Thursday March 6 8:00 am-9:30 am Thursday March 6 9:45 am-10

2014 Educational Sessions Check back for updates

Thursday March 6 8:00 a.m.-9:30 a.m. Opening Ceremony

Thursday March 6 9:45 a.m.-10:45 a.m. Composing and Arranging Music for Your School Orchestra and Private Studio Convention Center: Room 101 It is much easier than you think to create your own string arrangements for your private students, small ensembles, and orchestras. This session will explore string arranging, chord voicing, and accompaniment writing to create the best sound. It will also explore maximizing your pedagogical knowledge in your arrangements, the benefits of choosing the right keys and ranges for your works, using public domain and copyrighted sources, music engraving and presenting your music to publishers. Presenter: Mark Barnard, composer, arranger and music editor Shifting with Ease Convention Center: 102/103 Your students will improve on Monday! We will sequentially chart the development of shifting through the elementary, intermediate, and early advanced levels. Students will demonstrate warm ups, exercises, and the integration into musical excerpts. Handouts will include exercises that can be used in private or ensemble settings. Presenter: Rebecca Henry, Peabody Institute Suzuki Principles-Eclectic Repertoire Sponsored by Strings Fun and Easy Convention Center: 105 How Strings Fun and Easy expands on the work of Shinichi Suzuki to embrace music of all kinds and prioritize literacy. Presenter: David Tasgal

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The Thumb Is the Secret: Mysteries of Cello Technique Revealed Convention Center: 106/107 This session covers a wide range of technical issues regarding the cello, from basic shifting and left-hand position to playing three-octave major scales in any key in 10 minutes! The thumb is the secret from fingerboard navigation to a perfect bow hold. Discover the delight of helping your cellists expand their range and repertoire and even get them into the wonderful world of cello ensemble playing. Presenter: Lynne Latham, LudwigMasters Publications Presider: Andrea Meyers, Douglas County School District, CO School Orchestras CAN Play In-Tune—Strategies for Improving Intonation Convention Center: 109 Every group at every level can play in-tune and sound beautiful. This session examines the technical elements of good intonation and presents teaching strategies, which have been proven to get results at all grade levels. Presenter: Ian Edlund, String Instrument Specialists Presider: Frances Oare, Wichita Public Schools Getting a Job...Then What?! Convention Center: 110/111 Come learn specific strategies for getting a job, as well as getting off to a strong start in your new teaching position. This session will provide you with resume and interviewing tips. Audience members also will learn about strategies and resources that will help you anticipate and prepare for the variety of administrative tasks associated with school and studio teaching. Presenter: Margaret Berg, University of Colorado Presider: Bruce Wood, Texas Tech University Guitar Music-Reading Pedagogy: New Approaches to a Challenging Subject Convention Center: 207 Most traditional note-reading pedagogies for guitar emphasize learning first-position. As an unintended result, they limit beginners’ fretboard knowledge, and thus their ability to sight read comfortably in the upper positions. The presenter will propose an alternative model that links learning the notes on the stave with learning their locations throughout the fretboard, even at the beginning levels of instruction. Presenter: Gonzalo Gallardo, Loudoun County Public Schools

Presider: Luther Enloe, Georgia State University Viola Playing; A Natural Method Convention Center: 209 This session is designed to offer a technical approach to viola playing that enhances the natural use of the body to help create the best, most resonant tone and a freedom in both right and left hands that help the student optimize their natural talent through a relaxed but vital posture. The ideas and

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exercises are taken from my book, A Notebook for Viola Players. Presenter: Ivo Van der Werff, Rice University Training the Artist Teacher: Curriculum that Merges Performance with Teaching Excellence Convention Center: 211 For too long colleges have offered two paths that divided music students and stereotyped their abilities, aspirations, and careers. The time is ripe for a new option that merges the best of both areas, enhanced through the synergy of performance and pedagogy. The requisite high-level thinking matures musicianship and heightens skills while increasing musical cross-fertilization that is crucial to the vitality and longevity of music as we know it. Presenter: Laurie Scott, T he University of Texas at Austin; Cornelia Watkins, Rice University Presider: Diane Winder, Eastern Michigan University My Passion in String Teaching Convention Center: 212-217 This session will present several topics in string teaching and performance including advocacy, alternative styles, injury prevention, studio and classroom best practices, and technology. The presenters will give short segments on their most passionate issues in string teaching. Presenters: Joanne May, Elmhurst College, Louis Bergonzi, University of Illinois/Urbana-Champaign; Andrew Dabczynski, Brigham Young University; Robert Gardner, The Pennsylvania State University; Muriel Bodley, Syracuse University; Georgia Hornbacker, Millikin University, Scott Laird, North Carolina School of Science and Mathematics; Judy Palac, Michigan State University Keeping Current: Keep Your Students Wanting More by Adding Their Favorite Tunes to the Curriculum Convention Center: 218/219 Keep your students involved by adding their favorite pop grooves and improvisation into the repertoire. We will: quickly extract the fundamental parts of a popular tune and adapt them to a string ensemble; find the notes and rhythms that offer your students a springboard for improvisation; discuss how to develop your students' ears and understanding of harmony using that tune; and learn how to turn that tune into an encore. Bring your instruments and try it! Presenter: Mimi Rabson, Berklee College of Music Presider: Sharan Leventhal, The Boston Conservatory

Thursday March 6 11:00 a.m.-1:15 p.m. Getting the Most From Your Violins and Violas in the School Orchestra: Diagnosing Common Playing Problems, Solving Them, and Helping Students Learn How to Lead Convention Center: 110/111 Bob Gillespie and Juliet White-Smith, OSU viola professor, will address common playing problems of violins and violas in the school orchestra, followed by multiple pedagogical remedies. In addition, strategies to teach students how to musically lead their school orchestra when necessary will be 3

included, to answer such questions: Where are the violas?, Have the violins come in yet?, Anyone leading?, Are the violas on the same planet with us today?, and Second violins, Where are you? Presenter: Robert Gillespie, Ohio State University; Juliet White-Smith, Ohio State University Presider: Rozalyn Torto, University of Chicago Laboratory Schools

Thursday March 6 11:00 a.m.-12:00 p.m. Pre-College Level Viola Master Class Convention Center: 101 Clinician: Matthew Michelic, Lawrence University Conservatory of Music Boost Your Basses with Better Blend: Double Bass Ensemble Repertoire That Sparkles and Shines Convention Center: 102/103 This presentation features The Ohio State University Double Bass Ensemble and presents ideas to showcase your section. Give your basses a chance to glow in the spotlight with innovative arrangements that you can adapt to individual skill levels. This lecture/demonstration will provide examples of arrangements that will keep them coming back for more. Presenter: Paul Robinson, The Ohio State University Presider: Edna L. Hansen, retired SHAR Music Industry Showcase Convention Center: 105 Dounis and Sevcik: Early 20th Century Rivals This workshop will discuss similarities and differences between the two methods, with focus on strong convictions in Sevcik camp that Dounis was a plagiarist. Please bring your instrument! Presenters: Steve Shipps; Denae Witter Presider: Tomasz S. Rzeczycki, Princeton Day School, NJ Instrument Identification—Past and Present Convention Center: 106/107 A hands-on learning session that explores instruments from the 17th Century to the present. Learn the secrets of how to evaluate what makes a good quality instrument and a poor quality instrument, as well as details that will help you identify the country of origin. With many different examples to review and pass around, you will receive a hands-on experience that will allow you to identify a student, advanced, and professional violin. Presenter: Paul Bartel, Baroque Violin Shop They'll Be Coming Out of the Woodwork---Ideas for Creating a Vibrant Orchestra Culture In Your School Convention Center: 109 Are you looking for ideas to attract more students and improve the quality of your orchestra program? 4

Carrie Provost, with 34 years of experience teaching strings, will share her approach to creating and maintaining an outstanding orchestra program that fosters pride in both students and parents. A wide variety of topics will be covered, including team building, leadership development, choosing repertoire, and much more. Take concrete, practical ideas home to grow your program! Presenter: Carrie Provost, Franklin Middle School Chapter Leadership Meeting Convention Center: Conference Theater Presidents (or a designated representative) of student chapters across the country will meet to discuss items of business and future initiatives. Presenter: Margaret Berg, University of Colorado Practicing Your Musical Voice and What It Takes to Be Secure Convention Center: 207 Having the security to transform notes on the page to expressive sound—a sound that impacts the listener, is a many layered journey. This is a journey of investigation, challenges,and great satisfaction on numerous levels,resulting in timeless contribution to quality of life for many. Employing varied and creative learning approaches,in conjunction with the miracle of internalizing the music in one’s ear, can create the ease of delivery and security needed for freedom of expression. Presenter: Joan Raeburn Holland, University of Michigan I Suppose You Think This Is Funny: Using Humor As a Teaching Tool Convention Center: 209 Learn how to use basic principles of comedy to enhance your daily string instruction from a former comedy writer turned orchestra director. This session will discuss how to develop your own style of humor and use it to aide in retention, motivation, instructional pacing, discipline, and classroom management. Session will feature real teacher videos of best and worst instructional humor practices in the strings classroom. Presenter: Sara Given, Hilliard City Schools Competitions and Orchestral Auditions Convention Center: 211 Gillian Benet Sella, principal harpist of the Cincinnati Symphony Orchestra and adjunct associate professor of harp at Cincinnati College/Conservatory of Music, discusses competitions and orchestral auditions. She will focus on memory techniques, stage fright, preparing a winning audition recording, and use of recordings and orchestral scores to demonstrate comprehensive knowledge to an audition committee. Presenter: Gillian Benet Sella, Cincinnati Symphony Does Your Right Hand Know What Your Left Hand Is Doing? The Use of Symmetrical and Asymmetrical Bilateral Training in Skill Development for String Players Convention Center: 212/217 Principles of bilateral and quadrilateral transfer as powerful learning tools used by athletes are well 5

documented. Left- and right-sides of string players may appear to function asymmetrically, but unified movement can be tapped to learn more quickly and permit “released” playing. This session will present exercises for maximizing symmetrical and asymmetrical bilateral transfer to develop core skills for string playing, including aural training, fingerboard mapping, shifting, coordination training, and achieving a holistic body concept. Presenter: Daniel Mason, University of Kentucky Presider: Elise Winters-Huete, private studio teacher How to Make a Reel Sound Reel-ly Scottish Convention Center: 218/219 Scottish reels require specific types of slurs and bowing techniques to sound authentically “Scottish,” but it is difficult to find music that has appropriate slurs already notated. Come learn what the special bowing patterns are, where they go in the music, how to play them in the Scottish style, and how to teach the techniques to your students. Bring your instrument and try your hand at adding your own bowings into traditional Scottish reels. Presenter: Melinda Crawford Perttu, Westminster College Presider: Julianne Laird, Indiana Area School District, PA

Thursday March 6 12:15 p.m.-1:15 p.m. Multilevel Harp Master Class Convention Center: 101 Clinician: Gillian Benet Sella, Cincinnati Symphony Orchestra Multi-Level Viola-Ensembles: Music for 5-12 Violas Convention Center: 102/103 Building on the success of the Viola Quartets session in 2013, this interactive session will explore music written for larger viola ensembles across a variety of styles. Timings, publisher information, and ASTA grade levels for each separate part will be included in the online database that we’ve created to help with repertoire assignment for students. Selected pieces will be performed, then the session will open up for participants to play. Bring your viola! Presenters: Daphne Gerling, University of North Texas; Katherine Lewis, Illinois State University; Dominic DeStefano, Cincinnati College Conservatory; Hillary Herndon, University of Tennessee Presider: Michael Palumbo Developing Virtuosity: A New Supplemental Method for Teaching Strings Sponsored by LudwigMasters Music Convention Center: 105 This is an overview of the new method designed to supplement Suzuki or other orchestral method repertoire. The method comes in three levels and 12 books in all, for violin, viola, cello, and bass. It starts from the absolute beginning with open strings and moves through advanced intermediate 6

instrument specific solo literature. Come prepared to play! Presenters: Lynne Latham; Gayley Hautzenroeder The Healthy Violinist: Playing with the Alexander Technique Convention Center: 106/107 In this session, we will apply the Alexander Technique to playing stringed instruments with special attention to violin and viola. Various explorations with and without the instrument will help build healthy playing habits. Guided activities in self-care will be discussed, including the basic self-help procedure of the Alexander Technique: constructive rest/the lie-down. If possible, please wear comfortable clothing and bring a paperback book. Instruments and yoga mats welcome. Presenter: Abigail Van Steenhuyse, M.AmSAT Celtic with a Kick: Celtic Music as an Alternative Style Demonstrated by the Chelsea House Orchestra Convention Center: 109 Finding an alternative style that is relatively easy, fun, and appealing can be difficult. Celtic music has a rich and varied history providing an incredible repertoire that appeals to all ages. After 15 years, the Chelsea House Orchestra—a Celtic music performing ensemble from the Chelsea Public Schools, Chelsea, Michigan—has had terrific success both locally and throughout the region. “Celtic with a Kick” is our motto. Presenter: Jed Fritzemeier, Chelsea School District Presider: Diane Winder, Eastern Michigan University Freshen Up Your Teaching Repertoire: Explore the Solo and Chamber Music for Strings by Amy Beach and Rebecca Clarke Convention Center: Conference Theater Two of the most important female composers, Amy Beach and Rebecca Clarke, each led interesting lives and had to face the unique challenges of women as professional performers and composers. Their distinctive experiences and contributions to music history will be discussed with a focus on their solo and string chamber music. Attendees will receive a complete annotated list of their works for strings with guidelines for difficulty levels and teaching strategies. Presenter: Kellie Brown, Milligan College Presider: Charles Gray, St. Olaf College International Delegate Meeting Convention Center: Room 114 Rhythm, Rhythm, Rhythm: Teaching the Most Important Thing in Music Convention Center: 207 Rhythm is the most important thing in music. Why is it so hard to teach? This session will present methods and materials to help your kids internalize and understand rhythm. Presenter: Seth Gamba, Fulton County Schools

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Recruiting for Retention: Building and Maintaining Your Multi-Level String Program Convention Center: 209 This session will focus on the care and maintenance of multi-level string programs. Topics explored will include initial recruitment, retaining students through building changes, stemming middle school dropoff, and managing the scheduling conflicts of high school students. Emphasis will be on practical applications and strategies that work for the good of the entire string program. Presenter: Mary (Betsy) Maliszewski, West Orange, NJ Public Schools Don't Be an Urtext Victim! Convention Center: 211 Many musicians believe that urtext editions show exactly how composers wanted (and expected) their music to be played, but that is not always the case. Performers still have to do their homework: research, logic, common sense, and intuition remain necessary ingredients for building a successful interpretation. Presenter: Jeffrey Solow, Temple University Presider: Amy Gillingham, Northern Kentucky University Principles of Orchestral Bowing Convention Center: 212-217 Up-bow, or down-bow? There are only two choices, so what is it about bowings that can change the quality of a performance from bad to good or vice-versa? There are certain principles at play, but they all come down to one thing: there’s more weight at the frog than at the tip. Sometimes there are tradeoffs between weight and lightess, so we need to find a way to balance one force against the other. Presenter: J Patrick Rafferty, University of Louisville Alternative Style Techniques for the Double Bass Convention Center: 218/219 Why leave the bass out of the “chopping” revolution? This workshop focuses on applying common contemporary string techniques such as chopping, chording, strum bowing, slaps, and ghost notes for the double bass. Participants will not only learn skills to improve their accompanying, but also step out and be featured with the rest of the string family! Bring your instruments and bows. Presenter: Craig Butterfield, University of South Carolina

Thursday March 6 1:30 p.m.-2:30 p.m. Exploring The String Trio Repertoire: Lesser Known Gems for Intermediate and Advanced Players Convention Center: 101 This session will introduce participants to a variety of compositions for string trio (violin, viola and cello) and to the idea of the string trio as a viable alternative to a string quartet. A number of pieces from the standard repertoire will be presented as well as lesser-known works that could be played by intermediate through advanced string players. 8

Presenters: Karen Becker, University of Nebraska, Lincoln; Leslie Perna, University of Missouri; Marcia Henry Liebenow, Concordia String Trio This Piece ROCKS! How the Principles and Practices of CMP Help your Students to Appreciate Everything In Their Folders Convention Center: 101 By designing a comprehensive lesson plan before you distribute your repertoire, you can be confident that your students will be open to learning each piece in your folder. This session looks through the lens of Wisconsin’s comprehensive musicianship through performance concepts to explore how the students’ initial experience with a piece can set the tone for the entire term. Bring your repertoire list for next term. We will brainstorm! Presenter: Carrie Gruselle, Appleton East High School Presider: Carrie Provost, Franklin Middle School, IL Explore the New SmartMusic: Rubrics, State Standards, iPad, and New String Repertoire! Sponsored by MakeMusic Music Convention Center: 105 SmartMusic now incorporates rubrics for you to create and edit as one of your grading options. State music standards are currently in the SmartMusic grading software and can easily be associated with any assignment. Students can practice and submit assignments from their computer or an iPad. And, new string repertoire in SmartMusic includes more than 1,000 concert titles,14 method books, 300 sightreading exercises,thousands of customized exercises, and hundreds of solo titles. Come and explore the new SmartMusic! Presenter: TBA From Fear to Flow: Interactive Performance Anxiety Workshop Convention Center: 106/107 Physical and mental anxiety symptoms can interfere with the success and development of promising musicians. In this interactive session, we blend wisdom from expert teachers, psychologists, and expressive arts therapists to transform negative thinking patterns into thoughts that promote joy and ease. Learn strategies to manage self-talk and to create experiences of expression and flow. Bring instruments to practice these techniques, or feel free to just sit and observe. Presenter: Karin Hendricks, Ball State University; Tawnya Smith, Ball State University Many Play the Notes, Few Play the Music: Fostering Artistry in the String Ensemble Convention Center: 109 Kodaly said, “A good musician must train the ear, the hands, the head and the heart.” and Suzuki said, “Without the heart, you have a typewriter”. But how do we train great musicians and how do we facilitate artistry? The truth is that genius rarely emerges from a vacuum. Behind almost every great artist lies years of consistent work, great teaching and an environment that facilitated their art. We can facilitate musicality through superior teaching and by providing a creative musical learning environment and in a few musicians we can facilitate great art. This lecture will discuss the sequential development of technical aspects of artistry and how to facilitate the intuitive and emotional components of truly 9

musical playing in an ensemble situation. Presenter: Winifred Crock, Parkway Central High School Presider: Elisabeth Small, Belmont University Shifting: From Utility to Artistry Convention Center: 110/111 The mastery of shifting can bring great reward, so bring your violin or viola and be ready to have some fun! In this interactive session you will work with exercises designed to build control, reduce anxiety and increase options for personal expression and interpretive choices. Your students will benefit daily from the concepts, activities and resources presented in this session. Presenter: Matthew Michelic, Lawrence University Conservatory of Music Presider: Juliet Wright, Pittsfield Public Schools, VT How to Use the ASTA Curriculum as an Assessment Tool Convention Center: Conference Theater Analyzing student work has become prevalent in the last few years not only to offer feedback to students but to guide teaching. In the sequence of Backward Design, curriculum is written, assessments are designed, and lesson plans are developed. This session will examine the ASTA Curriculum and how we can develop assessments based on its contents. Thinking more deeply and reflecting about bridging gaps in student learning will be examined along with creating examples of assessments. Presenter: Denese Odegaard, Fargo Public Schools Presider: William Slechta, West Cary Middle School Violinists of the Holocaust Convention Center: 207 The presenter will share his experiences with developing and offering a college-level course about the lives of various Jewish violinists during the Holocaust. Such a class can provide profound insights into the roles music played the daily lives of Jewish musicians, from those who used music to spare themselves and their families from Nazi tyranny to those who performed for their lives in ghettos and concentration camps. Presenter: James Grymes, UNC Charlotte Adjunct/Community College Music Faculty Forum Convention Center: 209 All music, music education, and community college adjunct faculty are welcome to join this discussion and networking social. We’ll learn who is teaching what, where, how, and why and share strategies to help each other. The discussion will include connecting with the department, course loads, and challenges and benefits for adjunct faculty, as well as recruiting and program building. Our goal is to establish a beneficial and collaborative network that enables greater teaching success. Presenters: Elizabeth Guerriero, Rider University/Montgomery County Community College; Theodore Buchholz, Pima Community College

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Real Learning and Good Fun: String Project Best Practices (NSPC Session) Convention Center: 211 See and hear string project directors, master teachers and student teachers present ways to make string teaching both effective and fun! This presentation will include best practices of string project sites all over the country. Moderator: Jim Przygocki, University of Wyoming Presider: Michael Palumbo Bluegrass in Orchestra! How So? Convention Center: 218/219 Students love to learn and play Bluegrass music. Keep your kids motivated and expand their musical horizons by starting a bluegrass band in your orchestra program. Presentation will include modeling instructional techniques to improve aural skills and improvisational skills that are key elements of Bluegrass music. Presentation will include tips on how to start a bluegrass ensemble and musical arrangements. Presenters: Daniel Bermel, Orchestra Teacher at Garrett Middle School; Skip Taylor, Assistant Professor of Music Education at University of Georgia; Edward Davis, Past President of Georgia Music Educators Association Presiders: Thomas Petersen, Wintergrass Music Festival

Thursday March 6 2:45 p.m.-5:00 p.m. Rhapsody: A Workshop on Blues and Folk Convention Center: 218/219 American folk and blues music is a tradition that has been passed down for generations. Rhapsody aims to continue this tradition, using specific songs to help capture the essence of American folk and blues heritage while educating participants of its rich history and cultural impact. Rhapsody looks to answer key questions about blues and folk music: Where does this music come from? How did it start? How did it develop? How has it changed? Presenter: Joe Seamons, Renegade Stringband; Benjamin Hunter, Community Arts Create Presider: Rozalyn Torto , University of Chicago Laboratory Schools

Thursday March 6 2:45 p.m.-3:45 p.m. Pre-College Level Violin Master Classes Clinician: Rebecca Henry, The Peabody Conservatory Presider: Charles Gray, St. Olaf College

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Refreshing Your Conducting Technique Convention Center: 102/103 We all develop some bad conducting habits over time. The aim of this clinic is to reacquaint participants with conducting basics and get a tune-up that will help improve and streamline conducting techniques and rehearsal skills. Participants will sign-up to conduct one minute simple excerpts before a peer ensemble in a friendly, constructive and supportive atmosphere. Led by Robert Lehmann, USM director of orchestral activities. Presenter: Robert Lehmann, University of Southern Maine Teaching Technique in Middle and High School Has Never Been So Easy! Sponsored by Alfred Music Publishing Convention Center: 105 Sound Development: Intermediate and Sound Development: Advanced String Orchestra offers new warm-up exercises for developing tone and technique! At the middle school level, these easy-to-use, warm-up exercises for developing tone and attack strokes, shifting skills, and two-octave scales and arpeggios are perfect. High school friendly ways to teach the all-state, three-octave scales are included, as well as exercises for developing advanced right-hand skills and upper level shifting. Both books continue the excellent pedagogical sequencing that began in Sound Innovations Books 1 and 2. Presenters: Kirk Moss, ASTA Past President; Bob Phillips, ASTA President Presider: Frances Oare, Wichita Public Schools The Practical Physics of Bowing Convention Center: 106/107 We will explain and demontrate the underlying physics and acoustics of bowing in clear and simple terms. This will give players and teachers a deeper understanding of bowing, provide simple guidelines to solve bowing problems, clear up many misconceptions, and allow players to play with less tension and reduce the likelihood of injuries. Bring your instruments! Presenter: Fan-Chia Tao, D'Addario & Company Presider: Elise Winters-Huete, priavate studio teacher Music Advocacy: A Open Dialog Convention Center: 109 John Benham,one of the nation’s leading and most successful music advocates, will moderate an open session on the four key components of music advocacy. Participants in the session will have the opportunity to submit questions at the beginning and throughout the session that will then comprise the content presented. Presenter: John Benham, John Benham & Associates, LLC Presider: Diane Winder, Eastern Michigan University Wed Your Program to Community Engagement Convention Center: 110/111 Advocacy is an essential part of our role as performers and music educators. In this session we look at guiding principles of community engagement. Strategies include addressing an audience in ways that 12

enhance the listening experience, creating events that excite and stimulate the imagination, and exploring new, and perhaps unconventional performance contexts. Through these measures we ignite public interest and create new champions for the Arts. Presenter: Sharan Leventhal, The Boston Conservatory How to Commission a New Work for Your Ensemble and Why (or, Composers Don't Bite!) Convention Center: Conference Theater Steven Rosenhaus has extensive experience as a commissioned composer and arranger. He has written for musicians from grade school to professional ensembles. In this session, he demystifies the process of commissioning a work that will enhance your students’ musical experience, give your group positive news to share, and maybe introduce a new work into the standard literature. Presenter: Steven Rosenhaus, New York University Correcting Left-Hand Position Problems Convention Center: 207 Re-energize your guitar students’ technique by learning to identify and correct common left-hand position and technical problems. This clinic offers lesson plans and exercises that will improve both teachers’ and students’ left hand fluency and accuracy. Presenter: Luther Enloe, Georgia State University Turn your Students into Sightreading Superstars! Convention Center: 209 The ability to sightread is one of the most important skills for any musician. Unfortunately, this skill is often left out of the majority of orchestra and band curricula as something assumed to be learned. This session will show directors a variety of strategies, techniques, and resources to integrate sightreading into the daily lessons, to develop and enhance a students’ ability to read, count, and correct performance errors on the fly. Presenter: Charles Laux, Kennesaw State University Social Media: Connecting and Reconnecting: Social Media and String Projects (NSPC) Convention Center: 211 String project directors and teachers from all over the country will present ideas on using various social media to bring their students, teachers and community families closer together. Moderator: Bruce Wood, Texas Tech University Presider: Michael Palumbo

Teaching Artistry in Cello From the Earliest Stages Convention Center: 212-217 This session will show that from the first day we can instill the wonder of creation and artistry in our students and constantly build on this through: relaxed basics and set-up; freedom of movement; freeing our own voices vocally leading to finding one's own instrumental voice; the bow as a paintbrush filled with color; releasing harmonics in the sound; rhythm as the basis of life and music; beginning and ending notes. 13

Presenter: Susan Moses Bloom, Indiana University Presider: Ariel Witbeck,

Thursday March 6 4:00 p.m.—5:00 p.m. Telling Stories and Connecting the Dots: The Interdisciplinary Orchestra Class Convention Center: 101 Discovering how music communicates by incorporating other disciplines can offer powerful learning experiences for string students. This session explores how an interdisciplinary approach can teach a wide range of skills and concepts, and serve as a means to discover and analyze how music and other art forms express personal feelings and creativity. A wide variety of interdisciplinary orchestra projects will be presented. Here’s a session to stir your imagination. Bring an instrument! Presenter: Andrew Dabczynski, Brigham Young University Presider: Thomas Petersen, Wintergrass Music Festival The 21st Century Studio Teacher: A Practical Introduction to Virtual Teaching Convention Center: 102/103 Virtual studio teaching, whether used as an occasional compliment to in-person lessons or a primary method of instruction, has many benefits for parents, teachers, and students. Learn about the hardware and software required to teach from your computer and, as well as some useful insights into creating studio policies geared to virtual teaching and strategies for communicating effectively with students online. Presenter: Mary-Elizabeth Brown, Strings Around the World Music Conservatory Inc. Tapping Into the Medial Prefrontal Cortex with Only Five Minutes a Day Convention Center: 105 Teach self expression, develop improvisation skills, better intonation, and a more fluid technique using only five minutes of a private lesson and fostering a daily five-minute practice routine. Come see how and why it works. Presenter: Alice Kanack, The Kanack School of Music Presider: Janet Packer, Rivers School Conservatory, MA Priorities in the String and Orchestra Classroom: Posture, Pulse, Pitch, and Praise Convention Center: 106/107 String and orchestra students must master the fundamentals in order to play effectively in an ensemble. Using video illustrations from elementary and middle school string and orchestra classes, we will learn how to reinforce these fundamentals in a fun and effective way. Presenter: Gail Barnes, University of South Carolina Presider: Veronica Sharpe, James Madison University

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So You Want to Be a Music Major? Convention Center: 109 When considering a music major, there are many factors to weigh: extracurricular resume, audition preparation, preparing application materials, choosing the right school for you, and possible careers after school. In this session, Eliza Thomason will share her tips, timeline, and best advice in the perspective of applying student, admissions staff, and faculty audition panel in a conversation appropriate for middle school and high school students, parents, and teachers. Presenter: Eliza Thomason, Texas Lutheran University The Russian Teaching Method: Its Inception, Evolution, and Applications for Current Teaching toward Mastery of String Playing Convention Center: 110/11 The highly successful “Russian Teaching Method” is much bandied about but remains surprisingly undefined. This session will explore the founders of this rich pedagogy tradition in St. Petersburg (all nonRussian) through the Soviet period when Moscow increasingly became central to this country’s sheer dominance of the international competition scene for a period of nearly 30 years. Special attention will be given to the specific pedagogical priorities and practices beyond the famed strictness of approach. Presenter: David Salness, University of Maryland Teach and Play Cool Stuff for Class Guitar Connvention Center: 207 Learn to play some fun stuff that will expand your guitar skills and your understanding of real world guitar playing. The patterns you learn form the basis of many great guitar parts that you will want to teach in class. Some of the patterns include: composing with alternative chord voicings; chord embellishments; classic blues rhythm patterns; classic chord progressions and fingerings; lead guitar patterns; fingerpicking; using a Capo; and travis picking. Presenter: Aaron Stang, Alfred Music Teaching Students to Create Their Own Cadenzas Convention Center: 209 Benjamin Whitcomb has devised a simple method that can enable students to create believable cadenzas. Once they learn how, students will find this skill very rewarding. Also, this method provides a great, hands-on way for students to learn some important concepts in music theory. Presenter: Benjamin Whitcomb, UW-Whitewater Presider: Sharan Leventhal, The Bostoon Conservatory The edTPA: Opportunities and Challenges Convention Center: 211 Come learn about the basic structure and design of the edTPA—a high-stakes student teacher assessment. University supervisors, field-based mentors, and university students will learn about both the opportunities for potential growth in thinking, as well as implementation challenges for music

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student teachers. Presenters: Bret Smith, Central Washington University; Margaret Berg, University of Colorado at Boulder New String Orchestra Reading Session Grades 4-6 Convention Cetner: 212-217 Clinician: Andrea Meyers, Douglas County School District, CO Presider: William Slechta, West Cary Middle School, NC

Friday March 7 7:00 a.m-8:00 a.m. Our Body, Our Instrument: Incorporating Dalcroze Eurthymics Into the World of String Playing Convention Center: 101 Join us for a session including movement, singing, and improvisation as we discuss how principles of the Dalcroze Eurythmics teaching method can be applied in teaching bowed string instruments at all stages of development. Ear training exercises and movement games specifically geared at incorporating the Swiss Dalcroze approach into string pedagogy will be presented. Attendees are encouraged to bring comfortable clothes and their instrument to actively participate in the fun! Presenter: Alexander Peña, Eastman Community Music School Presider: Sharan Leventhal, The Boston Conservatory The Unconventional String Ensemble: Successful Rehearsals and Music Selection Do Exist! Convention Center: 102/103 The class list arrives and your first period has one violin, eight violas, three cellos, and six basses. Does that instrumentation raise your blood pressure? If so, this session is for you. Instruments are invited (but not required) as sample music from a variety of publishers is demonstrated. We will also share rehearsal techniques and ideas for ensembles with unique instrumentation. Presenter: Lindsay Fulcher, Pennsylvania State University Accelerated Learning through Technologies - Premiering the Mark Wood Music Curriculum Sponsored by Wood Violins Convention Center: 105 This is all about connecting technologies and electric strings into an accelerated learning experience for the future generations of string students. Mark will demonstrate how to incorporate improvisation, electric string technology and integrate American styles into the classroom while complimenting the traditional classical pedagogy. He will utilize the lap top computer, i-phone, smart phone, and i-pad in an accelerated learning experience. He will be joined by the The Mason County Orchestra with director Charlie Hunter to demonstrating all of the techniques during the clinic. Clinician: Mark Wood Presider: Veronica Sharpe, James Madison University

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How to Efficiently Organize and Manage the Non-Pedagogical Aspects of the School Music Program Convention Center: 106/107 This session will discuss efficient methods of classroom setup and organization, music cataloging & storage, instrument inventory & maintenance, parent/student communication, useful technology resources, practice record collection, account management, grading procedures, and trip planning. Presenter: Caroline Karl, Washoe County School District Yoga for Musicians Convention Center: 109 In a one-hour Vinyasa (flow) yoga class, we will practice yoga postures and stretches that will help to ease performance aches and pains. We will address proper body alignment and work to connect each movement with the breath. Breathing and relaxation techniques will be incorporated. You will leave feeling stronger, refreshed, and reenergized! Bring a yoga mat or towel if you have one. Presenter: Melissa Tatreau, Omaha Conservatory of Music Presider: Karen Becker, University of Nebraska Student Generated Concerts: What Do They Show Us? Convention Center: 110/11 Over the years, I have discovered that many of my students do not attend concerts unless they themselves are performing. In early 2013, I conducted a research study investigating students' thoughts and perceptions of concerts they had attended in the past, and then tasked them with creating, designing, and performing a concert that would interest other kids their age. I obtained crucial information regarding what young audiences seek to gain from concert experiences. Presenter: Gretchen Lee, Penn State University

Friday March 7 8:15 a.m.-9:15 a.m. Recruit, Retain, Recycle! Convention Center: 101 This session will show how to recruit, retain and recycle your students of all ages to build a cooperative, positively charged, top to bottom orchestra program and keep it running smoothly. Materials will be distributed that you can use Monday morning! Ideas to be shared will include building camaraderie in your high school, getting your elementary engines going, maintaining those middle schoolers, and providing a checklist for your booster group! Presenter: Lisa Goldman, Beachwood City Schools Large Group Tuning Procedure Convention Center: 102/103 Leading students through this procedure will give them the ability to tune their instruments independently and allow for more rehearsal time. Due to educational trends of block scheduling/larger class size, string teachers must find ways of increasing instruction time. Carpal tunnel and trigger finger 17

issues of teachers with large classes is growing. I believe tuning 400 to 800 poorly fit pegs per day is cause for injury and of great concern. Presenters: Michael Schaefer, retired Poudre School District; Leanne Griffey, Kinard Middle School, Poudre School District You Are the Best Musician in Your School, So Teach with Passion! Sponsored by Carl Fischer Music Convention Center: 105 A school day includes lunch duty, hall duty, collecting fundraising money, organizing, scheduling, fixing instruments, and more. How much time do you actually have to teach music? Not much, right? If you’re feeling burned out, this clinic is for you. You only get a small portion of the day to teach what you love, so don't waste it! Larry Clark's inspirational words and advice will help you rekindle your love for teaching and use precious time wisely for music-making. Convention Center: 105 Presenter: Elizabeth Holub Maximize Your Mobile Device for the Classroom, Teaching Studio, Practice Room, and Stage: A Discussion of Mobile Devices in the Musical Workplace Convention Center: 106/107 The phone in your pocket, mp3 player, and tablet can be used to enhance and simplify teaching and performances. Edgar Gabriel will show you how he has integrated these devices and technology into all of his teaching, practice, performances, and musical compositions. Bring your phone, mp3 player, and tablet. Presenter: Edgar Gabriel, William Rainey Harper College Stretching It Out: Mitigating Musculoskeletal Pain Through Stretching Convention Center: 110/111 The physical actions that string players routinely perform may cause discomfort or injury. In this session, we will guide string teachers through a series of stretches designed to prepare the areas of the body most negatively impacted by playing string instruments. We will outline strategies for stretching intensity, length, and scheduling. Attendees will be led through stretching activities by a licensed physical therapist that will benefit the attendees, as well as their students. Presenters: Paul Higgins, University of Hartford; Joshua Russell, University of Hartford Presider: Juliet Wright, Pittsfield Public Schools, VT No Music Sub? No Problem! Convention Center: 207 A presentation of various ways to keep students motivated and learning when the music teacher is not available. It will cover different activities including incorporating technology, literacy, and everything inbetween to keep students on task when music teachers are out. Presenter: Tricia Laux, Dickerson Middle School

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Professional Learning Communities: Our Journey with Creating Effective Assessments for Strings Convention Center: 211 Formal assessment is a given part of the “core” subject areas. Many schools use Professional Learning Communities (PLCs) for teachers to collaborate and examine student learning. Comprehensive and effective assessments are needed in string music education. We will share our journey, including growth and insights, that allows us as itinerant string teachers to explore how students learn and how assessments provide relevant feedback. Participants will receive suggestions for creating, implementing, and assessing as a PLC. Presenters: Rhonda Neely, Lincoln Public Schools; Dottie Ladman, Lincoln Public Schools Can you Duet? How to Choose the Right Violin/Cello Duo Repertoire Convention Center: 212-217 In this informative session, we will present a newly compiled violin/cello duo graded repertoire list based on the existing ASTA Certificate Advancement Program levels. The goal of this session is to highlight some of the best pieces for integrating musicianship and technique across all levels. Presenters: Stephanie Westney, The University of Texas at San Antonio; Brian Hodges, Boise State University From Bach to Rock: Addressing Contemporary Cello and String Improvisational Styles in a PostApocalyptica World Convention Center: 218/219 Contemporary cellists and ensembles such as Apocalyptica are inspiring cellists to explore new realms in playing. Fostering the desire to learn how to properly meet the physical, technical, and creative demands of such music can prevent injuries and inspire creativity in improvisation, while affording young cellists with the skills to advance in a newly developing arena of modern cello playing. This session will explore methods of improvisation within classical rock. Please bring instruments—all are welcome! Presenter: Ruth Boden, Washington State University Presider: Carrie Provost, Franklin Middle School, IL

Friday March 7 9:30 a.m.-11:45 a.m. What Do I Do About My Students’ Physical Complaints? Ask the Body Mapping Experts Convention Center: 106/107 Three string teachers specializing in the science of body mapping will address individual teachers’ questions on how to potentially help their students on various performance issues, from complaining about sore backs while playing, to “clutching” and tight bow hands. By applying anatomical principles to performance, body mapping is an easy-to-learn tool that is useful to the prevention of injury. The presenters do not give medical advice or diagnose any medical condition. Presenter: Jennifer John, Memorial University of Newfoundland; Judy Palac, School of Music, Michigan

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State University; Rebecca Hunter, University of South Carolina Presider: Sharan Leventhal, The Boston Conservatory

Friday March 7 9:30 a.m.-10:30 a.m. Cello Pre-College Master Class Convention Center: 101 Clinician: Mark Rudoff, The Ohio State University Presider: Michael Palumbo No Strings Attached Convention Center: 102/103 Join Indiana University students in this fun filled team building activity session. Come join your fellow musicians for an hour away from your instruments. On the docket are games like human knot, music bingo, and music jeopardy for the opportunity to win prizes! Presenter: Rachel Davenport, Indiana University

Bandroom Basics: Setting a Soundpost Sponsored byThe Potter Violin Company Convention Center: 105 Dalton Potter will teach the basics of how to set up a soundpost that has fallen down. By the end of the session, each student will have reset a soundpost by themselves. Potter also will cover the various tools needed to maintain string instruments in your school and how to decide whether you can “do it yourself” or need the assistance of a trained luthier. Presenter: Dalton Potter My Dog Ate My Talent! Addressing the Real Reasons We Don’t Progress as We’d Like Convention Center: 109 What is that elusive element that allows a prodigy to play the Tchaikovsky concerto while others, advanced and older, just can’t cut it? It is a combination of factors that anyone can learn and teach. There are now very real answers from educational best practices and cognitive neurobiology that have identified what is needed. We’ll discuss that in an easy to understand way. Learn to create the most accomplished learning environment for yourself and others. Presenters: Gregg Goodhart How-To Tips for Highly Efficient and Effective Rehearsals Convention Center: 110/111 Thirty years of experience teaching and building great orchestras will be condensed into the best tips and techniques to help you get the most out of your middle and elementary school orchestra rehearsal. This session will provide 50 specific tips and strategies to improve productivity during the daily orchestra rehearsal.

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Presenter: Richard Meyer, Alfred Music Presider: Denise Haney, Elmbrook Schools Crossroads: Enhance your Playing at the Corner of Classical and Bluegrass Convention Center: 207 In this interactive session, violinist Thomas Joiner and fiddler/violinist Andy Carlson explore the use of alternative style “etudes” to build advancing students’ technique. Joiner and Carlson have worked together for nearly 30 years. First, as teacher and student and now as colleagues in higher education. They will highlight and demonstrate useful alternative styles training materials to bring together the classical and bluegrass worlds. Presenter: Andy Carlson, Denison University Presider: Thomas Petersen, Wintergrass Music Festival Playing and Teaching Popular Guitar Convention Center: 209 We will examine the practical function and role of the guitar in popular music using a “bottom up” approach beginning with bass lines, chords, and riffs. Common misunderstandings surrounding various guitar techniques will be discussed, and we will apply simple chord construction principles that fit easily and naturally to the guitar fretboard. The overall goal will be to incorporate more of what young guitar students really want to learn into each class. Presenter: Aaron Stang, Alfred Music Vocalization In the Orchestra Classroom: Developing Musicianship Skills Through Sequential Aural Training Convention Center: 211 According to Kodaly, true music literacy is “seeing what you hear, and hearing what you see.” This session will present a sequential curriculum using Kodaly concepts including solfege and activities designed to develop musicianship skills in an orchestra classroom. Presenter: Frances Oare, Wichita Public Schools Roles, Rules, and Running with Non-Majors Convention Center: 218/219 What can a non-major hope to achieve in four years on their instrument? Plenty. How does this occur? The answer is: Roles, Rules and Running. With the right blend of elements, development can still be made in college. We will look at the traits, expectations, and directions each non-major’s development can take at the University of Virginia. A unique experiment, UVA’s thriving music department succeeds with non-major involvement, community support, and faculty integration. Presenter: Ayn Balija, University of Virginia

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Friday March 7 10:45 a.m.-11:45 a.m. Pre-College Bass Master Class Convention Center: 101 Clinician: Volkan Orhon, University of Iowa Applying Paul Rolland Pedagogy in Public and Private Schools Convention Center: 101 Paul Rolland’s gold mine of teaching ideas are used by many teachers internationally. How does one apply them in a group setting to raise the excellence of your students’ playing? This session, presented by former Rolland student Nancy Kredel, assisted by Thomas Hartman, Orchestra Director at Yorktown High School, Arlington, VA, will give the tools you need for elementary, middle, and high school students. This session includes: achieving 100 percent mastery of holding the instrument and bow, extending the bow stroke, and shifting and vibrato. Bring your instrument! Presenter: Nancy Kredel, retired, Fairfax Co., (VA) Public Schools; Thomas Hartman, Yorktown High School How to Introduce Advanced String Techniques to Young Children Early On Sponsored by Bärenreiter Convention Center: 105 More than half a million students have successfully learned to play the violin, viola and cello using The Sassmannshaus Tradition. The most revolutionary aspect of this string method – now expanded to the double bass - involves the early introduction of shifting and playing in positions. The co-author Prof. Kurt Sassmannshaus will demonstrate how even the youngest students can learn to play scales and songs in any position within the first two years of playing. You will also receive information on workshops and teacher certification courses. Clinician: Kurt Sassmannshaus Presider: Lucy Lewis, Univeristy of Iowa Going Gangbusters—Full Orchestra Rehearsal Techniques Convention Center: 109 No instrumental music program is complete without a full orchestra. Combining winds, percussion, and strings for a dynamic full orchestra provides benefits for the entire music program. Efficient rehearsal techniques will be demonstrated, as will as information regarding tuning, literature selection, articulation, and balance. Presenter: Sandra Dackow, William Paterson University Differentiation: Raising the Bar for Rigor and Relevance in the Orchestra Classroom Convention Center: 110/111 In order to move student learning forward, each teacher must consistently raise the ceiling of performance and support system for each student. Learn strategies to reach all learners in your 22

classroom by pre-testing, post-testing, scaffolding assignments, and more. Connections with the ASTA Curriculum will be made along with literacy tie-ins. Presenter: Denese Odegaard, Fargo Public Schools Mandolin—A Pick Worthy Pursuit Convention Center: 207 The mandolin has a rich performing tradition and boasts a genre-crossing repertoire. As the guitar finds its niche in the music education curriculum, so should the mandolin. Presenter: Jim Bates, Otterbein University Incorporating Fingerstyle Technique in Your Guitar Class Convention Center: 209 Open up new musical possibilities for your guitar students by learning the basics of fingerstyle guitar playing. This clinic provides lesson plans and materials to get you and your students off to the right start. Bring your guitar! Presenter: Luther Enloe, Georgia State University The Evolution of the Violin Bow and Why It Matters Today Convention Center: 211 Over four-hundred years, the violin bow has gone through major transformations influenced by changes in musical style and taste, technology and new materials, and string players’ bow technique. Using bows from her own collection, Janet Packer will provide a brief history of the evolution of the violin bow, and demonstrate how the properties of each bow and the bow techniques associated with it, provide a window into the musical style of the period. Presenter: Janet Packer, Rivers School Conservatory, MA Presider: Stephanie Westney, University of Texas at San Antonio Memorization From the Perspective of the Beginning-Level Strings Student: Useful Tips for String Instrumentalists of All Ages Convention Center: 212-217 Did you know that memorization has an effect on how your students practice? This session will discuss the results of three memorization-based research studies on beginning-level strings instrumentalists and string teachers. Come and receive useful, research-based teaching strategies that encourage productive, deliberate practice among your class and studio string students. Presenter: Jacob Dakon, University of Kansas; Veronique Mathieu, Univesity of Kansas

Friday March 7 11:45 a.m.-12:30 a.m. Coffee Break with Exhibitors

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Friday March 7 12:30 p.m.-2:45 p.m. Cello Bootcamp 101 and 201 Convention Center: 110 This two-hour session is intended for non-cellists who want to improve their basic cello skills. Rather than just a “theoretical” approach, this will be a practical session on cello technique. Cellos will be provided in order for participants to have hands-on experience and instruction. The first hour (Cello Bootcamp 101) will review important left and right hand cello techniques in order for non-cellists to improve their ability to teach string classes and work with the cello section in their orchestras. The second hour (Bootcamp 201) will continue with more advanced techniques for both non-cellists who want to improve their cello skills, as well as for cellists who want to review cello pedagogy. Both participants and auditors are welcome. If you are interested in reserving a cello for "hands-on" participation for either or both of these sessions, you can email Robert Jesselson at [email protected] prior to the conference.

Friday March 7 12:30 p.m.-1:30 p.m. Eclectic Styles Multilevel Masterclass Convention Center: 101 Clinician: Christian Howes, Creative Strings Academy and Creative Strings Workshop The Ten Commandments of Jascha Heifetz: Life Lessons from the Master Convention Center: 102/103 What legacy has violinist Jascha Heifetz, 20th Century icon of string playing at its finest, left for 21st Century students and teachers? Let’s explore the myths surrounding the legendary musician to discover the principles upon which he based his life and artistry, including his approach to practice, performance, and role in society. Presenter: Zina Schiff, violinist Developing the Young String Quartet: Technical and Artistic Perspectives Convention Center: 105 The string quartet genre contains some of the most satisfying repertoire in the canon of chamber music. Enabling young musicians to develop a love of genre will result in exciting and dynamic musical conversations on stage. It is therefore the charge of chamber music coaches to learn how to engage a young chamber ensemble through innovative teaching techniques and practical exercises that employ collaborative ideology, communication skills, ensemble etiquette, and creative visualization. Presenters: Kenneth Law, Potomac Arts Academy; Christina Placilla, Winston-Salem State University; Timothy Shiu, University of Memphis 24

Dengue Twinkle: Teaching Brazilian Children Amidst Poverty, Promise, and Disease Convention Center: 209 Nine-year-old Leticia Fernanda loves the violin. She takes lessons with other children at the local university in Maceio, Brazil. But, just before the performance she comes down with the deadly disease, Dengue fever. Her teacher, Fagner, had it last year. Join Bruce Wood as he takes us into the experiences of string students, teachers, and community musicians in a part of the world where life's joys and struggles are poignantly side by side. Presenter: Bruce Wood, Texas Tech University Improv/Jam Session

Convention Center: 109 Ever wanted to improvise, but don’t know how? In this class, we will be learning about and playing the blues and going over some improvisational techniques and practice methods. We will also learn a few standard tunes and listen to some famous solos, so be sure to join us! Presenter: Jessica MacLean, Indiana University Prologue to the Future: Collegiate Roundtable Projects Convention Center: Theater Project status of the following Collegiate Roundtable-initiated projects will be presented: (a) research abstracts from past ASTA juried research poster session available on the ASTA website; and (b) compilation of members’ string techniques/methods syllabi. Future project ideas will be presented and discussed. Be sure to attend, or someone might nominate you to lead the next project! Presenters: Jane Palmquist, Brooklyn College-CUNY; Kristen Pellegrino, University of Texas-San Antonio Presider: Charlene Dell, University of Oklahoma Sixteen “Quick-Fix Teaching Tricks” for Busy Violin and Viola Teachers Convention Center:207 We all have fast ways to solve problems, and I will present sixteen of my favorites. This session also will be an idea exchange session so bring your favorite fixes to demonstrate/share. I will present quick solutions for problems of instrument hold and left-hand set up, bow-arm shape and motion, bow hold, sautille, flying spiccato, vibrato connection, variation and width, musicality, shifting, tone, intonation, and practicing. Let’s combine our teaching experiences to enhance each others’ repertoire of solutions. Presenter: Meredith Arksey, Washington State University Presider: Dr. Melinda H. Crawford Perttu, Westminster College Retaining and Motivating Diverse Students in String Ensembles: What Students Tell Us Convention Center: 209 Do your orchestra or guitar class members represent the population of your school? In our community, elementary orchestras generally recruit a diverse group of students, while high school orchestras are overwhelmingly white. Members of a university mariachi explained to us why they and their friends either chose to remain in or drop orchestra. In this session, we share their suggestions for pedagogical approaches that may motivate students from any background to remain enrolled in strings. Presenters: Margaret Schmidt, Arizona Statue University; Valerie Dopp, Chandler, AZ, Unified Schools 25

How to Develop Effective and Meaningful Standards-Based Assessments Without Reinventing What You Do Convention Center: 211 With an ever-changing educational climate, music educators now are faced with the reality of performance evaluations tied to student performance. This session will share what the Washoe County School District is doing to develop standards-based assessments that are meaningful to students. Presenters also will share ways in which music teachers can educate administrators on the need, importance, validity of, and support required for orchestra programs in the school setting. Presenters: Kenny Baker, Washoe County School District; Caroline Karl, Washoe County School District Presider: Denice Haney, Elbrook Schools The Music of Richard Meyer by Himself Convention Center: 212-217 Sponsored by Highland/Etling Richard will conduct and discuss a variety of his compositions, which will be presented in the following three categories: Oldies, favorites, and things that he currently uses. Discussion will include the composition but also teaching opportunities in each piece. Bring your instrument and enjoy! Presenter: Richard Meyer Creative Building Blocks for the 21st Century Musician: Entrepreneurial Tools for String Players Convention Center: 218/219 Entrepreneurial endeavors increasingly have become important as the landscape of the music world continues to evolve. As well worn paths for artists become less sustainable for many graduates, the ability to cultivate a creative and meaningful path is becoming more important. While basic business skills are essential, creativity and the tools to effectively forge a path are essential. Four key components to success will be discussed including techniques used by Fortune 500 companies. Presenter: Rozanna Weinberger, Creative Concept Instruments DBA

Friday March 7 1:45 p.m.-2:45 p.m. Collegiate Level Viola Masterclass Convention Center: 101 Clinician: University of Cincinnati, College-Conservatory of Music. Catharine Carroll, University of Cincinnati College-Conservatory of Music. Presider: Michael Palumbo What Makes Bach Sound Like Bach? Bowing Styles from Baroque to Contemporary Times Convention Center: 102/103 What makes Bach, sound like Bach and not Tchaikovsky? Why does teaching a beginning student the properly lifted bow affect more advanced reset bowings? Why do some orchestras have a special sparkle when playing off the string? This session will discuss bowing styles appropriate for each 26

historical period from Baroque to Contemporary, how to achieve them, and how certain bowings are linked through time. Presenter: Kathleen Brungard, Author Leadership Training for the Studio, Classroom, Workplace, and ASTA Convention Center: 105 Great leaders are needed and respected in any educational setting. Learn how to develop leadership skills that will apply in the classroom, within your institution, within ASTA, and for all areas of life. Presenters: Pam Phillips, Alfred Music; Diane Winder, Department Head, Eastern Michigan University; Sarah Black, Gwinnett County Public Schools A, D, G, C: Dyslexia and Succeeding in String Orchestra Convention Center: 106/107 Facilitated by a middle school string instructor, this session will discuss successful strategies and adaptations that create a rewarding string and school orchestra experience for children who are diagnosed with dyslexia. Presenter: Julianne Laird, Indiana Area School District Presider: Veronica Shape, James Madison University World Dance Music Reading Session

Convention Center: 109 Students will read through string arrangements of world dance music, including Piazzolla tangos, salsa tunes, and other music. We will also be learning to dance one of the styles that we play, so don't miss out! Presenter: Lee Anderson, Indiana University

Collegiate Roundtable Business Meeting Convention Center: Conference Theater This is the annual meeting of the Collegiate Roundtable, open to all who teach strings in the collegiate setting. We will discuss the creation of different action groups who will collaboratively pursue future projects. Also at this meeting, the String Researcher Award will be presented to: Rebecca MacLeod. This year the award will honor an early-career researcher whose scholarly work shows much promise in making continued important contributions to research in string education and/or performance. Presider: Kristen Pellegrino, University of Texas-San Antonio BeBop for String Players Convention Center: 207 If you know, as an improviser, how to handle C7, but have wondered what to do with C7#9 or C7b13, then this session will supply the answers. Have you also listened to modern jazz musicians and wondered how your playing could fit in with them, rhythmically or melodically? If so, this session will answer your questions. Session will consist of about half information/demonstration and half hands-on playing of the concepts explored—so, bring instruments. Presenter: Stanley Chepaitis, Indiana University of PA

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The Self-Directed Classroom Convention Center: 209 The self-directed classroom is one in which students are taught how to work collaboratively in a sequential and organized manner. Whether in small groups, such as student-led sectionals or even smaller, as stand partners working out a measure or phrase in their music or as a large ensemble, this session will provide teachers with strategies and tools to help make their students successful as independent learners. Presenter: Ingrid Kovacs, Clark County School District An Innovative Approach Toward Rethinking Music Education within a Community Framework Convention Center: 211 Educators are familiar with the many 'El Sistema' inspired programs that are blossoming recently. TORCH academy, an inner-city Atlanta based program, works to not only develop the musical skills of under-served youth, but to empower students to build community through music. In this session, we describe our approach to forming community partnerships nurtured through music education to encourage student and community harmony. Presenter: Brian Kellum, Fulton County School District The Music of Deborah Baker Monday: A Reading Session Sponsored by Neil A. Kjos Music Company Convention Center: 212-217 Composer and arranger Deborah Baker Monday shares her wealth of string orchestra publications for middle and high school level groups. Join the fun and become a member of her reading orchestra as we play through a handful of favorites and get acquainted with some brand new pieces! Bring your instrument. Clinician: Deborah Baker Monday Presider: Carrie Provost, Franklin Middle School, IL Nurturing Artistry Through Formative Literature Convention Center: 218/219 Designed to supplement intermediate cello curriculum and prepare students for advanced repertoire, this presentation explores 10 formative cello pieces through pedagogical analysis and performance. The pieces were selected based on technical and musical challenges, links they provide to advanced literature, musical satisfaction, and the enhancement they provide to traditional and Suzuki repertoire. In addition, a comparative chart of technique requirements, as well as a performance highlighting the formative and advanced companion pieces will be presented. Presenter: Marie Pantina, Private Studio Teacher Presider: Kelsey Nussbaum, The University of Texas at Austin

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Friday March 7 3:00 p.m.-4:00 p.m. Collegiate Level Violin Master Classes Convention Center: 101 Clinician: Paul Kantor, Rice University Presider: Zina Schiff Ten Simple Ways to Improve the Musical Expression of Your Orchestra Convention Center: 102/103 The size and physical arrangement of musicians in an orchestra often make communication and collaboration challenging for ensemble members, unless encouraged and facilitated by the director. This session presents 10 simple strategies directors can use to improve the quality of their orchestra’s expressive potential. Presenter: Michael Hopkins, University of Michigan Connolly and Company Music Industry Showcase Convention Center: 105 The World String Orchestra: Cultivating a Creative Ensemble Convention Center: 106/107 The explosion of creative ensembles in the world of pop, jazz, and rock suggest great opportunities for redefining the traditional string orchestra. Using the model of Berklee World Strings from the Berklee College of Music in Boston, Eugene Friesen, director, explains and demonstrates the philosophy and working process of engaging players in the creative process of repertoire development and ensemblemaking. Presenter: Eugene Friesen, Berklee College of Music Suzuki Jam: An Improvisation Workshop Using Contemporary Arrangements of Suzuki Repertoire Tunes Convention Center: 109 We all know the tunes, so let’s jam on them. This session will demonstrate how to use key Suzuki teaching principles, as well as ideas from legendary jazz saxophonist Lee Konitz, to teach simple improvisation. Bring or borrow an instrument and join in the fun while we jam on cool contemporary arrangements of a few Suzuki repertoire tunes. Enlightening. Enjoyable. Easy. Presenter: Jody Harmon, Private Studio Teacher Politics 101 - Managing Micro Political Climates in Schools Convention Center: 110/111 Politics plays an important roll in the success of any music teacher. Learn techniques and strategies to successfully manage school and community political environments at all levels. Concrete ideas will be given that can be taken home and implemented on Monday. Presenters: Steve Benham, Kirk Moss, and Bob Phillips 29

Research in the String Classroom: Students with Special Needs Convention Center: Theater Professors Gooding and Yinger are active researchers in music therapy and special education. They will present an overview of previous research with special populations and will focus particular attention on applications with string instruments, including perceptions and practices of string teachers. Suggestions for future research in this area will be discussed. Presenters: Lori Gooding & Olivia Swedberg Yinger, University of Kentucky Presider: David W. Sogin, University of Kentucky Fiddling for Fifth Graders and Beyond! Convention Center: 207 Do you want to include eclectic strings music in your orchestras, but are unsure where to find appropriate literature? And, do you need to learn some new tunes to add excitement into your beginners' repertoire lists? This session will help teachers looking to do just that. Bring an instrument to learn 10 great tunes to use with your students! Presenter: Amy Marr, Tecumseh Public Schools Rhythm Workshop—Therapy for the Rhythmically Impaired Convention Center: 209 Come to this session and learn to effectively and efficiently teach the fundamentals of rhythm notation and performance. In doing so, your students will thoroughly understand how to read and how to perform most rhythms by sight in various time signatures. Presenter: Clark Chaffee, Carthage College Efficient and Effective Conductor Communication Convention Center: 211 This session will address the five areas of focus needs and awareness for efficient and effective conductor/ensemble communication. Presenter: Robert McCashin, James Madison University Presider: Denise Haney, Elbrook Schools Side-by-Side Classics Ride Convention Center: 212-217 Fasten your seatbelts! Get ready to go on a wild, one-hour ride of exciting music making. Jacobs School of Music (IU) students will be strapped in with you as you participate in a side-by-side reading of some of the most famous orchestral repertoire. During this clinic, you will develop your sight-reading abilities, alertness, and enthusiasm through a fast-paced class. You will also have the opportunity to develop friendships with IU students by asking them more about life as a music major or college life in general. This session will be led and conducted by IU students – a great opportunity for you to play under the baton of new conductors! Come prepared with your sight-reading caps on and your enthusiasm to zoom through lots of amazing music! Presenter: Jessi Bouma, Indiana University

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Friday March 7 4:15 p.m.-5:15 p.m. Guitar Multilevel Masterclass Convention Center: 101 Clinician: Stephen Mattingly, University of Louisville Presider: Luther Enloe, Georgia State University Parent Communication 101: A Troubleshooting Guide Convention Center: 102/103 One of the most essential components of string education is parental involvement. A panel of private studio, public school, and community-based teachers will discuss specific strategies to mobilize parents for your string program. Solutions to troubleshoot common issues including appropriately communicating in a technological age, and maximizing the effectiveness of interactions with parents will be offered. By improving communication with parents, you can enjoy the benefits of a healthy and supportive community within your program. Presenters: Lisa Caravan, Auburn University; Erin Ellis, Waldorf School of Atlanta; Eric Crawford, Wichita High School East; Elizabeth Hanan, Rochester City School District How to Study the Sevcik, Opus 3, Bowing Variations as He Taught Them Convention Center: 105 This session will present all of the materials that are not published in the Opus 3, 40 Variations book by Sevcik. There are preliminary exercises that go with almost every bowing variation in the book. Also, many of the variations have variations to them that Sevcik himself used with his students, but are not included in the book. This material is complicated and crucial to the comprehensive understanding of his incredible step-by-step bowing system. Presenter: David Neely, University of Nebraska-Lincoln Presider: Janet Packer, Rivers School Conservatory, MA Orchestral Bowings—A Commodius Compendium Convention Center: 106/107 The study of bowing styles is often a piecemeal and haphazard process. This session presents an outline for teaching the principal bowing strokes encountered in orchestral repertoire. Twenty-five bowing styles are arranged progressively with strategies for applying each skill to scales, and etudes within the warmup portion of the daily rehearsal. Each bowing style is described with clues to spot common mistakes. Materials and video support are available at www.stringskills.com without charge. Presenter: Gabriel Villasurda, Retired Ann Arbor Public Schools Innovative Uses Of Technology in the Orchestra Rehearsal Convention Center: 109 The use of technology in the secondary string rehearsal can help improve your students’ playing skills and make your rehearsals more effective and efficient. Various devices such as: computer, document 31

camera, tuners and metronomes, along with various software applications, such as Quicktime, PowerPoint, and others. Learn how to bring YouTube into your classroom even if it is blocked at your school. Other internet sites will also be demonstrated. Presenter: Joseph Brennan, School District of Haverford Township The ASTA National Curriculum for Elementary Strings: Covering all the Bases Convention Center: 110/111 This session focuses on how the ASTA Standards and Curriculum can help you bat a thousand in your elementary string program. Join us in the bullpen to explore goal setting, measuring student achievement and how to develop a pacing guide for instruction. Presenters: Mary Wagner, Deb Myers A World of Music for Precollege Cello Ensemble: Dedicated to Janos Starker Convention Center: 110 A walk through music history and popular styles of music using repertoire written for cello ensemble. Cello has long been a chance for cellists to be the upper voices in the ensemble group. The sound created is unparalleled. Cello ensemble allows a group of mixed abilities and ages to work together, inspiring a sense of community, motivation to continue improving (who doesn't want to play the most advanced parts), and a unique sense of artistry. Presenter: Nancy Snustad, Colorado Springs Young Cellists Program Off the Page! Workshop for Educators on Improvising and Creative Musicianship Convention Center: 209 RVSQ works with classroom teachers, private teachers, and others to offer ideas for the use of improvisation as a way to expand a student’s musicianship, musical knowledge, and technique. The members of RVSQ facilitate a hands-on, interactive set of games and activities with teachers. Exercises include call-and-response, constructing rhythmic patterns, variations on melody, and short solos. These activities can be used with students of any age and develop skills from basic to advanced improvisation. Presenter: Irene Sazer, Real Vocal String Quartet Do-It-Yourself Home Improvement: Preparing Students for Independent Problem Solving Convention Center: 209 Most music students spend the majority of their practice time outside the presence of teachers. They leave music classes or lessons and head into the cold, cruel world of habit formation unassisted. How do teachers ensure students are ready for these critical practice periods? Fly-on-the-wall footage from the studios of five renowned artist-teachers illuminates how teachers promote learner problem-solving and increase the efficacy of students’ independent practice. Presenter: Rebecca Roesler, The University of North Texas Juried Research Poster Session Convention Center: 104 The Research Posters present studies by graduate and undergraduate students, university faculty, and practicing teachers. The poster session is open to research papers involving any aspect of string playing 32

and teaching, including philosophical, theoretical, or historical as well as qualitative and quantitative reports. The poster session is designed to allow for dialogue and interaction among researchers and interested attendees. Please join us for this informal and stimulating session. Facilitator: John M. Geringer, Florida State University Introducing Expressive Performance in Your Orchestra with Expressive Techniques for Orchestra Sponsored by Tempo Press Convention Center: 212-217 Michael Alexander will present this new “All-in-One” product for teaching technique, style, and expression to your performing ensembles. Suitable for advanced middle school through high school ensembles, Expressive Techniques for Orchestra features the combined ideas of noted educators and authors: Michael Alexander, Kathy Brungard, Sandra Dackow, and Gerald Anderson. Bring instruments to join Alexander and the reading ensemble as they explore and discuss each portion of the book. Presenter: Michael Alexander Hula Swing—Exploring the Influence of the Django Reinhardt's French Gypsy Jazz in the Hawaiian Music of the Early 20th Century Convention Center: 218/219 Come join Duane Padilla in a tropical guided tour of the music of Hawaii at the beginning of the 20th Century. The journey explores how the purpose of music shifted from functional uses in ritual to dance music in the hotels in Waikiki. All are encouraged to bring instruments and learn songs. After a little bit of “talk story,” the session will end with a “kanikapila,” a Hawaiian style jam session. Presenter: Duane Padilla, Punahou Music School

Friday March 7 10:00 p.m.-11:00 p.m. Eclectic Styles Jam Session- Sponsored by Carl Fisher Music

Saturday March 8 7:00 a.m.-8:00 a.m. Building Robust String Programs Through Public-Private Partnerships Convention Center: 101 In 2008, the Seattle Youth Symphony was presented with a Wallace Foundation Excellence Award to rebuild string instrumental music in the Seattle Public Schools. Through a formal partnership with the Seattle school district, the Youth Orchestra worked with principals and classroom teachers to create a vertically aligned, sequential program in six elementary schools. After four years, middle school string enrollment has grown from 35 students to 160 students. This session will explore how the program works. Presenter: Kathleen Allen, Seattle Youth Symphony; Stephen Radcliffe, Seattle Youth Symphony Orchestra 33

Interpreting Dance Movements in Solo Bach Convention Center: 102/103 A better understanding of the origins and structures of the dances that were the basis for Bach’s Suites and Partitas will give us a much deeper connection to the music. Though Bach likely did not intend for his dance music to be the basis of choreography, he understood the dances and their formal structures. There are certainly things we as performers can better understand to make a more accurate and musically satisfying experience. Presenter: Christine Rutledge, University of Iowa School of Music A New School of American String Playing and the O'Connor Method Sponsored by Mark O’Connor Music Industry Convention Center: 105 A step by step analysis of why American music, four centuries of musical eras, classic literature with its robust melodic construction, rhythm, various styles, cultural and racial diversity, improvisation, arranging materials, composition, band-leading, reading skills and proper ear training skill development in beginning/intermediate violin pedagogy for children between the ages of 3 and 12 is superior to studying mostly Baroque music like current methods feature. After using the German, French, Russian and Japanese schools of violin pedagogy for a very long time, the "American School" is long overdue. With American music materials and educational philosophies as the basis for string education in both solo and string orchestra tracks, we not only have a better approach to inspire children towards string education and making string playing relevant in our 21st century musical culture, but the "American School" could end up saving orchestra in schools by nurturing the string orchestra as well. Clinician: Mark O’Connor Everyone Can Improvise! Strategies for Incorporating Improvisation in the Traditional String Ensemble Convention Center: 109 This session aims to demystify the process of teaching improvisation by demonstrating some effective strategies to develop beginning improvisational skills in the school ensemble setting. Presenter: Stanley Haskins, University of Miami Yoga for Musicians Convention Center: 110/111 An empowering practice that integrates the needs of musicians with the traditions of Yoga. A variety of breathing exercises, postures, stretches, and a meditation will be offered that can help reduce the burdens of performance anxiety, energy imbalances, and muscle tightness. Come as you are! No Yoga experience necessary or equipment needed. Most components can be applied and modified for personal or classroom/studio use. Presenter: Denise Carter, RYT-200, Denise Carter's Studio for Violin & Viola

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Saturday March 8 8:15 a.m.-9:15 a.m. Proactive and Reactive Classroom Management Strategies Convention Center: 101 Many teachers are concerned about developing classroom management techniques. We need to remember that developing proactive classroom management strategies is more effect than being reactive. Therefore, I will share 15 proactive classroom strategies before sharing a “Do” and “Don’t” list of reactive classroom strategies. Finally, I leave participants with a quote: “I've come to the frightening conclusion that I am the decisive element in the classroom. It's my daily mood that makes the the weather...(Ginott, 1965) Presenter: Kristen Pellegrino, University of Texas at San Antonio Marketing What You Don’t Have or Seven Students Signed Up for Orchestra—Now What?! Convention Center: 102/103 This session offers strategies and examples of how to address issues of program growth, balance of instrumentation, garnering community support, and interacting with other disciplines. Presenter: Nancy Strelau, Nazareth College You Want ME to Teach Guitar? I’m an Orchestra Director! Sponsored by: G. Schirmer Music Convention Center: 105 Yes, an orchestra director can teach class guitar! Come learn how and why to start a guitar program at your school. Guitar & orchestra program collaboration only makes a string program stronger! The session will include discussion of class guitar pedagogy, music, materials, equipment, and strategies for collaboration. Clinicians: Charles Laux and Bob Morris How and Why to Listen to a Recording Convention Center: 106/107 Recorded music has become so easily available that it may be pointless to argue about whether a student should or should not listen to a recording of the piece she is studying. The better question for a 21st Century strings teacher is: How can we use recordings to teach our students to become more perceptive, creative, and eloquent performers? In this session, Mark Rudoff introduces exercises designed to get students past copying what they hear toward growing into critical listeners who own their music making. Presenter: Mark Rudoff, The Ohio State University; Laura Hill, The Ohio State University Presider: Jacob Dakon, University of Kansas

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Mindful Repetitions: Balancing the Need for Stimulation and Reiteration in Music Practice and Rehearsal Convention Center: 109 We’ve all heard that the way to Carnegie Hall is “practice,practice, practice!” Yet, one does not have to be a genius to find the idea of endless repetition mind-numbing, with the potential result being practice sessions which lack concentration and are minimally productive. Come and try new techniques for practicing a limited number of repetitions more mindfully and with greater retention, leading to enhanced skill acquisition and more fun! Presenters: James Lyon, The Pennsylvania State University; Clara Lyon, The Academy at Carnegie Hall Ten Practical Strategies for Inspiring Your Students with Electric Stringed Instruments Convention Center: 110/111 Do you want an electric violin, viola, or cello for your school, but are not sure how to incorporate it into your teaching, classroom, or performances? This session will feature 10 practical and proven strategies for integrating electric stringed instruments into your school orchestra program. The presentation will include demonstrations, video of student performances, and anecdotes of actual classroom applications and experiences. Presenter: Scott Laird, North Carolina School of Science and Math College Auditions Convention Center: Conference Theater Please join Rose Sciaroni, Doctor of Music Education student at the Indiana University, for a paneled discussion about college applications and auditions. Discussion will focus on questions such as how do you look for a program and teacher that fits your goals, aspirations, and needs? How do you create a plan of action for approaching applications and auditions? How do you decide on a major? What opportunities are available for musical engagement if you do not major in music? The panel will also discuss expectations of music majors and what surprises they found the first year of college.

Presenter: Rose Sciaroni, Indiana University From Rote to Note While Developing Skillful, Literate, and Musical String Beginners Convention Center: 207 This presentation will provide elementary/middle school string teachers with pedagogical strategies and materials that will lead their students from playing by ear to reading music in period of one school year. Presented strategies and materials are adapted for classroom use from sound string pedagogy approaches (Suzuki, Rolland, Havas, Bornoff) and elementary methods (Kodaly, Gordon) and are selected for their potential to establish correct playing techniques while developing literate and musical beginners. Presenter: Dijana Ihas, Pacific University A Practical Guide to the Cello Treatises: Applying Insight to Everyday Studio Teaching Convention Center: 209 The published cello treatises tell a fascinating history of the instrument and offer invaluable strategies for solving technical difficulties. More than 100 cello treatises have been published, yet no annotated 36

guide or comparative research has examined these resources. This session provides a practical guide to the cello treatises, offers specific problem solving techniques, and explores progressive teaching sequences based on cello treatise research. Bring a cello for this hands-on practical guide to the cello treatises. Presenter: Theodore Buchholz, Pima Community College Lab Orchestras: Serving the Profession and Beyond Convention Center: 211 Laboratory ensembles are not new in the preparation of beginning string teachers, yet their full potential often goes unrealized. Music education programs are much more likely to offer lab bands than orchestras, and these ensembles often are only used to practice conducting skills. This session will address: findings from expertise, skill acquisition, and music teacher education research; how lab orchestras can benefit different populations; and tips for incorporating this type of group into university programs. Presenter: Amber Peterson, Kent State University Practicing Convention Center: 212-217 Home practicing is an important part of a student’s growth. This session will focus on tips to help young players keep an engaged and active mind while practicing, ways to foster effective practicing, and strategies to develop good practicing habits. Practicing should be an enjoyable and productive process for both young children and their parents. Motivating techniques used in the Western Kentucky University Pre-College Strings Program to help keep young students engaged. Presenter: Ching-Yi Lin, Western Kentucky University Preventing Injury to the Violist at Any Age Convention Center: 218/219 This session will discuss positioning of left and right hands, vibrato, shifting, and yes—how to hold the “thing.” Tailored to assist those who work in school settings with limited time, private studio teachers, and those having to prepare auditions with long practice hours, the prevention of tendonitis, neck and shoulder issues resulting in diminished playing effectiveness will be the focus. We’ll have some fun, too! Presenter: Robert Becker, Chapman University

Saturday March 8 9:30 a.m.-10:30 a.m. Multi-Level Chamber Master Classes Convention Center: 101 Clinician: Sharan Leventhal, The Boston Conservatory Presider: Charles Gray, St. Olaf College 37

Adolescents Today: The Powerful Role of Peer Relationships in Creating and Sustaining a Lifelong Involvement with Music Convention Center: 102/103 Learn how to motivate and inspire adolescent students by encouraging them to envision, develop, and organize a compelling musical community that sustains their interest and commitment to playing their instrument—not just through their teen years, but throughout their life. Presenter: Phyllis Freeman, Maryland Talent Education Center Louisville Orchestra Convention Center: 105 Monkey Legs and Curly Fries: 100 Code Words and Motivational Games and Strategies for the Classroom Convention Center: 106/107 Albert Einstein said, “Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world...” The string teacher must have both! This session will present 100 imaginative code words and motivational pedagogical games and strategies for use in the classroom or private lesson. We will briefly discuss and try each strategy, so bring your instrument and ideas to share! Ideas presented will draw from the pedagogies of Suzuki, Rolland, and Young. Presenter: William Wassum, Spotsylvania Public Schools Vibrato From Start to Finish Convention Center: 109 Vibrato is a notoriously difficult technique to teach, particularly for violinists and violists. This session removes the mystery from this elusive technique, covering vibrato from the very first steps of introducing vibrato to beginners, through intermediate steps, to refinement of high-functioning vibrato. Numerous exercises appropriate for group and individual instruction will be discussed and demonstrated, using an appropriate level student as a model. Session attendees will be invited to participate in vibrato training activities. Presenter: James Przygocki, University of Wyoming The ASTA Curriculum and Teacher Preparation: The Far Reaching Effects of Bringing a Document to Life Convention Center: 110/111 The benefits of a well designed sequence of study can only be realized by a skilled and passionate teacher. How do we take what is on the written page and effectively relate the words, concepts and ideals to the students sitting in front of us? This session will focus on the use of the ASTA curriculum as part of a teacher preparation program, discussing ways that individuals preparing for a professional life as a string teacher can take advantage of years of experience and success by knowing how to use this wealth of knowledge. Presenter: Laurie Scott, The University of Texas at Austin Presider: Elizabeth Chappell, Austin Independent School District

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The Fortifying Duo: How Teachers Help Build a Child’s Sense of Security Convention Center: 207 The work we do with students presents many possibilities for destroying or building their capacities to be secure in performance . . . and in life. This session offers an understanding of why a teacher’s positive interactions with a child build security. It also offers practical ideas for how a teacher can put that understanding into action. Presenter: Edmund Sprunger, psychotherapist Sight-Reading String Orchestra Arrangements of the Folk Music of Mexico's Tierra Caliente Convention Center: 209 Drawing from Spanish, Cuban, North and South American, African and European roots, this is really fun stuff to play! Teachers and students are welcome. A string orchestra read-through session of 6/8 dance pieces, tangos, foxtrots, danzones, marches, waltzes, and polkas from southwestern Mexico's Guerrero and Michoacán states. The music of the Hot Lands is by far the most sophisticated regional Mexican style and translates beautifully to a string orchestra setting. Presenter: Paul Anastasio, Private Studio Teacher Fast Note Passages and the Double Bass—How to Clean Them Up Convention Center: 211 How can bassists play fast passages in any register cleanly and efficiently? This session will discuss proper posture, as well as left-hand support and shifting, and bow technique. It also will include the appropriate use of rosin, in order to play lots of fast notes without sounding like rumbling thunder or an earthquake! This applies to both orchestral and solo repertoire. Examples of how to execute and how not to execute such passages will be demonstrated. Presenter: David Murray, Butler University Ecelcting Strings Reading Session Convention Center: 212-217 Clinician: Andrew H. Dabczynski, Brigham Young University Fostering Lifelong Musicians: Incorporating Student-Centered Learning in the Traditional Orchestra Classroom Sponsored by Yamaha Corporation Convention Center: 218/219 Student-led learning activities will foster independent musicians, who are more likely to continue playing as adults. Such activities require clear parameters and evaluation criteria. The clinician will show examples of leadership opportunities within a full orchestra rehearsal and in traditional and eclectic style small ensembles. Additionally, a Yamaha Silent quartet will be used to demonstrate two concurrent learning environments. Clinician: Martin Norgaard

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Saturday March 8 10:30 a.m.-11:30 a.m. Coffee Break in the Exhibit Hall

Saturday March 8 11:30 a.m.-12:30 p.m. Collegiate Cello Master Class Convention Center: 101 Clinician: Yumi Kendall, Philadelphia Orchestra A Double Bass, a Different Beast: A Comprehensive Session for Non-Bassist String Teachers Convention Center: 102/103 This session will offer a comparison of double bass techniques with those of the violin, viola, and cello. The bass, though still part of the string family, is often the most challenging to teach for the non-bassist string teacher. Unzicker will display and describe how familiar facets, including bow holds and left-hand shapes, are modified for bass playing. Additionally, he will discuss important concepts including sound production, left/right hand technique, and care/maintenance of the instrument. Presenter: Jack Unzicker, University of Texas at Arlington Measures of Success for STRINGS! Unlock the True Potential of Your Beginning String Students Sponsored by FJH Music Co. Convention Center: 105 Discover Measures of Success for Strings, an exciting and powerful new string classroom method that combines time-tested pedagogy with outstanding sequencing and repertoire. Designed to foster musical growth by focusing on the presentation of new concepts through repertoire, Measures of Success for Strings systematically presents and reinforces musical techniques in a practical and positive way. Prepare to experience a new level of success with your beginning string students! Presenters: Gail Barnes, Carrie Gruselle Goal-Oriented Progressive Repertoire: How to Pick Repertoire Using the ASTA String Syllabus that Prepares Violinists for the Masterworks Convention Center: 106/107 This session examines the challenging and important task of selecting appropriate repertoire. The choice of repertoire influences the student’s technical and musical growth. Often, however, a student is not ready for solo Bach or the Brahms Concerto. Using the ASTA String Syllabus as a foundation, this session will give attendees a repertoire roadmap of pieces, etudes, exercises, and the techniques that are used in leading to the masterworks in Grade 6. Presenter: Martha Walvoord, University of Texas at Arlington

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Put Down Your Wand and Unlock the Chamber of Musical Secrets Convention Center: 109 Incorporating chamber music into an orchestra curriculum can enrich the overall musical experience for string students. Playing in a chamber ensemble enhances Communication, Awareness, Musicianship and Personal responsibility (or CAMP). This session includes hands-on activities led by the Tetra String Quartet, designed to show teachers fun and effective activities to prepare students to go conductorless. Presenters: Chrystal Smothers, Tetra String Quartet; Heidi Wright, Tetra String Quartet; Louis Privitera, Tetra String Quartet; Jenna Dalbey, Tetra String Quartet Culturally Responsive Teaching in the Orchestra Classroom Convention Center: 110/111 Cultural background influences how students interact with others, process information, and form ideas. This session will explore the specific ways that culture impacts student learning and will provide culturally responsive teaching strategies that improve the effectiveness of instruction for all students. Presenters: Rebecca MacLeod, UNCG; Christen Mack, UNCG; Heather Lofdahl, UNCG Playing in Tune: Variations on Finger and Tonal Patterns Convention Center: 207 The philosophy behind George Bornoff’s organization and presentation of his well known Finger Patterns is one that promotes superior intonation and flexibility. The finger and tonal pattern strategy is catching on like never before! This presentation will start at the source of the material and show participants how to use the exercises with large or small ensembles, homogeneous or heterogeneous groupings, multi-level teaching and private lessons. Presenter: Debra Lyle, The Foundation for the Advancement of String Education Resonance! Feel it! Stop Clutching! (Squeezing, Pressing, Clenching, Gripping . . . ) Convention Center: 209 Guiding students to experience the vibrations available in resonant tone helps their bodies relax. This in turn helps intonation become more than just pitch, but also a physical reality. Seeing, feeling, and understanding the scientific phenomena of vibration helps students become more aware of sound production. You have a natural amplification system for your instrument. Learn to access and use it to your advantage. It’s not rocket science—bring instruments and try it! Presenter: Judy Bossuat-Gallic, Suzuki Music Institute of Dallas Class Guitar Programs in the US. Convention Center: 211 There has been an exponential rise in class guitar programs at the secondary level across the United States. While there is broad diversity across curricula, common themes arise in terms of the unique contributions class guitar programs offer school districts and their surrounding music communities. In this session we will study current trends in class guitar education and explore opportunities for cultivating new programs, based on a survey of success and emerging standards among existing programs. Presenter: Stephen Mattingly, University of Louisville Presider: Luther Enloe, Georgia State University 41

New String Orchestra Reading Session Grades 1-3 Convention Center: 212-217 Clinician: Sarah Black, Gwinnett County Public Schools Complete Musicians Without Compromise: Contributing to the Musical Conversation Convention Center: 218/219 Learn how to quickly design your own learning targets, rubrics, and assessments from a proven format that is easily modified for what you want to teach, and focuses students on content-specific vocabulary, theory, history, and technique without much rehearsal time. Using what has been described as a holistic approach, each of your concert pieces become a part of a unit designed to develop background knowledge in theory, vocabulary, and history – which also are relevant and applicable to your curriculum. This session provides some of the latest research in literacy as it applies to the arts that you can take back to your students, parents, and administrators. Students will grow into a Complete Musician! Presenter: Lyda Osinga, Wauwatosa School District

Saturday March 8 12:45 p.m.-1:45 p.m. Collegiate Bass Master Class Convention Center: 101 Clinician: Joseph Conyers, Philadelphia Orchestra Do You Hear What I Hear? Convention Center: 102/103 All teachers, beginning and experienced, depend on error detection skills. This session will present audio files of commonly made mistakes in intermediate level literature, played by real orchestras. Printed music scores will be provided. In addition to the listening activity, the presenter will point out common intonation and rhythm errors made by intermediate students. (p.s. Your papers will not be graded!) Presenter: Anne Witt, University of Alabama The Essential Elements of the First Year String Player Sponsored by Hal Leonard Corporation Convention Center: 105 This clinic will provide insight into the time-tested and proven pedagogy of Essential Elements for Strings. EE authors and master teachers will walk through the first year of string playing using the music and pedagogy from Book 1, as well as the ever-growing resources from the new Essential Elements Interactive website. Learn how to incorporate and connect the content from the book with the practice tools and technology from the EEi Online Classroom. Clinicians: Bob Gillespie, Chuck Laux, Soo Han, & David Eccles 42

Meaningful Musicianship: Everyday Teaching Ideas for Substantial Learning and Lasting Relevance Convention Center: 106/107 Every teacher wants music learning to be meaningful to students, but lessons and rehearsals are too often fix-it sessions that never go beyond technical corrections. Yet, there are ways to affect deep learning and elevate the potential for expressive connection to music without sacrificing excellence. Cornelia Watkins draws on 40 years of experience and her more recent involvement with the Wisconsin CMP project to offer a session of inspired teaching ideas. Presenter: Cornelia Watkins, Rice University Presider: Mark Rudoff, Ohio State Univeristy The Smart Violist: How Good Viola Technique Can Improve the Entire Upper String Section Convention Center: 109 Most players know that playing the viola is not exactly like playing the violin. But, if quizzed, the extent of that knowledge might be rather limited. Explore the well-kept technical secrets of viola playing, as taught by today’s viola pedagogues. Learn valuable differences in set-up, fundamentals, and quick exercises that make viola playing easier . . . and that will also transform any violinist, too! Presenter: Andrea Priester Houde, West Virginia University Presider: Michael Palumbo Winning with Warm-Ups Convention Center: 110/111 An effective warm-up routine that integrates technical and musical elements as a preparation for playing repertoire is a key to successful teaching. Separation of both left and right hand difficulties prior to attempting them within the repertoire is essential. This clinic will examine how to design an effective routine and will present examples of warm-ups using standard repertoire from the string orchestra literature. Students from the Indiana University Jacobs School of Music will demonstrate. Presenter: Brenda Brenner, Indiana University Old-Time Music in the Orchestra Classroom Convention Center: 207 This session will focus on the practical application of fiddling techniques in the orchestra classroom. Right- and left-hand techniques, strategies for learning fiddle tunes by ear, and elements of old-time style will be discussed. Participants will leave this session with a better understanding of old-time music and how to use it in the orchestra classroom. Bring your instrument to get the most out of this exciting session! Presenter: Christen Blanton, University of North Carolina at Greensboro Presider: Rebecca MacLeod, University of North Carolina at Greensboro How to Build a Completely Free (and ad-free) Studio Website in 10 Minutes Convention Center: 209 In the last few years, a number of inexpensive and even free web services have become available allowing professionals, like ourselves, to create attractive, professional-looking websites quickly and easily. In this session, we will build several websites in real-time using these services, and learn the pros 43

and cons of each service. Presenter: Matthew Tifford, private studio teacher Calm, Cool, and Collected: Shifting for Upper Strings Convention Center: 211 Teach your students how to shift with ease, accuracy and confidence! Shifting for upper strings will be introduced with a systematic and step-by-step approach. Learn how to set students up for shifting success from the very beginning. The session will include beginning, intermediate, and advanced exercises to improve and facilitate shifting. Audience members will learn how to incorporate guide notes into scales, etudes, and pieces. Essential shifting books and exercises will be discussed. Presenter: Anna Cromwell, Eastern Illinois University Please Don’t Let Them Play Mozart: Classical Period Alternatives for Developing String Quartets Convention Center: 212/217 All too often, poor Mozart is rendered without spirit or style by young string quartets. Don’t let this happen to your group! This session will explore alternative works by Mozart’s contemporaries that teach Classical period style, but can better withstand potential abuse by the less experienced player. Presenter: Cora Cooper, Kansas State University Presider: William Slechta, West Cary Middle School, NC Looping in the Classroom, Practice Room, and Stage Convention Center: 218/219 Using loop pedals with amplified string instruments is cool! It also allows teachers to easily engage students in group exercises related to both traditional and eclectic styles. This session presents an overview of how to use loops as a tool for teaching, practice, and performance. Gain insights into the basics of looping technology, how to create loops, common pitfalls, and how to go beyond the basics to get your students excited about creative practice. Presenter: Christian Howes, Professional Jazz Violinist

Saturday March 8 1:45 p.m.-2:45 p.m. Dessert Reception in the Exhibit Hall

Saturday March 8 2:45 p.m.-3:45 p.m. Where's the Fifth?: Tuning Up with Chorales Convention Center: 102/103 It is commonly known that chorales are useful in working on tone and intonation. This session presents a variety of chorales from different publications that can be useful in string ensemble rehearsals to

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develop tone and intonation. Presenter: Joanne Erwin, Oberlin Conservatory; Brenda Mitchell, Miami University of Ohio Contemporary Violinist Sponsored by C.F. Peters Convention Center: 105 With 10 CDs to his credit, Doug Cameron is one of the true innovators of alternative styles for the violin. Cameron has created a unique four-part series that covers numerous aspects of violin playing, from jazz to Celtic to country. The series contains actual video footage of Cameron’s rhythm section, enabling the player to play along virtually to a live rhythm section. Also included are backing tracks recording with Los Angeles’ top musicians. He will be demonstrating how the series works. Students are invited to participate. Presenter: Doug Cameron Establishing a Healthy Foundation for Violinists and Violists Convention Center: 106/107 This session will address principles of set up and posture for the violinist and violist. It also will include left- and right-hand technical exercises which will promote freedom and ease in playing that is devode of tension. Concepts of Suzuki, Rolland and Zweig will be included, as well as suggested exercises, etudes, and repertoire which facilitate the rehabilitation process Presenter: Stacia Spencer, Northwestern University Conducting Rehab: Twelve Steps to Better Communication Convention Center: 109 Participants will identify common obstacles to clarity on the podium and explore ways in which musical ideas may be more clearly conveyed. Topics include left hand independence, preparatory gestures, cuing, melding, and pattern modification. Presenter: Mark Laycock, Wichita State University The Missing Piece: Integrating Creativity in Group and Individual Lessons Convention Center: 110/11 We often focus exclusively on technical and aural development and forget that music is supposed to be "creative." This sessions will show how clearly structured and easy to evaluate creative activities from the ASTA curriculum can enhance existing methods. Presenter: Martin Norgaard, Georgia State University ASTA Student Chapters Serving and Building Community Support Convention Center: Conference Theater Learn how to utilize ASTA student chapters as a community resource. Push the limit of what it means to be a string educator by providing students with the chance to learn outside of the university curriculum and build a more connected collegiate music department. Presenters: Katherine Garrett, The Ohio State University ; Tom Grisanti, Mansfield University; Jhi-Eun Gu, Montclair State University; Christine Nixon, University of South Carolina 45

Me, Teach Improvisation? How to Use Your Classical Background to Add an Improvisation Element to Your Class or Private Studio Convention Center: 207 You don't have to be an expert in jazz, bluegrass, or swing to add an effective improvisation element to your class or private studio. Classically trained string teachers can learn to use improvisation to encourage ear training, explore repertoire more fully, and have fun. Using ideas from an innovative curriculum for classical music majors at the University of Miami, we will discuss simple ways to encourage your students to develop their own real-time compositions, building from simple intervals, scales and arpeggios—then to the blues and beyond. Instruments welcome! Presenter: Karen Lord-Powell, University of Miami A Spoonful of Sugar: Games and Activities that Make Practice Fun Convention Center: 209 Very young children can practice productively for 45-60 minutes, but only if practicing is fun! A wide array of practice games can stretch concentration time, reward good habits, and make daily practice an easy requirement for parents to meet. Transform your ability to teach students age 3-6 with this set of comprehensive strategies, pre-Twinkle folk songs, and games. Presenter: Elise Winters-Huete, Private Studio Teacher Play like a Singer Convention Center: 211 Taken individually, or even mixed together without guiding principles, raw eggs, flour, and sugar can be pretty unattractive. Fine rhythm, intonation, and sound quality are necessary, but insufficient in our quest. To present compelling concerts, we might do well to learn from great singers. This talk will discuss, explore, and demonstrate the approach to building a phrase that emerges from the principles singers use in creating musical line, specifically in relationship to string playing. Presenter: Wesley Baldwin, University of Tennessee For the Love of Music Making! Beginning and Growing a Pre-college Chamber Music Program Convention Center: 212-217 How do we encourage our students to improve all aspects of playing? Chamber music! By making beautiful music with friends, they grow as people and musicians without thinking about it. This class aims to give suggestions and guidance on how to begin and grow a pre-college chamber music program. Presenters: Susan Robison, Hartt Community Division-Hartt School; Melinda Daetsch, Hartt Community Division-Hartt School

Saturday March 8 4:00 p.m.-5:00 p.m. Teaching Outside of the Box: Increasing Student Efficiency During Rehearsals Convention Center: 102/103 The inclusion of self-guided learning opportunities during the daily rehearsal process is essential for 46

students’ long-term success. This interactive session will present successful rehearsal strategies that increase student engagement and comprehension of proper playing techniques. Topics will include practical strategies for beginning, intermediate, and advanced students that can be immediately applied in the classroom. Presenters: David Pope, Manatee High School; James Mick, Ithaca College Old Becoming New: Little Known Gems of the String Orchestra Repertoire Sponsored by Luck’s Music Library Convention Center: 105 Looking for “new” and exciting compositions for your string orchestra? Led by renowned conductor and arranger, Sandra Dackow, teachers will have the opportunity to hear and learn about the forgotten historical gems of the standard string repertoire. Perfect for concert, festival and competition performance; explore or revisit selections that have been “lost” in the mix of the vast history of string literature. Exhilarate students and audiences alike with these old, yet “new” pieces of music history! Presenter: Sandra Dackow Beyond the Rossini Duo: Low and Lower Re-invent the Cello/Double Bass Duo Repertoire Convention Center: 106/107 This ensemble’s performances are a mash-up of artistry, virtuosity, and satire. Low and Lower has developed a whole new genre in answer to the question, “Cello and bass...seriously?” With MacGyverlike determination, they create, inspire, and commission works only using the limited materials at hand—one cello, one bass, two voices, a sense of humor, a touch of theater, and a willingness to do almost anything. Presenter: Paul Sharpe, University of North Carolina School of the Arts Build a Better Phrase, Build a Better Ensemble: Diagramming Expression Through Mapping the Bow As an Ensemble Convention Center: 109 The internationally acclaimed Arianna String Quartet teams with Clay McKinney, classroom string educator and president of the Alabama Orchestra Association, to present a comprehensive insight into the string pedagogy behind improving phrasing as an ensemble. Topics covered in this session include teaching students to manage the bow, arrive at musical destinations together, and heighten dramatic effectiveness in performance. Presenters: Clay McKinney, University of Missouri St. Louis; John McGrosso, University of Missouri St. Louis; Julia Sakharova, University of Missouri St. Louis; Joanna Mendoza, University of Missouri St. Louis College Level Training in Contemporary String Music Convention Center: 110/111 A panel of college string teachers will explore existing programs and examine the need for training that goes beyond the classical model. Presenter: Randy Sabien, McNally Smith College

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Building Jazz Bass Lines Convention Center: 207 A step-by-step instructional outline of how to build a bass line focusing on note choice and function within the harmonic and melodic structure of the piece performed. Instruction will include discussion of how various common styles are used in jazz performance. Practical demonstrations using readily available materials will be included. Discussion on working within a rhythm section, as well as selection of equipment for quality sound production. Presenter: Jeff Jacobsen, Mansfield University of Pennsylvania What Every String Player Needs to Know About the Arms and Hands: Body Mapping for Musicians Convention Center: 211 Musicians move for a living, so it is essential l that we move according to the true anatomical design of our body. When we move poorly, due to a misconception about our design, we suffer pain and injury. This presentation reveals common misconceptions that string players hold about how their arms and hands are designed to move and how to correct them in order to play without injury and with greater facility. Presenter: Jennifer Johnson, Memorial University of Newfoundland; Judy Palac, Michigan State University; Rebecca Hunter, University of South Carolina

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