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dedicated to Kelly Poukens. III Offertorium. (III from "Requiem per una voce con pianoforte"). Kurt Bikkembergs. Soprano
dedicated to Kelly Poukens

III Offertorium

5

(III from "Requiem per una voce con pianoforte") Kurt Bikkembergs

Soprano

 

Pianoforte

S.



vivente e agitato  = ca. 160

vivente e agitato  = ca. 160

                                              f (no accents)

 

Pn



                                      

6

S.

 

f



Do



Pn

S.



  



-

 

mi - ne,

Do

-

  

mi - ne

 Ie

-



su



Chri

-

   

ste,

Ie

-



su



Chri

-

   

ste,

Rex

                                       

                                      



sempre f

 glo



Pn

  







 -

ri

-

ae,







Rex

glo



 -

ri

-

ae,





    li - be - ra

a

-

                                    

                                      loco     

7

S.

          - ni - mas om - ni - um

     

             

fi - de - li - um

de - fun - cto - rum

de poe - nas in - fer - ni,

   et

   

de pro - fun - do

                                  

Pn

S.





(simile no accents)

  

  la

-



                                       

       

cu:

li - be - ra

e

          -

as

de

o - re

le - o - nis

             ne

ab - sor - be - at

e - as

tar - ta - rus,

                                 

Pn





                                    

8

S.

       

 

ne

S.







  

 sen

Pn

ca - dant in

ob - scu - rum:

sed si

 -

gni

-





fer

San

-





ctus

Mi



 -

cha

-



el



 re

-

prae

-

                                          

 

Pn

  

-



                                       





tet

e

 -

as







in

lu

 -

-

cem

 San

 -



ctam:

                                          









                                    

S.



(Choral) mf



9

 

 

Quam o - lim



Pn

S.



A - bra



 



-

hae











-

sis

-

ti,

pro - mi

et



se

 

  -

-

 -

 -

mf

  

 

 





  

   







 

 

-

Pn



-

    

-



  -

-



 

-

-

     

 -



 



mi

-

ni

  e

-



 

-

-

 -

 jus.

Fine

10

(Plainchant)

S.

                                    Hos - ti

S.

 

-

as

pre

-

ces

ti - bi

Do - mi

-

ne

                 

tu

S.

et

su

-

sci

-

pe

pro

a - ni - ma

-

bus

lau

-

dis

of

-

fe - ri

-

mus:

           

il - lis,

qua

-

rum

ho - di

-

e

D.C. "Quam olim"                                           me - mo - ri - am

fa

-

ci - mus: fac

e - as

Do - mi - ne,

de mor

-

te

tran

-

si

-

re

ad

vi - tam.