r s :
g
1510 characters per style Includes 10 ornaments
Greetings
f on t f i l e s :
1 OpenType (.otf) file and 1 TrueType (.ttf) file ava i l a bl e :
and Salutations
l a u r aw o r t h i n g t o n t y p e . c o m
LauraWorthingtonType.com ope n t y pe faq :
To access alternates and for any OpenType questions, go to LauraWorthingtonType.com/faqs or ig i na l r e l e a s e :
February 2013
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve r o u g h • s ta n da r d c h a r a c t e r s
Standard Character A B C D E F G H I J K LM N OP Q R S T U V W X YZ
abcdefghijklmnopqrstuvwxyz 01 2 3 4 5 6 7 8 9 ¹ ² ³ ¼ ½ ¾
! " # $ % & ' ( ) * , - . / : ; < > ? @ [ \ ] ^_ { | } ~ ¡ « » ¿–—‘’‚“”„†‡•…‹›¢$£¥€ O THER CH A R ACT ER S
` ¨ ´ ¸ ˆ ˇ ˘ ˙ ˚ ˛ ˜ ˝ ° = + × ÷ − ± · ≈ ≠ ≤ ≥ ¦ § ¶ ©®™ l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve r o u g h • b a s i c & e x t e n d e d l at i n c h a r a c t e r s
Basic & Extended Latin Character ÀÁÂÃÄÅĂĄÆĆČÇĎÐ ÈÉÊËĔĘÌÍÎÏĬĹĽŁŃŇÑ ÒÓÔÕÖŎŐØŒŔŘŚŠȘŢŤ ÙÚÛÜŬŮŰÝŸŹŻŽ à á â ã ä å ă ą ć č ç �ð è é ê ë ĕ ę ì í î ï ĭ ĺľłńñňòóôõöŏőøœŕřśšșßţť
ùúûüŭűůÿýźżž
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Swashe / Alternate Titling Alternates
A B C DE F GH IJ KLMN OPQRS TUV WXYZ
abcdef ghijklmnopqrstuvwx yz //
Uncategorized Forms/Contextual Alternates
l a u r aw o r t h i n g t o n t y p e . c o m
/ �
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Swash (Uppercase) A B C K
D E
F G H
L M
N
Q R
V
W
X
S T U
Y Z
Stylistic Sets 1–25 (see Stylistic Sets)
l a u r aw o r t h i n g t o n t y p e . c o m
J
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Stylistic Sets A swsh
//
ss10
B B swsh
titl
a
a ss09
A a a a
ss01
ss01
a
a
ss11
ss12
b
//
t i t ling (titl)
ss02
ss01
a
ss03
a
a
ss04
ss05
ss06
b
b
b
ss04
ss05
ss06
a a ss07
ss08
b
b
b
ss07
ss08
ss09
a //
b ss02
titl
b ss03
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
//
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
b
b
ss10
ss11
b ss22
C swsh
b ss23
C ss01
D D swsh
ss01
b ss12
b ss13
C titl
t i t ling (titl)
b
b
ss14
ss15
ss16
ss17
d
d
ss18
ss19
d
d
ss06
ss07
b
b
ss20
ss21
titl
c
c
ss01
ss02
titl
d
d
ss01
b b
b
ss25
d //
b
b
b ss24
b
ss02
c
ss03
ss04
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
ss05
//
d ss08
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
d d ss09
ss10
E swsh
F swsh
ss20
E ss01
F ss01
d
ss11
d
d ss19
d
ss12
d
ss13
titl
e
titl
//
ss01
F
f
ss02
//
ss01
t i t ling (titl)
d ss14
d
d
ss15
ss16
e
e
e
ss02
ss03
titl
f
f
ss03
ss04
d
d
ss17
ss18
d �
ss21
E
d
//
f ss02
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
f //
ss05
f titl
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
G
G
swsh
G
ss01
g ss08
titl
g ss09
ss10
H H swsh
h ss10
g
g
g
ss01
ss02
g ss11
titl
h h
h ss11
ss01
ss12
t i t ling (titl)
ss13
g
g
g
g
ss03
ss04
ss05
ss06
ss07
g
g
ss14
titl
g ss12
H h h
ss01
g g ss13
h
h
h
ss02
ss03
ss04
ss05
h
h
h
h
ss14
ss15
ss16
ss17
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
h
h
ss06
ss07
ss08
h //
h
ss18
h ss19
h ss20
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
h ss09
h ss21
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
h
h
ss22
I
ss23
i
titl
ss01
i
i
ss12
ss13
J swsh
J ss01
h
h
ss24
i
titl
i
ss02
ss03
//
J titl
t i t ling (titl)
i
//
j ss01
ss04
i ss07
i
i
ss08
ss09
i ss10
i ss11
i titl
j ss02
j
j
ss03
ss04
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
j
j
ss05
//
ss06
j ss07
j ss08
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
j ss09
j ss10
K
K swsh
ss01
k ss20
ss11
ss10
k ss21
j ss12
K k titl
k
k ss09
j
k ss11
k ss21
t i t ling (titl)
j ss13
k
ss01
j k
j
ss14
titl
k
k ss05
k
ss02
ss03
ss04
k k
k
k
k
ss14
ss15
ss16
ss12
ss13
k ss21
k
ss06
k ss07
k k ss17
ss18
k ss08
k ss19
k
ss21
titl
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
//
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
L L
L
swsh
ss01
titl
l
l
ss09
ss10
l
l
ss20
ss21
M swsh
l ss01
l ss11
l ss22
l ss12
l
l
l
l
l
l
l
ss02
ss03
ss04
ss05
ss06
ss07
ss08
l
l
ss13
l
l
ss14
ss15
ss24
ss01
titl
t i t ling (titl)
ss01
ss16
ss17
l ss18
l ss19
titl
M m m
M
l
l
l
ss23
l
m
ss02
ss03
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
m ss04
//
m m ss05
ss06
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
m ss07
N swsh
n
m
m
ss08
ss09
N
ss09
o
o
ss01
ss02
n
ss01
n
n ss10
ss11
t i t ling (titl)
ss12
ss12
ss04
ss13
titl
n ss05
n
n
ss06
ss07
n //
titl
o ss05
m m
n
ss03
n
o ss04
ss11
n
ss02
n
o ss03
m m
ss10
n
ss01
ss08
m
o
ss06
ss07
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
o ss08
//
o o ss09
ss10
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
o ss11
p ss01
o ss12
ss10
Q swsh
titl
p
p
ss02
p
o
ss03
p ss11
Q ss01
p ss04
p ss05
Q q titl
t i t ling (titl)
ss01
p
ss06
ss07
p ss08
p ss09
p p
p ss12
p
ss13
titl
q
q
ss02
ss03
q titl
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
//
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
R
R
swsh
ss01
ss08
titl
r
r
s
s
titl
s ss09
ss01
s ss10
t i t ling (titl)
ss02
ss11
S
ss01
r r
ss10
S
swsh
ss01
r
ss09
S
ss08
R r
s
r
r
ss03
r ss12
r
r
ss13
ss14
//
titl
s
s
ss02
ss03
ss04
s
s
ss11
//
titl
ss06
ss05
//
r
ss05
s
s wa s h (swsh)
r
ss04
s
l a u r aw o r t h i n g t o n t y p e . c o m
r
ss07
r
ss06
s ss07
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
T
T
swsh
T t
ss01
t ss08
ss02
ss09
swsh
u ss08
ss11
U u titl
u ss09
t
ss10
ss01
t
ss02
t
t U
U
ss01
t
ss01
u ss10
t i t ling (titl)
u
t ss04
ss03
t
t
ss12
ss13
u ss03
ss04
u
u
u
ss11
ss12
ss13
s wa s h (swsh)
t ss07
t titl
u ss05
u ss06
u ss07
u titl
//
t ss06
ss05
u
ss02
l a u r aw o r t h i n g t o n t y p e . c o m
t
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
V swsh
W swsh
X
v
v
ss01
ss02
ss03
w
w
w
ss01
ss02
ss03
ss01
ss06
titl
x
x ss07
v titl
w titl
X x
X
swsh
v
t i t ling (titl)
ss02
ss01
x ss08
x x
ss09
x
x
x
ss04
ss05
x
x
x
ss10
//
ss11
ss12
ss03
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
//
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Y Y swsh
Y
ss01
y ss08
Z
titl
y ss09
z ss09
y
ss01
ss02
y ss10
ss03
y
y ss11
y
ss01
titl
ss12
z
z ss10
ss01
ss11
t i t ling (titl)
ss02
z ss12
y
y
y
ss04
ss05
ss06
y z
ss03
z
ss13
ss14
s wa s h (swsh)
l a u r aw o r t h i n g t o n t y p e . c o m
ss14
z
ss04
z
ss07
titl
z
z
ss05
ss06
ss07
z
z
//
ss15
ss16
//
y
y y
ss13
Z z z z
Z
swsh
y
z ss08
z
z
ss17
ss18
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
//
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
S TA N DA R D C H A R A C T E R S
Do-re-mi zinc d’Orez Wiser xox C O N T E X T UA L A LT E R N AT E S S E T T I N G “ O N ”
Do-re-mi zinc d’Orez Wiser xox t i t ling (titl)
ss11
l a u r aw o r t h i n g t o n t y p e . c o m
ss14
//
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Backyard Smoker Event Bring your own beer! S TA N DA R D C H A R A C T E R S
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Backyard Smoke Event ring your own beer! W I T H S WA S H E S & A L T E R N A T E S
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i v e r o u g h • s wa s h e s / a l t e r n a t e s
Backyard Smoke Event ring your own beer! W I T H S WA S H E S & A L T E R N A T E S
t i t ling ss12
s wa s h //
ss01
ss02
u n c at e g o r i z e d / c o n t e x t u a l a lt e r n at e s
l a u r aw o r t h i n g t o n t y p e . c o m
© l a u ra wort h i ng t on t y p e
n u m b e r f i ve r o u g h • o r na m e n t s
Ornaments a b a
b
c d e f c
d
e
g h i j g
h
l a u r aw o r t h i n g t o n t y p e . c o m
i
j
© l a u ra wort h i ng t on t y p e
f