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Graham Swift, Waterland. 112. Julian Barnes, Flaubert's Parrot. 116. Chapter 5 Postmodern-postcolonial fiction. 121. Salman Rushdie, Midnight's Children. 124.
Cambridge University Press 978-0-521-86157-1 - The Cambridge Introduction to Postmodern Fiction Bran Nicol Table of Contents More information

Contents

Acknowledgements Preface: reading postmodern fiction

Introduction: postmodernism and postmodernity

page xi xiii

1

Postmodernity and ‘late capitalism’ Baudrillard and simulation Poststructuralism, postmodernism, and ‘the real’ Sociology and the construction of reality Jameson and the crisis in historicity Lyotard and the decline of the metanarrative Irony and ‘double-coding’

3 4 6 8 9 11 12

Chapter 1 Postmodern fiction: theory and practice

17

An incredulity towards realism What postmodern fiction does How to read postmodern fiction

17 30 39

Chapter 2 Early postmodern fiction: Beckett, Borges, and Burroughs

50

Samuel Beckett Jorge Luis Borges William Burroughs

52 58 65

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viii

Contents Chapter 3 US metafiction: Coover, Barth, Nabokov, Vonnegut, Pynchon

72

Barth’s Funhouse and Coover’s Descants Vladimir Nabokov, Pale Fire Kurt Vonnegut, Slaughterhouse-Five Thomas Pynchon

75 82 86 89

Chapter 4 The postmodern historical novel: Fowles, Barnes, Swift

99

Historiographic metafiction British historiographic metafiction John Fowles, The French Lieutenant’s Woman Graham Swift, Waterland Julian Barnes, Flaubert’s Parrot

103 105 106 112 116

Chapter 5 Postmodern-postcolonial fiction

121

Salman Rushdie, Midnight’s Children Toni Morrison, Beloved Ishmael Reed, Mumbo Jumbo

124 127 133

Chapter 6 Postmodern fiction by women: Carter, Atwood, Acker

140

Angela Carter Margaret Atwood Kathy Acker

142 148 156

Chapter 7 Two postmodern genres: cyberpunk and ‘metaphysical’ detective fiction

164

Sci-fi and cyberpunk William Gibson, Neuromancer Detective fiction Jorge Luis Borges, ‘Death and the Compass’ Umberto Eco, The Name of the Rose Paul Auster, City of Glass

164 167 171 173 175 178

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Cambridge University Press 978-0-521-86157-1 - The Cambridge Introduction to Postmodern Fiction Bran Nicol Table of Contents More information

Contents Chapter 8 Fiction of the ‘postmodern condition’: Ballard, DeLillo, Ellis

184

Conclusion: ‘ficto-criticism’ J. G. Ballard, Crash Don DeLillo, White Noise and Libra Bret Easton Ellis, American Psycho

184 186 191 197

References Index

205 215

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