Against Clairvoyance: The Future of 21st Century Media

Mark Hansen Duke University, Literature Title and Abstract Against Clairvoyance: The Future of 21st Century Media 21st century media designates media following its shift from a pastdirected recording platform to a data-driven anticipation of the future. In my paper, I shall attempt to characterize the new form of governance rooted in contemporary ‘predictive analytics’ and the various systems, governmental but also commercial (eg, Facebook, Google), that comprise nodes of its operation. I shall then explore the experiential challenges posed by this shift, and specifically by the capture of microtemporal sensibility by contemporary media industries. Finally, drawing principally on the work of Whitehead and Lazzarato, I shall sketch the rudiments of a postphenomenological account of sensation that aims to restore unpredictability/creativity not against but on the basis of and within contemporary systems of predictive analytics. Biography Mark Hansen is Professor of Literature and Director of Undergraduate Studies, Literature in Duke University’s Art, Art History and Visual Studies Department. Over the past decade

he has sought in his research, writing and teaching to theorize the role played by technology in human agency and social life. In work that ranges across a host of disciplines, including literary studies, film and media, philosophy (particularly phenomenology), science studies, and cognitive neuroscience, he has explored the meaning of the relentless technological exteriorization that characterizes the human as a form of life and has paid particular attention to the key role played by visual art and literature in brokering cultural adaptation to technology from the industrial revolution to the digital revolution. He is the author of Bodies in Code: Interfaces with New Media, New Philosophy for New Media, and Embodying Technesis: Technology Beyond Writing.

Recent Publications: “Ubiquitous Sensation or the Autonomy of the Peripheral: Towards an Atmospheric, Impersonal and Microtemporal Media” in Throughout: Art and Culture Emerging With Ubiquitous Computing, Ed. U. Ekman, MIT Press (2012). “Living (with) Technical Time: From Media Surrogacy to Distributed Cognition.” Theory, Culture & Society, 26.2-3 (2009): 294-315. Bodies in Code: Interfaces with New Media. Routledge, (2006).