process of digital image creation and manipulation for output in print or ... How to
Create Stunning Digital Photography, Tony Northrup, Mason Press, 2012.
BSc (Hons) Journalism Level 1 Semester 1 (Aug–Dec 2012) Module outline for Semesters 1 and 2 COMS 1011Y(1)- DIGITAL IMAGING This module will provide practical experience in the
process of digital image creation and manipulation for output in print or screen form. Students will learn about the features of the camera and how to choose a camera according to the required output. They will learn about the techniques associated with the use of lenses, exposure, depth of field, shutter speeds, film, lighting, composition, and colour. They will be exposed to digital imaging and digital darkroom. Students will be required to come up with a portfolio every 5 weeks on special themes. Emphasis will also be laid on the acquisition, storage and manipulation of images. Students will be introduced to appropriate Open Source and/or industry standard software packages for the creation, correction, retouching and manipulation of digital images. They will explore techniques that enhance or alter existing images with special care for ethical aspects involved in the process. Other themes will include: the knowledge of human visual perception, image syntax, and aspects of visual communication, image capture devices, acquisition of images via scanning, image resolutions and formats, image adjustments and colour correction. (Note: Examination will be lab-based)
Indicative list of topics for Semester 1 •
Human visual perception, image aesthetics and syntax, visual communication
•
History of visual communication and photography
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Introduction to GIMP software
•
Digital imaging basics: resolution, pixels, file formats and size, compression
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The art of image composition
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Using natural and artificial light
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Use of lenses, exposure, depth of field and shutter speeds
Class will be held either in the FSSH computer lab or the Mediacom Studio (ensure you check the blog page before class). Some exercises will require the use of equipment from the Mediacom Studio (camera, tripod, audio recorder, etc.). Students will need to rotate through the use of such equipment either during class time or free time. Some practical sessions will require outdoor trips (either guided or on your own). Students will be expected to complete portfolios of pictures on specific themes on a regular basis. These will form part of the assessment counting towards Continuous Assessment.
Assessment Continuous Assessment: 50% Examination: 50% Please note that:
Students will be penalised for late submission of work.
Bonus marks may be earned for regular attendance and participation in class.
University regulations require 80% attendance in class, failing which students will not be allowed to sit for exams.
References
The Digital Photography Book, Scott Kelby, Peachpit Press, 2013
Perception and Imaging, Richard D. Zakia, Focal Press, 2013
How to Create Stunning Digital Photography, Tony Northrup, Mason Press, 2012
YouTube videos on photography
Compulsory online resources
Students are required to consult the Comstudies blog regularly at the following address: http://comstudies.wordpress.com/ and the webpage for this module at:
http://comstudies.wordpress.com/lectures/digital-imaging-aug-dec-2012/
As far as possible, lecture notes will be made available prior to the class. Students are required to print copies of these and bring with them in class. Information about assignments will also be provided online. All students are required to adhere strictly to rules applicable to the relevant module as communicated.
C.Chan-Meetoo Tel: 403-7938 E-mail:
[email protected]