ONSTAGE Edited by

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IVO VAN HOVE

ONSTAGE

Edited by David Willinger

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viii

Contents

Splcndid's: Artaud respludent, Zuidctiik Toncel, j99.1 t62 Faccs (Koppen): poor theatrr.fitr suburlt,m narriages, Zuideliik

Tonttl, l()t)B l0-: A Massecrc

at Paris; exodst

in

style, 'Tu,rrrrrrnelt

Amstertlant, 2001 170 york l'heatre ll/orkslnp, 2001, Tonetlgrocp Anstarrlant, 2006, and Tlx: Bdrbicnn, LontlorL, 2016 171 Trrre Lor.c: sultrous and skittisl.t, Toneel.groep Arnsîerdant, 2002 1gl

A

tale

oJ'

three Heclcla Clabler-(

Rocco ancl His Ilrothers: Amstffdluil,

2009

j

.\reu1

rakin.q the gloues oll-fitr loue

,

llLill

Tonr:e{groep

.,-,,L,L

l B.;

cries and w'hispers: unbridred pain, 1'onearerotp Amstcrtrarn, 2009 tgg The Antonioni Project:-làrmal inrriury, Tonetlqrotp Artstcrddnr, 201() Perscr na : p e rs () ntll

Amsterclam,

Lrrdu,ig:

nû

i

m,t c1,, n rc t Ltph

2012

1t

5 1ç

6l

( x p an

s

t,

li,i.

Lrffiülllllill[lÙflllllllllllllf,r

191

T o nt dgro qt l

l.lùnthner Kdmrnerspiele, 201 1 1 99 Ed-,vard Il: lrcw tlrc othtr half lircs, Berlin Sclmtiltùltne , 2012 20i Nlor.r, ,rrrrl into tlrc -futurc 208 sign.s oJ madncss,

I

linri4

i:j1ght:

Johan Cdllens l,lounti n.q Bccontt,s Electrd

2_37

Institutional controvcrsics 2.10 Lona Day's Jlturnt:y irtto Nigltt 212

Ivo van FIove's cinenra olrstage: reconstructins the creative

process

Serye Cttriell,

A eift to the .,r-orld of rcsearch 2,19 'What Ivo has ro sav on the subjecr

250

Strong connections u.ith thc theatre 251 Extremel,v static fiLtrs 253

Lnbuing imnobiLitr,' rvirh nrovenrenr 257 Fro11t

and center: the characte-r 25g

Love still is lor.,e even u.hen it lacks harr,o,y: Artigone and the atternpt to humanize tragedv Clnrlottc Clrrrltc:r

2(:

Tlic q1x1,c. stâgc: Sfr\.e is both an adjective ancl a verb 26,1 The rrost terrible co,tlict is a tri'ial one: o\:eracting, uncrerachteving? 267 I{ealiry overtakes rnyth: brancis VIaes

Ivo

'an

on Tlte Rûry 277 WItcn rn.rgi,' l)cL.ont('\ rt...hrroiogr

Hove stages Dcr Ri,g,

Perspcctir.-es

2gtJ

De.s l{ibelt*rgert

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1

llllitrl

;rllilrLfllllll,llllllflllll' lll

197

Front l[ou,ing B«ttrncs Elettra to Lor\g Dtty,t 1ou,.,rry into Ivo van Hor.,e directs Eugene O,Neill

l*:lll

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m

Clontents ix

-'-.:dorn ItTlluillur

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l

and literalism 284

-sic and the construction of rneaning 286 .,.o systems of

hi tech

291

"lü,Xurir

.-.:,rgs

'-,ian.

--1

rf

War or the play of por,ver

294

Thielemdns

-:e patterns of pow-er: theme and variations 291 I, clash of charactcrs 296 ,ioom and labyrinth 297 l.nthologv rnornents 298

i9t

7: Rornan Traqedies

300

of distractiorl: spectarori:ll lreedonr anrl (dis)enfr:rnchisenrent in Toneelgroep's RorÆ.7i r'l'raccdics

- he politics

-

Natalie

Corbett and Kererl Z'aiontz )t;1qing the Tu,itter w.rr: Toneelcroep Ânlsterdarn's llorndn Tragedies

ix 2: ,Tr-rne

-

James

R. tsall III

Interuieu, u,ith luo uan lfeÿ(: by _[ohan Rel,rritrs

2017 Anner to Etceter:r intervier.r- (2ii13) rvith

lvo

van FIove

300 304 310 322 -1; /

...SS

26:

267

\ibelungen

IF