Score - Adam Scott Neal

PROMENADE DE MINUIT for alto saxophone and harp

Adam Scott Neal

2

Program Note: Promenade de minuit is intended to evoke a dream-like walk under the moonlight. Unlike much of my work, this was written intuitively, without any strict form or pitch scheme. The piece was written for Turdus Merula. Performance Notes:

3 for Turdus Merula

Promenade de minuit

A. Sax.

   

Hp.



ppp

non arp   

 

 



   







    











  



3

p



   

mp

pp

ppp

 

Bb

     



3

       3

13    Misterioso         slap  tongue                  3

mf

   Hp.

 

mp





 

 





 

F



q = 72

pp

f

f













 



   

  

ff p

mp

     3

      = pluck, then move pedal to create buzzing sound

Copyright © 2008 Adam Scott Neal. All rights reserved.







Misterioso q = 72





p

f

D# C# G#

10

A. Sax.



      3  3     

mf



F#

       

mf



 

   



        mp

ff

   

   

ppp

ppp



DCB ff EFGA

pp

Hp.



  



     

mp

Con affetto q = 60

5

A. Sax.

          3

Con affetto q = 60

Adam Scott Neal





4 15

A. Sax.

 



   Hp.

 

Hp.



   

3



f



 

5

p

Hp.





mp agitato

 

       

25

A. Sax.

mf

Hp.



3

mp

  



   

 

f



 



   





 



    





  

f

 



    

mf

 

    

           5

 

mp

   



        f

mp





      

   



    

    

    

      ff          

      

      

     

       

ff







E# Ab

Cb

 

    

 



              

 

3



mf

        

  

f

     3 growl                          3





                    

 

22

A. Sax.



ppp

3

   18

A. Sax.

 



 

  

f

mf

5

30 30

A. Sax.

  

Sognando q = 52









 

mp dolce e espressivo

Sognando q = 52

p.d.l.t., l.v. sempre                            

mf





  

    mf

   Hp.

   

A. Sax.

Hp.

   



     

   

mf

mp

                                  

             

f

 

 



      

mf più espressivo

pp

                                 mp                                    

       

42

mp

               

38

A. Sax.



  

ord.



    

   

              mp

 

          



    



3

    Hp.

mp

                            34

A. Sax.

       



D# C# B E# F# G# A



Hp.

  



f

      3             3                 3                    





 

   

3                    3

3 3                

6

46 Agitato q = 80

                                                  3 3

46

A. Sax.

3

ff

 

Agitato q = 80

Hp.

 

5









D# C B E F# G A#

fff

ff















 





                                           

49

A. Sax.

3

 

  Hp.



3









       

3

5

  



 









 3 3





                                                

52

A. Sax.

3

f

Hp.



 

3

 

3 



      

  



     

      



     



            55                                                  rit.

A. Sax.

  Hp.



ff





   











  

rit.

  3

   



  



7

58

 58      q = 72

A. Sax.

q = 72

Hp.

  

accel.        

         

 Andante misterioso q = 80                          mp

Andante misterioso q = 80

accel.



 

       



















pp



Bb



 

















                                               

62

A. Sax.

  Hp.

 

mf

 f

 







ppp





 



  



f

  







       * move pedal to create buzzing sound

           

66

A. Sax.

 Hp.

      ppp



          

 

3

74

Hp.





 

    

    f



5





  

p



       

     3

Tempo comodo q = 72

mf

  



        3



    

Tempo comodo q = 72

72

A. Sax.

  





3

 









 

 

ppp

           

3

3

           











F 3     3                     B

8

A. Sax.

       

  

5

rit.

   

82

A. Sax.







Con affetto q = 60

5

 

mp





5

88

A. Sax.







 Hp.



ppp

 ppp

6

5

3



3

mf









 



 

 









D C# B E F G# A



   

 



         

        

Tempo comodo q = 60

 





ff



  

     

  

 

  

 





  

    

 

 



     

   



 

Tempo comodo q = 60

    



         







    

84



Hp.





pp

mp



  

mf

      

   Hp.

Con affetto q = 60

rit.

78



     









9

A. Sax.



       

 

     Hp.



    

mf





mf

    







  

mf









A. Sax.

 



       

mf



 



   



 

 

 ff





 









  







           p



 

mp

  



p

f



both hands



key clicks (approximate pitch) 6

p 5

Hp.

mf

D#





  7 5                 

105

A. Sax.



Hp.

 

3

a tempo q = 60       

pp

          

a tempo q = 60







   

 

       

102 101

   rit.



   



rit.



94

p

        

 

f

10

5            

108

5

mp

  Hp.

112

A. Sax.





ff

p







A#



115

A. Sax.

 

Hp.

 

 

 ff



f

   

   5

f







mf

  









mf

  

f

3











p



f

      





 

  



mf

 









  



3

mp





        Hp.

p

           

f



 

6



A. Sax.

      

   









