Jul 25, 2011 ... Antonio C. Hila, The Philippine STAR, October 13, 2008. 2009 Chaminade Flute
Concertino and Claude Bolling Suite for Flute and Jazz Piano.
REVIEWS: 2008 Soloist with the Philippine Philharmonic Orchestra in Poulenc Flute Sonata, Caitlin Coyiuto, flute; Helen Quach, conductor (Manila) Assistant to Leonard Bernstein of the New York Philharmonic Orchestra 1967-68 Season
“Caitlin has a lovely clear tone and her rhythm is steady and her phrasing musically expressed. She played with conviction throughout the Poulenc, which showed her very gifted control of the flute.” Helen Quach, conductor A fitting tribute to a patriarch:“Caitlin awed the audience with her masterful rendition of Poulenc’s Flute Sonata orchestrated by Sir Lennox Berkeley. She essayed arresting warm, elegant tone, perfect intonation, and articulate phrasing that unmistakably disclosed a virtuoso’s feat-both technically, and musically. Expectedly, she played the three-movement sonata sans score. She etched well crafted lines singing and legate. She played with obvious flair, caressing her tones to exude a velvety texture. On the podium, conductor Helen Quach wielded the baton confidently, assured by the telling capability of a juvenile soloist who played exceedingly well, indeed, as if there was no tomorrow. At the end, the audience burst into hearty applause, punctuated by crisp shouts of “Bravo!” “Definitely, Caitlin is a young flautist to watch.” Antonio C. Hila, The Philippine STAR, October 13, 2008.
2009 Chaminade Flute Concertino and Claude Bolling Suite for Flute and Jazz Piano Caitlin Coyiuto, flute; Cristine Coyiuto, piano; Joji Magadia, bass; Jorge San Jose, drums (Performances in Metro Manila, Alabang, Bacolod, Dumaguete, Cebu) Famed French composer Claude Bolling wrote: Chère Caitlin, “Tous mes meilleurs vœux de réussite à tous les artistes et musiciens et aux amis de la France. En souvenir du grand Jean-Pierre Rampal, Avec mes amitiés Claude Bolling” le 23 mai, 2009
The Captivating Coyiutos: “Caitlin rose to the challenge in glittering, indeed, virtuosic manner, her tones, firm, assured and finely nuanced, her fingers deft and nimble. Rapport was flawless and impeccable, the pianist matching the flutist’s every legato or spritely note with seamless precision. The duo glided through the (Chaminade) Concertino with charm and buoyancy, in supreme togetherness. In Claude Bolling’s Suite for Flute and Jazz Piano, pianist and flutist shifted to an entirely new musical discipline that fused jazz (predominantly the blues) with classic, revealing in the process the performers’ delightful versatility, both playing the unique idioms with obvious enjoyment, ease and aplomb. Cristine conveyed infections verve and spirit, her robust, energetic style and eloquent body language “jolting” the listener and commanding attention. One noted the same zest and vibrancy in Caitlin.” Rosalinda Orosa, The Philippine STAR, July 11, 2009.
Caitlin Alisa Coyiuto, page 1
Coyiutos, a powerful musical tandem: “In Cecile Chaminade’s Concertino for flute and piano, op.107, Caitlin etched luminous lines, arresting runs, and stark tonal colors, all delivered in mellowed muscled tones. The intonation was perfect, and the phrasing articulately etched. Caitlin combined both technical proficiency and comely sentiment. Indeed, no interpretation could be so moving if it were not anchored on solid technique. Momentous listening ensued in the percolating rendition of a contemporary jazzy piece composed by Claude Bolling, Suite for Flute and Jazz Piano. Hardly had the ensemble finished the last note when thunderous applause burst from the audience, which truly had a momentous time of listening.” Antonio C. Hila, Philippine Daily Inquirer, December 21, 2009.
2009 Doppler Andante et Rondo for 2 flutes, Robert Aitken and Caitlin Coyiuto; Cristine Coyiuto, piano (Manila)
Aitken: Awesome virtuoso: “The rendition of Franz Doppler’s Andante et Rondo for two flutes and piano, with Caitlin on flute II, was marked by marvelously closed ensemble work, Aitken’s impeccable performance complemented by that of Cristine and Caitlin. Rosalinda Orosa, The Philippine STAR, November 4, 2009. Forthwith, Aitken observed: “It was a great pleasure to perform with Caitlin in one of the most important two-flute and piano pieces in the repertoire. Caitlin’s technical command and flexibility were outstanding. She never missed a note in the wonderful performance. I felt entirely comfortable with her and her exceptional musical mother Cristine.” A grand night of flute music: “ The rapport of Aitken and the young Coyiuto in the Doppler piece was the perfect combination of infinite musical wisdom and youthful dynamism.” Pablo Tariman, Philippine Daily Inquirer, November 9, 2009.
2010 Loeillet Trio in B minor with Caitlin Coyiuto, flute; Ann Alton, cello and Cristine Coyiuto, piano. 2010 Hüe Fantasie for flute and piano, Caitlin Coyiuto, flute and Cristine Coyiuto, piano. (Zankel Hall Music Center, Skidmore College, Saratoga Springs and Lake Placid, New York; Manila)
Ann Alton writes: I recently had a pleasure to working with the young flutist, Caitlin Coyiuto in a performance of Loeillet Trio in B minor. I heard two of her performances of the Fantasie of Hüe. In our first rehearsal, I was immediately impressed by her sensitivity and attention to detail. Her ensemble playing shows an ideal chamber music sensibility. She was able to blend effortlessly with the different timbres of cello and piano, and when necessary, she was able to lead with a confidence-inspiring security. Caitlin’s solo performances were very well received. Her technical ease and musical expressive are well beyond her young years. (Ann Alton teaches cello at Skidmore College and at The Juilliard School.)
Flute concert opens Filipino festival in Alabang: “ A highlight of the concert was the mother-daughter tandem that closed the first part of the program. Flutist Caitlin Coyiuto, with her mother Cristine on the piano, rendered Hüe’s contemporary piece, “Fantasie”; with fabulous appeal. The collaboration was tight to ensure a well-nuanced rendition. In practically all registers (low, medium and high), the young flutist impeccably projected her tones full and brilliant. Phrasing was intelligently crafted to define well-etched lines all fired by sensitive musicality.” Antonio C. Hila, Philippine Daily Inquirer, June 14, 2010.
2011 Soloist with the Metro Manila Concert Orchestra in Hüe Fantasie, Caitlin Coyiuto, flute Josefino Chino Toledo, conductor (Manila)
Toast of the concert: "Young flutist Caitlin Coyiuto was the toast of the concert. In keeping with the generally “new sound,” she closed the first part of the program with a performance of the French composer Georges Hue’s “Fantasie” for flute and orchestra. Cast in an Impressionist style, the piece Coyiuto essayed with astounding command. She essayed a dynamic sound and etched rich colors. Her articulation was clear, intonation perfect, and lyricism soared. She held the audience in her palm, so to speak, as they listened attentively. Indeed, what a tremendous audience impact she had imparted. Majesty and brilliance combined to crown her triumphant performance, which was met with hearty applause at the end." Antonio C. Hila, Philippine Daily Inquirer, October 17, 2011.
Caitlin Alisa Coyiuto, page 2
An evening of youth and the promise of future: "There was a stir in the audience when the 17-year old flutist Caitlin Alisa Coyiuto walked on stage, for we had heard her as a child performing with her artist-pianist mother Cristine in the past. After the MMCO's soft and tender introduction, Caitlin emitted authoritative strong and powerful flute passages followed by delicate sounding melodies in lyrical partnership with the MMCO, before arousing our curiosity with many short slurred notes leading to a triumphant ending. She was able to unite the many themes quoted from Georges Hüe’s previous works, especially the operas, giving it a peerless rendition! It was really her God-given deep sensitivity and the beautiful tones that swept and uplifted everyone heavenwards. These are signs of a true artist! In this evening’s sterling performance, the young Caitlin has emerged as an artist to watch and care for!” Maria Celine Veloso-Pil, The Manila Times, October 28, 2011. Caitlin Coyiuto amazes: “Caitlin's performance showed how masterfully the 17-year old flutist interpreted Georges Hüe's one movement Fantasie for Flute and Orchestra with the MMCO assisting under Toledo. The opening half of the piece was predominantly atonal and dissonant, with Caitlin rendering its demanding curlicues, florid passages, extensive runs, abrupt rhythmic changes and a fiery blast with considerable fluency, verve and spirit, while conveying the flute’s rich tonal resources and widely divergent dynamics throughout the selection. The brilliant Caitlin and Toledo were in consistent rapport, the latter conducting authoritatively and impeccably. The score’s subtleties and complexities were eloquently expressed by Caitlin. She further captured the whimsy and surrealistic qualities and the Fantasie’s first portion and the melodic character of the second through virtuosity and keen sensitivity - exceptional for a flutist of such tender years. Indeed, Caitlin’s performance was superlative all the way!” Rosalinda Orosa, The Philippine STAR, November 2, 2011. Two plays and a concert: “This astonishing performer, Caitlin Coyiuto, always amazes me. She always appears to be calm on stage, then totally immerses herself into the composition she interprets. I know she had a full day but still she gave an incredible performance of Hüe’s "Fantasie" for flute and orchestra, a composition in one movement that lasted a little over seven-and-a-half minutes. She surmounted all the difficulties with flying colors and she had rapport with the conductor. I know the concert was videotaped. Perhaps sometime in the near future you may find it for sale before a concert. I shall try to purchase the DVD when it becomes available. Next time Caitlin plays in Manila, do go hear her and be amazed at how talented she is.” Juan Antonio Lanuza, BusinessWorld, November 16, 2011.
2012 World Premiere of “Psst!” for flute and piano by Josefino Chino Toledo
Rousing performance marks MMCO’s 11th-season final concert: “Catching the chamber performance in AUDI Global City, one cannot but help single out Caitlin’s sterling world-premiere performance of Toledo’s new work “Psst!”, composed on July 25, 2011, for flute and piano. Of course Caitlin’s proud mother, Cristine, was on the piano. Mother and daughter essayed an engaging dialogue, bringing out the intrinsic appeal and brilliance of the work. Caitlin impressively played the flute combining both usual “traditional” technique and an unusual, modern manner as called for by the work. Seeking inspiration from indigenous music, the work called for a “residual tone,” which Caitlin explained as defocusing the embouchure to make the sound more airy, and “beat box,” a rapper’s technique that mimics percussive instruments. It certainly is a welcome feat for Caitlin early in her career to have a catholicity of taste, making her at home both in all stylistic nuances from Baroque to New Music.” Antonio C. Hila, Philippine Daily Inquirer, March 5, 2012. “Caitlin did an outstanding rendition of "Psst!". Her playing clearly brought out all the musical effects and ideas that I was thinking of when I was writing the piece. It was truly an impressive performance. One of the thrills was watching the mother and daughter tandem of Cristine and Caitlin perform the playful and lively musical discourse between flute and piano parts with passion and aplomb.” Josefino Chino Toledo, February 28, 2012. VIRTOUSITY at its UTMOST: An Enchanting Chamber Music Concert at Audi Global City: “Psst!” written on July 25, 2011 by our internationally awarded composer-conductor Josefino Chino Toledo, this piece was specially written for our young flutist Caitlin Coyiuto who with her mother, pianist Cristine Coyiuto, gave it an exciting brilliant premiere this unforgettable evening. It was rhythmic virtuosity all the way making us sit straight on our seats from the beginning to the end as we listened to the music expressing materials and traditions of our brothers in Mindanao, Caitlin expertly using residual tones, flutter tonguing and beat boxing (not normally found in traditional flute playing) to echo the sounds of gongs and cymbals in the B section which brought unending applause form the audience. Let me quote excerpts from the composer’s note to Caitlin, “You did an outstanding rendition of Psst!” Your playing clearly brought out the musical effects and ideas that I was thinking of when I was writing the piece. It was truly an impressive performance!!! One of the thrills was watching you and your mom perform the playful and lively musical discourse between flute and piano parts with precision and aplomb. All the best.” Maria Celine Veloso-Pil Caitlin Alisa Coyiuto, page 3
2012 Will perform Quantz Trio Sonata and Doppler Andante et Rondo for 2 flutes with Ulrich Mueller Doppler in a duo concert. “Caitlin is an exceptional talent. It includes a high level of musicality, the technical level is very high for her age and she proves to be flexible in the classroom. She has reached the advanced level on the flute. It was a great pleasure for me to instruct a young sympathetic flutist to the fine art of the flute performance.” Ulrich Mueller Doppler, Cologne, Germany
2013 Spring, Caitlin will perform Martinu Trio for flute, cello and piano with cellist Ann Alton and pianist Cristine Coyiuto in Florida, USA.
Caitlin Alisa Coyiuto, page 4
