Sonata for Flute and Piano - Giancarlo Aquilanti Music

3

Catalog No. 6745

Sonata for Flute and Piano Giancarlo Aquilanti Adagio q = 68

               p

   

5







 



p

  p  









 

pp

    

mp

mf

  



            







p

cresc.

 

  



mp

 

  f

          



 





   

   



3

 

  



    

p

 



f







 

mf

  

     

5

  

     

p

               



cresc.

f  

    





   



   9

I







 

 

     



              7

   

  

   



© Copyright 2006 by Ione Press. A division of ECS Publishing,Boston, Massachusetts. All rights reserved. Made in U.S.A.

               

4 12

  

                  



7

f

   f

8

                        6



          



p

cresc.



  

       16



7

           

14

p

     



6

    



 

                 5





 

  cresc.   



 

   

 (cresc.)  

    



    

  

    

  

12

ff



         





 



 

f

  



 

 

 

                                    

19

Allegro con spirito h = 80

 

mf

 

     





p

   

 

    





    

5                 

23

  

mf

  mf

         27

   

 



 

f

f

30

          



         









        

 



      





    

       

           



      





       



                     

    

mf

   

  



    

    

ff

  

 

    

   

                                    

         

   

      

   

          mf   f                            34



   

    

 



      



     



        



mf

       

         



f

 

17

II (La Melodia Barocca) Adagio q = 64

  

  



p

 

 





p

  

  



10

   

mp

p





  











 









 

 



 

 





 p



 

   mp

  





      

     



       

   









mf

  

 

 

 



mf



   

mf

     

mf

   



 



mf

p



 

       

      

   

  

 



 

  



    

  





 



mf

    

15

 



 

  

pp



  

 



 

mf



         

      5



   





 



  



  



18            

20

rallentando

a tempo



p

  







             33





mf







39

  ff

  f

  

  





cresc.

 

  





  mp









mf



    

     



    



 

   



      





cresc.

   

pp

 



 



 

    

 

  



                



  



    

  



 

    

 



p





    





               



(cresc.)

   





a tempo



26



legatissimo e con passione                              pp pp crescendo poco a poco              

rallentando

 

 



   

    

                       

 

22

III (Rondo: Le Melodie Popolari) Allegro spiritoso q. = 92

 









Allegro spiritoso q. = 92

                                                 ff

       

  5

    

 





 

                  8

  

 

  



 

 



 

   p



 



                 

    

10

mf

    p







  

        





 





    



   



 

 

     

 f



   

mf

  





  



 





                  





  

     

 

 

mf

 





 

         

     

 

  

 

             

  

   

   

 

mp

   

mf

  

  

mf

     

 

 

                 

f

  

  

mp

       

 

 

f

 

 

         

     

 

          

 

23               12                                mf

cresc.

       cresc.       

     

   

15

ff

  

 

 



    

           

                



     

     





       ff     

  

           

  





 

 



               

                



        

                mf                   

        

23

                   f               

19

                    p f             

26

 

 mf

    p

  

      

   

 

       

p

                

           

    

            

       

        

     

 

    

   

 

24

        

29



ff

  

 

 f



  



   

32









          

             

mf

 

 p

   

    











 

    

    35

  

   

 

               

    





 cresc.



cresc.

mf

        

      

mf



                  

     

                                 

        38

     



                

                             f





                 

     

     



     

           

     



     



    

   



2





2

