Sarabande for Orchestra-score - Nikola Resanovic

Sarabande & Chaconne for Orchestra Mvt I - Sarabande

  q=64  

Adagio ma non tanto

Flute 1&2

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Nikola Resanovic

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Oboe 1&2

 

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Clarinet in Bb 1&2

 

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Bassoon 1&2

  

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  

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 

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 

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 

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 

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 

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  

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Horn in F 1&3 Horn in F 2&4 Trumpet in Bb 1 Trumpet in Bb 2&3 Tenor Trombone 1&2

Bass Trombone

  

Tuba

Timpani

Percussion 1

      

Percussion 2

 

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Percussion 3

  

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Violin I



Adagio ma non tanto

  

q=64

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 

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Viola

 

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Violoncello

 

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Violin II

Contrabass

           p

 

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     p  div.       p  p 

 

           p                  

div.

        

      

©copyright: Nikola Resanovic, 2008 http://www.nikolaresanovic.com

 

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           

Resanovic: Sarabande & Chaconne for Orchestra

2

 Fl. 

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

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

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

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 

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Hn.



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Tpt.



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Tpt.



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Tbn.



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B. Tbn.



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

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 

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

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Perc. 2



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Perc. 3



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10

Ob.

Cl.



  

Bsn.

Hn.

Tba.

Timp.

Perc. 1

Vln. I

Vln. II







 

Vla.

Cb.





p





p

 

 

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





 







13

glock. p



 







 p

 p





  p

p

 



 

                                                                          

Vc.

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13  





  



 

 









 









        

  

  



 

 







Resanovic: Sarabande & Chaconne for Orchestra



3  17 16              Fl.   

  

Ob.

  

Cl.



  

Bsn.

Hn.



 

Hn.

p

Tpt.





Timp.

Perc. 1



 

  





mp





 



  



 



 

s.

    gliss.         glis

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p



     







     



        gliss.  





      

  



espressivo 1. gliss.

       

 





     





  

     

         



B. Tbn.

Tba.

mp

 



 

   

         

espressivo a2



Tpt.

Tbn.

p

   



        

 

espressivo mp 1.

           









   

 

3

 

3

Perc. 2













Perc. 3













Vln. I

Vln. II



 

Vla.

Vc.

Cb.

espressivo



 

17  liss.  g g        liss.   

 

mp

        

 



 

 



 









    

             

       

 

 

 





glis     s.           gliss.

                

 

 





         



    

  





 





16

 Fl.  61

Cl.



 

Hn.

    

   

Hn.

Tpt.



Tpt.

Tbn.

B. Tbn.

Tba.



  

Ob.

Bsn.

 



   





   

   









   

Vln. I

Vln. II

Vc.

           

 

 



 

 

     

   fz        fz   

 

 

     



 

 

                     

  



 

  



 

 

   

ff

 

ff

  fz

   

ff





  



 



 







 

 

   







 

 

 

    f

f



  

mf

 mf



  fz

  

chimes





f

                                                                                                             





   mf

 



 

  fz-mf



  

ff



   

           



  

   



fz





 Cb.  









   

Resanovic: Sarabande & Chaconne for Orchestra

       ff fz                  fz

 





Vla.

 

  

     Perc. 1  Perc. 2

 

ff

 



   

  

 



   

fz

Timp.

Perc. 3

  

 

  



 

  

   







                                                                                                

ff

   ff

   ff         



ff

   ff

        

       

        

       

         

  

Resanovic: Sarabande & Chaconne for Orchestra

 Fl.  72

Cl.



  

Hn.



Tpt.



Tpt.



B. Tbn.





Vln. I

Vln. II

  





 













 

 

 



 

 

 

 

 

            



























  

bass drum





pp

poco a poco cresc...

   

73  

 













Vla.

  



Vc.

Cb.

 



  

Perc. 2

Perc. 3

 

  

Tbn.

Perc. 1

                                       

      

Timp.

73                                             

 

Hn.

Tba.



  

21

                                      

Ob.

Bsn.

   



 



  





 



   

   

     



22

Resanovic: Sarabande & Chaconne for Orchestra

                                   Fl.  74

Cl.



  









Hn.

 



Tpt.



Tpt.

Tbn.

B. Tbn.



Tba.

Timp.

Perc. 1



Vln. I

Vln. II





 

 



 















 







   

 

 

 

 

 

 















 





 

  

 

 



 



  



        



  



  

        



   

Vc.

Cb.



   

Vla.





 

  









 



 



 

 



   

Perc. 2

Perc. 3



 





   

 



  

Hn.



                                                                                    

Ob.

Bsn.

  

 

Resanovic: Sarabande & Chaconne for Orchestra

 Fl.  76



Ob.

       



  



  

                     

                                

                                            Cl.       Bsn.   



Hn.

   



Hn.

Tpt.



Tpt.

Tbn.

B. Tbn.

Tba.

Timp.

Perc. 1



Vln. I

Vln. II





     



fff

fff

           

fff

 

ff



 



 

ff









 

 

 

 

 



  

 

ff

 

ff



ff



  ff 

  

  

mp

mf

f

 

   

susp cym.



p

 

      







fff

  ff  



   

Vc.





 





Vla.



ff

 



Cb.



   

Perc. 2

Perc. 3

  

23

 



   





  





 

 

mf

      

   fff    

 

fff

  fff   fff

 

fff



24

Resanovic: Sarabande & Chaconne for Orchestra

 79        Fl. 

 

       

 

       

    

Ob.

Cl.



Hn.



Hn.

Tpt.



Tpt.

Tbn.

B. Tbn.

Tba.

Timp.



              



Bsn.



Vln. II

Vla.

Vc.

Cb.

1.

 

pp

pp

    

pp



 

  

 

     

 



pp

pp

 

 

  

















 

















fff

 

















fff

 

















       fff       

 

















 

















     

 

















 

















 

















             









































unis.

               fff

fff

fff

        fff



  

 

 



fff dampen

fff

 

   

dampen

  



pp

 



fff

Vln. I

  



 Perc. 1 

Perc. 3

  

85   



      

Perc. 2

 

81  

 

Sub pp

       

glock.



pp

81     

 

 

 

85    

 









             

 









 









      

 









(div)



             

  

                pp                       

pp

                 

pp

pp







