THE ADDING MACHINE - UBC Library - University of British Columbia

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The Player's Club Alumni of the University of British Columbia. Presen t. T ... "The Adding Machine" is coin, tiled with the balked ambition s of a clerk, Briefly, it is ...
The Player's Club Alumni of the University of British Columbia

Presen t

THE ADDIN G MACHINE T

by

ELMER RICE DIRECTOR TuesdayM13th-WnesdayM14thTUniversyofBthClumbia (By special arrangement with Samue l French (Canada) Ltd ., Toronto)

at

the `University Whealre at 8 .30 p.m.

"The Adding Machine" is coin, tiled with the balked ambition s of a clerk, Briefly, it is a comm ., .=r on the effects of social cruelt y and as such has the stuff' of Bran- .r it it . Exp .'rintent on Br,xxt/way " by Aenneth 114-Gowan , Theatre iris klouthfv .

Expressionism has two chief aims : to fling the inner life of th e dramatic figures immediately upon_ the stage ; to synthesize, instea d of describing, their world and their universe into symbolic vision s that shall sum up whole histories, moralities, cosmogonies, in a p ried minute and a fleeting scene, If this form of art is to be effectiv e and beautiful it trust be very ''nsitive and very severe at once . The symbolic masses must glow with a clear irradiation from within , otherwise all is murky and muddled . Intellectual grasp of materia l must be firm, definite, complete . . . . Ludwig Letrisohn in "The Nation " .

after the curtain falls a symposium on the play will follow . Takin g part will he Andrew Alan, Dr, k . P . B . Clarke, Mr . Stuart lxeate, Mr . F' . E . L . Priestley, Ile . ( ; . G . Sedcewi,

e.

and Miss Dorothy Somerset .

Participation lry the audienct' in this discussion is invited . Her e are some of the points t hat are suggested : The place of expressionis m in the modern drama--its exponents—Eugene O'Neil, Ernst Toiler , John Howard Lawson, Ibsen, Sophoeles, Euripides—sociologica l versus dramatic purpose---objective reality or inner significance- the place of expressionism in radio technique—1s expressionis m a physical and spiritnai caricature of life?—theological implication s —satire and burlesque-\8 hat do you think < ;f the Fifth Scene?

ie

Mrs . Zero

Lorraine Johnsto n

Mr . Zero

Lacey Fishe r

Daisy Diana Dorothea Devore

Ellen Harri s

The Boss

E . R . Chamberlai n

Judy O'Grady

Esme Caydzie n

Y oung Man

C . I . Taylo r

The Policeman

J . W . B . Shor e

Mr . Shrdlu

Rodney Poisson William Ros e

Head Charles

David Macdonal d

Joe

Cyril Chiv e

Mrs . One

Margaret Ecker

Mrs . Two

Joan Wilso n

Mrs . Three

Josephine Kenned y

Mrs . Four

Elizabeth Norri e

Mrs . Five

Estelle Chiv e

%Irs . Six

Jean Salter

Mr. One

Douglas Dawso n

Mr. Two

R . C . Harri s

Mr . Three

David Macdonal d

Mr . Four

C . I . Taylo r

Mr . Five

William Ros e

Mr . Six

Cyril C hav e

bi

r Scene One

A Bedroo m

Scene Two

An Office

Scene Three

n Living-roo m

Scene Four

A Court of Justic e

Scene Five

A. (Graveyar d

Scene Six

\ Pleasant Plac e

Scene Seven

Another Offic e Sets Designed by Lew Parry .

t

cornmittee s Business Manager Properties

Mary Moxo n

Betty Bucklan d assisted by Mary Fitz-James, Pamela Runkle , Jean Meredit h

Costumes

Jean Salte r assisted by Mary Nicholson, Isobel Elliot t Joan Wilson .

Make-up

Beatrice Wood assisted by Alice Mather . Stage Scenery Constructed by Paul Mathew s and Painted by Molly Lamb .

Publicity

Margaret Ecke r UNDER THE PATRONAGE O F Chancellor and Mrs . R . E . McKechnie Dr . L. S . Klinc k Mr . and Mrs. F . G . C . Wood Capt . and Mrs . E . Gallant Mrs . Ernest Woodwar d Miss Dorothy Somerset Mr . and Mrs . G . T . Cunningham . ACKNOWLEDGMENT S CKM O Norman G . Cull Limited Hudson's Bay Company Miss Elsie Jones Vancouver Little Theatre Association .

The Players ' Club Alumni are grateful to friends outside thei r organization who have helped with this production .

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