was to explore whether the sequence of naming emotion categories was uniform .... There is no empirical support for the extreme version of his hypothesis (E.
Copyright 1999 by the American Psychological Association, Inc. 0022-3514/99/S3.00
Journal of Personality and Social Psychology 1999, Vol. 77, No. 2, 247-278
Universal Development of Emotion Categories in Natural Language Ralph B. Hupka, Alison P. Lenton, and Keith A. Hutchison California State University, Long Beach P. Shaver, J. Schwartz, D. Kirson, and C. O'Connor (1987) found that English emotion words fall into 25 categories of synonyms. To find emotion nomenclature universals, the authors used P. Shaver et al.'s taxonomy in a sample of the world's languages and found that emotion categories were added in most languages in a relatively similar generalized sequence. Labeled first were the categories of anger and guilt; followed in Stage 2 by adoration, alarm, amusement, and depression; in Stage 3 by alienation, arousal, and agony; and ending with eagerness in Stage 4. The remaining 5 stages were derivatives of Stages 1—4. Thus, in the folk taxonomy, Stages 1-4 are basic linguistic emotion categories. Motives for labeling emotions were driven possibly by the need to maintain social control, the identification of prototypical emotions elicited in interpersonal relationships, and the need for terms to identify intrapersonal emotions. Features of markedness theory were corroborated for English emotion terms.
with the list created by Murdock (1945), which later was expanded by Tiger and Fox (1971), Hockett (1973), and D. E. Brown (1991). The search for cross-cultural similarities flourished in anthropology, linguistics, and psychology. Universals have been demonstrated in natural language in semantics (Herrmann & Raybeck, 1981; Ullman, 1963); connotative or affective meaning (Osgood, 1964; Osgood, May, & Miron, 1975); phonology, grammar, lexicon, and kinship terminology (Greenberg, 1966); sibling terminology (Kronenfeld, 1974; Nerlove .
c
o
isgust
izeme e
" - '
ra O oo ra ra O o > t oo g E fl II
e
r->
TO
§
epn ision = r anno ses.
DO
usias
=
It II
ition
>
iisa
G3
1!
ral
II
00
im tat:ion
td
surprise
fifi
ide
i«
eli
&
60
UI.I
c
II u
f
I_ « Ed
E
G
o
"60 CD
11
Agony
Arousal
c
cf
CD
C^l
II
•^
•5 o
y >
c
o
II
II CD
" CD
liversal enc usage l ado:ration (1 ent excitem Trujitration
alienation
J3
3 en cs CD
sei
%
CO
o
So o
£ c
y
•5
o
00
jQ-
.22 g
8 I" I?-;
-r-
§"«§
^
o••?e™ 3
M
ltl tli
I3
re ^ C5 0 0
S Jri S iS
j = S os
•c
00
ZQ
^: ox)
-t ^
•S §
Y ^ fTl
IS
[T,
e » •°"'-S *S £ 3 v W Q W
bO
c
•c
•a e
ll If Ill'i
°l
*3 "t3
2 ^ * _ g'
^
a r
2
SI
8-a
I S 2S
c«
1
S
£
«a S
8
1
r""
»*.
2 .£>
g
j? >, J&.2..2
Ilifis
3
gf
if
N > OM MO
H| a *
*3
Hi I! I *
O
liiigg.
ill
-
K^1 DHH
I •3=3 a
III
1
-
E
'sip
"5 us
•c -c
II
i
1111
•s
3 8 A JS
u^2
I
Q^T
«.
=5
U05
2 ;=
1
111 I
•i&i
"1 s McS
Is |1 «^'
2?
'3 •§ -g-5.
PS»ja:t2
lie!
&s J If
2KO
-5 .y 2 g-Bi
I 2 I •- g
S S ii •
13 .o-g gjc
* is i ra
-§
Si •51 a i t
I
- 5
£> rt
"O
«
< S
x> n M >o* ^*
S3
,3 S
s
o
£
tfl
%
•S3
— x
•c
e
o
'5
8S
B S •=
t
a>1 Sl£
.—
&0
_O *c3
£.
'S a* •a o,
R
= !•„ 1=3 B •£ S ^
B O 5
'•3 S S B -a 2 §>.!
sal
fa sz^
5 -°
:
s
SJls
ra S
&
Z ZQ
fit
n
00
i 3 o 3 =
,£»
a. be Q
3 :=-1
U 1
• - (U 3
•" DO
•£-S% 'ra" § S
S'QQ
g a'
•o
111 I a,
1 « DO
•
1
ll
ra
s^
III
« 3 3 00 tT C 3Ort
l1
.s 1
• "
S
B
£
3 a. « •E..2, j S-J? .s-g.3 » •> S*'S 5 .IS » 5: ^"O •£ -a T: "O "ra S S :£o OH >£X
O
o
Q-
rt
8-
»-l .
o -
B a c 3 -5o
3
ZO
fij
|1=
M1 H. S
^o
S.s 1
T3
1 /ra O
a 3 fflJ O
0 _ C 2
ndoi
* IIII 1
|
5
:(L)
i
•3. Si "&
« «S
I 1
moz
3 rt S pi &o 2 o £
oSz
3 •§ " ^
•s 1 l a .
fo
,81
O
N N
ra
£>
«
•-
|I
•-
& ra
&8
O
ill
is
3 Srs
5
S
1 g
1
ra
DO
aj
II
Hi
111 sal
'3\2S
III
S- 2
am z
ra
S untent -shipa: onit-th pleasi
yam ntuts
Tsuva:
ariy
1,1
1 I1 1
S X c-
g £ s
2g,
Ele: to desire
y
"3
.8
J O
3 £ .&!•
£ S
5S
GaeArez Maq:
ia ft tole Ueligui
item] (A)vy':
opiii
gitok
Tevred Isoken
itenc iwol Cilili i: sadi Smh mm
Jhili Rung unge:
stalli iillas
l< l< £
3
s
uch
|| | 1 ^
2a 2 S
oore re CQ O
UlgOSUI
: shar
^2
|
•£3
're
"^
'E? re
=S
™
shni vu as: be j
3
;S.* S
- •
ill
rekose
regrei
11 1
_I 1 "~ ^ .H 3 S "« j_, Jg >_ rj
4) 'cj, ' u
2J i
< < CO
O
S 13 ^
l
I2 I
O O C
u
0>
*1
11
§ 11
3 u iS •
B 2. "
la
ii
I
I u *3
I
ex