META-TEMPLATES & THE UNDERLYING (DIS-)UNITY ... - CiteSeerX
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META-TEMPLATES & THE UNDERLYING (DIS-)UNITY ... - CiteSeerX
press the mixture of formal similarity and diversity exhibited by the various .... '86, '88 as constituting perhaps the world's largest rule-constellation, with more ...
Published in: ESCOL ‘91. Proceedings of the Eighth Eastern States Conference on Linguistics. The Ohio State University Department of Linguistics (1991), pp. 160-173.
META-TEMPLATES & THE UNDERLYING (DIS-)UNITY OF SANSKRIT REDUPLICATION Richard D. Janda & Brian D. Joseph University of Chicago & Ohio State University 0. Introduction. As part of the special attraction which Sanskrit has long held for Western linguists, one aspect of the grammar of this language that has received more than its fair share of mention in the literature, even in studies ostensibly devoted to such topics as the morphophonology of aspiration alternations, has to do with reduplication in the verb system (for relevant bibliography, see Janda & Joseph 1989). In two recent studies (Janda & Joseph 1986 and Joseph & Janda 1988), we have ourselves analyzed Sanskrit verbal reduplication from the perspective of the general framework known as "Process Morphology", an approach whose adherents literally range from A to Z (cf., inter alia, Anderson 1977, Aronoff 1976, Bach 1983, Dowty 1978, Hoeksema 1984, Janda 1983b, Matthews 1965, Schmerling 1983, Thomas-Flinders (ed.) 1981, and Zwicky 1985, to cite just a small sample of authors and their early work). In Process Morphology, non-root "morphemes" are not treated as things--e.g., as lexical entries or material added by rules--but instead are themselves rules-i.e., processes--triggered primarily by the morpho-syntactico-semantic features which they express. As a result, many morphological operations appear to require the power of the transformational rule-format: especially permutations (metatheses), but also some infixations and complex affixations. This viewpoint contrasts sharply with the alternative framework usually known as "Prosodic Morphology"--which, since its beginnings in, e.g., McCarthy 1979 and Marantz 1982, has continued to expand and develop via such major reorientations as that of McCarthy & Prince 1986-MS and later works. In Prosodic Morphology, no morphemes are processes--i.e., morphological rules; rather, all morphemes are indeed things--e.g., lexical entries--although they often consist solely of templates that involve only a minimal amount of phonological content. On this approach, the transformational rule-format can apparently be dispensed with completely, and so it seems that morphological theory can be highly constrained. Even infixations and complex affixations, for instance, can be analyzed entirely in terms of templates and largely universal autosegmental association-conventions applying to individual tiers, with all processes which appear to have morphological triggers being treated as "morphologically conditioned phonological rules". In our three previously-cited joint papers (hereafter J&J '86, '88, '89), we examined reduplicative verb-morphology in Sanskrit with an eye to comparing the two abovementioned approaches–especially because, ever since Marantz 1982, reduplication has generally been held to represent the paradigm case where Prosodic Morphology can be shown to be much more constrained than Process Morphology. In those works, we argued that Prosodic Morphology cannot insightfully express the mixture of formal similarity and diversity exhibited by the various reduplications in Sanskrit, claiming that this situation receives a homogeneous treatment only in a uniformly rule-based approach like Process Morphology. In particular, since individual idiosyncrasies in the realizations of reduplication across the different verbal categories of Sanskrit require that these reduplications be stated separately, some mechanism is needed for expressing the significant commonalities which they also share. J&J '86, '88, '89 therefore proposed (following Janda 1982b) a novel device which not only expresses--as generalizations--these formal similarities across distinct morphological rules but also groups together such sets of processes into larger ensembles. In this way, for example, we can posit a "meta-redundancy-rule" (or "redundancy meta-rule")--i.e., a redundancy statement defined over rules--which unifies the multitudinous Sanskrit reduplications as a "rule constellation": a set of rules which are united by one or more shared properties of form but which cannot be collapsed with one another due to one or more incompatible differences of form and/or function. Still, at least in J&J '86, '88, the main goal which we pursued was not that of attempting to demonstrate the efficacy of a Process Morphology account of Sanskrit reduplication vis-à-vis analyses in other frameworks. Rather, those two earlier studies primarily sought to promote a particular solution--one making use of rule constellations and meta-redundancy-rules--as the best way to capture non-collapsible formal similarities across distinct morphological elements. Nevertheless, the specific approach which we adopted also required that reduplication be analyzed as a set of morphological rules, thereby allowing rule constellations and meta-redundancy-rules to be invoked as a means of capturing the relevant cross-rule similarities. We have since realized, however, that the continued dominance in contemporary morphology of non-processual approaches, especially Pro-
Published in: ESCOL ‘91. Proceedings of the Eighth Eastern States Conference on Linguistics. The Ohio State University Department of Linguistics (1991), pp. 160-173.
sodic Morphology, has had the result that processually expressed notions like rule constellations and meta-redundancy-rules (especially the latter) have not received the attention we feel they deserve, even though they can quite easily be translated into prosodic analogues. In order, therefore, that the baby not be thrown out with the bathwater--i.e., that the concept of meta-redundancy-rules not be tarred with the same brush as rule constellations and Process Morphology--we will in Section 3 below set aside the latter and adopt, as an alternative avatar of our constellational analysis for Sanskrit reduplication, a templatic, prosodic framework. It is thus our primary goal in this paper to show that a minimal extension of Prosodic Morphology so as to include the already conceptually implied (and tacitly employed) notion of "meta-template" permits an insightful analysis of the several Sanskrit reduplications in a way which expresses the same generalizations as do rule constellations and meta-redundancy-rules, but without requiring the recognition of any morphological processes.* The present study therefore does not constitute counterevidence to Process Morphology (although the loss of a claimed advantage over Prosodic Morphology could be considered a lessening of "pro-evidence"). Rather, the issue of capturing non-collapsible formal similarities across distinct morphological elements transcends the process/prosody debate, since it demands as well as receives a solution in both approaches. 1. An Initial Comparison of Prosodic and Processual Morphology--vis-à-vis German Umlaut. Ever since the appearance of McCarthy 1979, the primary appeal of Prosodic Morphology has been its ability to achieve processual surface-effects (like apparent metathesis) without recourse to processual stipulations. In this regard, it is the central, representational notion "prosodic template" which, in conjunction with association conventions that are to a high degree independently motivated and even universal, allows Prosodic Morphology to impose such strong restrictions on language-particular morphological rules. The prosodic achievement is consequently that, with the development of an increasingly refined set of association conventions (e.g., now also from the "edge in"; cf. Yip 1988), morphological rules involving both inputs and outputs can basically be dispensed with in favor of a straightforward set of templates constraining output form alone. Process Morphologists' responses to Prosodic Morphology have therefore centered on attempts to show that, in certain instances, an exclusively templatic analysis, unsupplemented by rules, is insufficient to express certain obvious morphological generalizations. On the one hand, many defenses of Process Morphology focus on such prima-facie processual phenomena as metathesis and exchange-rules (cf., e.g., Janda 1983b, 1984, 1987:27-47, 298-407). The argumentation reconsidered here, however, involves the suggestion that, in their rule-centeredness, analyses expressed in terms of processes and (meta-)redundancy-rules are inherently more unified than prosodic treatments which combine templatic and other lexical entries with redundancy rules. One earlier claim regarding an apparent instance of this sort focused on the different subgeneralizations which must be recognized within the general process of Modern High German [NHG] umlaut (cf. Janda 1982a, 1982b, 1982c-MS, 1983a)--a set of phenomena later discussed by J&J '86, '88 as constituting perhaps the world's largest rule-constellation, with more than sixty members. In particular, this extremely diverse nature of umlaut in contemporary German exists because a single purely phonological rule of Pre-Old High German--in origin probably a completely allophonic process formulable in segmental terms roughly as V --> [-back] /__ C o [-consonant, -back, +high]--has been transformed, through a series of steps leading to further phonologization and then to morphologization and fragmentation, into a repeated part of numerous morphological rules in NHG. This recurrent formal pattern, which can be factored out of the myriad NHG inflectional and derivational rules that involve (i) umlaut alone (occasionally), (ii) umlaut with prefixation (somewhat less frequently), or (iii) umlaut with suffixation (by far most commonly), can be expressed approximately as /...V.../ --> /...[V, -back, -low].../.1 Some idea of the wide range of NHG categories which are wholly or partially marked by umlaut can be gained from the small sample which follows. In this listing (which in subpart (iii) is structured according to an alphabetical order based on the initial letter of representative suffixes that accompany umlaut), each entry has the format basic form / derived form, 'gloss for basic form' / 'gloss for derived form'. In order to maximize comparability, all of the roots involved have short /a/ (orthographic ) as their underlying vowel, with short / ε/ (orthographic ) as their umlauted counterpart. Thus, (i) two examples of umlaut alone are Hammer/Hämmer 'hammer'/'hammers' and hart/härt-(en) 'hard'/'(to) harden'; (ii) one illustration of umlaut with prefixation is Ast/